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Kerrry Hada at the microphone during the dedication of Highway 285 as "Ralph Carr Highway." Carr was the governor of Colorado during World War II who fought the unconstitutional internment of Japanese Americans from the West Coast, and lost his political career for his stand. Hada helped lead the effort to name the highway after Carr. Congratulations are in order for Kerry Hada, a Colorado-born Japanese American attorney who has just been named by Denver Mayor John Hickenlooper as a Denver County Court Judge. Erin and I have known Kerry for years, and he's deeply involved in both the Japanese American and wider Asian American Pacific Islander communities. He's a member of the Governor's Asian Pacific American Advisory Council (GAPAAC) and has been a member of many community organizations. He was named this past year to the Board of Directors of the Japanese American National Museum in LA, and he is dedicated to Denver and to the AAPI population. I'm very glad to see that The Mayor has chosen him from a short list of qualified candidates. (BTW, he'll be replacing a retiring judge, another JA, Mel Okamoto, who's also a great guy... but I doubt the ethnicity had anything to do with Hickenlooper's choice).

Erin and I have great respect for Asian Americans and Pacific Islanders' need to preserve our traditional heritages -- they enrich our lives and help give us our sense of identity with the countries of our ancestors. I think too few young Asian Americans hold on to their ethnic heritage. At the same time, we're not just about kimonos and martial arts and traditional music and dances, and don't appreciate that outsiders (white people, mostly) view us through the exoticized filter of our cultural and social traditions. That's why, during her tenure as editor-in-chief of Asian Avenure magazine, Erin sought to paint Denver's AAPI communities with a broader palette. Major stories were about AAPIs in politics, the popularity of Anime with non-Asians, Asian Americans in the U.S. military, multi-racial Asian Americans and even how Asian Americans are excelling in hip-hop dance. Erin also wrote this month about Namita Khanna Nariani, the founder of Mudra Dance Studio, who's a terrific example of how AAPIs can synthesize their respect for traditional culture with the modern energy and pan-cultural richness of being Asian in America.

For Veteran's Day, 2008: Hoang Nguyen, 37, knew as a kid that he would join the U.S. military. “I wanted to repay back the United States for helping my family after the fall of Saigon,” he says. He remembers the chaos of the end of the Vietnam war in the late ‘70s. “We took a boat from Vietnam to Guam, then flew to the U.S. with the help of American troops,” he says. “The military had a big impact on me at a young age.” That’s a common feeling among younger Asian Americans, he says, if they came out of the Vietnam War experience. Hoang attended the Air Force Academy, earned a Bachelors of Arts & Science, and went into pilots training at 22. “My parents were initially slightly cautious” about his decision to join the military, he says. “My father did not want me to go through the rough times he went through. But my mother was elated.” (He's shown above, with his mother, Hanh Ha, at the ceremony when he was promoted to the rank of Major.) Luckily, the closest he got to combat duty was conducting fly-overs in the Middle East between the two Iraq wars. He left the Air Force in 2000 (the official word is “separated”) and joined American Airlines. After 9/11, he said, his patriotism led him to join the reserves. He’s now a full-time active guard reservist and reached the rank of Major in 2005. AAPIs fighting for America When the subject of Asians fighting in the U.S. military comes up, the first thought is the Japanese American 100th Battalion/442nd Regimental Combat Team during World War II. Many of those soldiers enlisted even though their families were incarcerated in American concentration camps.

