Gil Asakawa's Nikkei View | japan & asia
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It's amazing how many coats and jackets a family can accumulate over the years, and how many are left hanging in the closet, hardly ever worn. This week, I took a bunch of coats to the Asian Pacific Development Center to be distributed to one of Denver's newest immigrant communities, the Burmese. The APDC is a non-profit that offers health and social services to the local Asian communities, and Erin serves its the board of directors. The APDC conducted a food and goods drive for the Burmese over the holiday season, and is still accepting donations at its three locations: 1544 Elmira Street in Aurora, 1825 York Street in Denver and 6055 Lehman Drive, Suite 103 in Colorado Springs. Last summer, the APDC helped collect donated school supplies for students from both the Burmese and another Asian immigrant community, the Bhutanese. Because many Asian communities have been in the U.S. for two, three or even four or more generations and we've assimilated into American society, it's easy to forget that there are recent immigrants from Asia who are not as fortunate as those of us from Japan, China, Taiwan, Korea and other countries, whose families came here to seek better opportunities. In the case of the Burmese, and also the Bhutanese, another recent Asian immigrant group, they've arrived in America as refugees, like the waves of Vietnamese, Laotians and Hmong in the 1980s and '90s. The Bhutanese and Burmese refugees fled an oppressive regime or have been resettled from refugee camps across the globe. But unfortunately, once here, they're facing more oppression: In the past year, both Bhutanese and Burmese students were singled out and attacked in the Denver area. The first attacks were reported last spring; on December 11, a group of Bhutanese students were beaten and robbed after getting off a bus and one required emergency room treatment. The Denver Police Department distributed special cell phones to Bhutanese that are set to dial 911 in case of future attacks, but the community understandably would prefer the violence just stop. In the Denver Post story following the attacks, one Bhutanese refugee said:
"If they kill me and my son, what will my daughter and wife do?" said Dambar Bhujel, father of an 18-year-old victim, who is now wary of letting his son go to school. "At first, I was happy to come to the United States. After one year, I'm feeling very bad and I don't want to stay longer. But we can't go back to Bhutan and we can't go back to Nepal," Bhujel said. "They told us America was secure."

Lou Jing with her mother on the Chinese talent show that made her a lightning rod for discussions of race in China. I know I spend a lot of posts writing about the ongoing racism and stereotypes that Asians face in the United States. That's my passion, and it's important to me. But I'm also aware that racism exists all over the world. At its worst, that's why genocide still goes on, after all. And, I'm sad to say, racism is rife in Asia, even (especially?) in Japan, the country of my birth and family roots. It's a tribal instinct to separate people by ethnicity, and we just have to constantly work at rising above those instincts in the 21st century, when we live in a much smaller and much more intertwined world. My mother, who was born in Japan and moved to the U.S. in the mid-1960s with my two brothers and I when my father (himself Japanese but born in Hawai'i) was transferred stateside for his federal government job, is about as old-fashioned as they come. She's been in the U.S. for over 40 years, but she's still FOBish ("Fresh Off the Boat") in a lot of her values, even today. When I called my parents to announce that my first wife -- who was European American -- and I were going to get a divorce, her first comment wasn't anything sympathetic. She said bluntly, "See? I told you you should marry Japanese." Thanks mom, for the support. So I was saddened but not exactly surprised to follow the controversy in China over Lou Jing, the Shanghai-born college student who's shown in the video above, singing on "Go! Oriental Angel," China's version of "American Idol." Lou (pronounced "LOH") is mixed-race. Her mother is Chinese and her father, whom she's never met, was African American. She's a beautiful young woman, and a talented singer (her favorite performer is Beyonce). That's a