Barack Obama's victory last night in the U.S. presidential election brought tears to my eyes not only because of the incredible historic nature of his mere candidacy, and the poignancy of his life story, and the righteousness of overcoming the odds and connecting with the majority of Americans to win the White House. The emotions welled up because of his ability to engage me throughout the campaign -- even though I was early on a supporter of Hillary Clinton -- at a personal level. It wasn't just the emails and text messages and the idealistic ubiquitousness of his campaign's eager, enthusiastic volunteers and supporters. The enthusiasm certainly was catching, however. It was simply the man, and his seeming thoughtfulness and determination. And his determined disregard for the most historic part of his grand run: his color. He didn't really disregard it. He simply refused to make it the focus of his identity. The only time he addressed it head-on was with his speech during the primaries about the nature of race in America. But last night, during his victory speech in downtown Chicago's Grant Park, he acknowledged that he understands the enormity of his accomplishment very well. He mentioned it right away, in a reference to his place in the racial narrative: "It's the answer that led those who have been told for so long by so many to be cynical, and fearful, and doubtful of what we can achieve to put their hands on the arc of history and bend it once more toward the hope of a better day. "Its been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America." That last line struck a familiar note with me. It was a reference to a 1964 Sam Cooke song, one of the former gospel-singer-turned-pop-star's lesser hits. "A Change Is Gonna Come" was Cooke's own acknowledgement of his place in the race narrative, but it was one of his last singles, released after he was killed under mysterious circumstances. (A Los Angeles motel manager claimed she shot him in self-defense.) Cooke had written "Change," his only protest song as a follow-up to Bob Dylan's "Blowin' in the Wind." Dylan returned the favor after Cooke's death with "The Times They Are a-Changin'." The slow, measured ballad is not one of Cooke's well-known, bright, sugary love songs like "You Send Me" or "Cupid," where he mixed gospel style with pop sentiments. The powerful chorus of the song, which went on to become a familiar refrain to those in the civil rights movement, is, "It's been a long, a long time coming, but I know a change is gonna come." Like Obama said last night, that change has come to America, at last.

Erin and I have seen Barack Obama speak three times. We were at Invesco Field for the climactic speech he gave during the Democratic National Convention in Denver. We were in the audience for his interview with CNN during the Unity Conference of journalists of color in Chicago in July. And, almost two years ago, we attended a rally in Aurora, Colorado, we were entranced by his public-speaking ability when he stumped for Ed Perlmutter, the Democratic Congressional candidate in our district. That was months before Obama officially announced his intention to run for President of the United States, but Erin knew right then and there she'd vote for thr guy. I held out for some months, cynically thinking that because of his race, Hillary Clinton would be the more likely Democrat to win over voters. How wrong I was. We met Ed Perlmutter the other day, when he and San Jose Congressman Mike Honda, a leader among Asian American pols, came to Sakura Square in downtown Denver, campaigning on Obama's behalf (Perlmutter is also on the ballot, but although he wasn't leaving anything to chance, Erin and I had honestly never even heard of his GOP opponent). The two men were in the area trying to ignite interest for the election in the Asian American Pacific Islander community.

Update Nov 3: The Boulder Police Department now says there was apparently no knife involved in the assault against the Asian American as described below, but the victim was threatened with being "cut." The police are also investigation another assult made the same night, Oct. 30: a gang rape of a woman by four men. Although neither crime occured on...

One of the great advantages of working for MediaNews Group Interactive is that our office, on the 9th floor of the same building that houses both the Denver Post, which we own, and the Rocky Mountain News, is that we have a terrific view. Located at the corner of Broadway St. And Colfax Ave., our building overlooks Civic Center Park, which is surrounded by us, the City and County Building, the Denver Art Museum and Denver Public Library complex, and the gold-topped Colorado State Capitol. Off in the distance to the west beyond the City and County Building rise the mellow foothillas and then the already-snow-dusted Rocky Mountains. With the sun shining and the air crisp with early fall -- a rarity here, since fall is often skipped in the rush from summer to winter -- it's easy to remember why we love living in Colorado so much. Today, the view off our 9th floor balcony of Civic Center Park showed some event going on. The summertime Farmers Markets had already stopped, and beside, they were held on Wednesdays and this was Thursday. You could hear the amplified sounds of music wafting up off street level, though, and a weird-looking tower was spitting out soap bubbles. There was a large, colorful peace sign drawn on the grass of the park, so I figured it must be an anti-war demonstration of some sort. During lunch, I wandered downstairs and crossed the street to check it out. It turned out to be a peace-and-art event, and a celebration of the late musician-activist-Beatle John Lennon's birthday. Lennon was born in Liverpool, England on Oct. 9, 1940.

I wrote an article for Asian Avenue magazine, about mixed-race Asian American Pacific Islanders. The print edition, which is available at 500 locations around Denver, has lots of photos with it. The article highlights some of the issues facing people of multiple racial heritage in general: the lack of acceptance by either side of your racial background; the disruption...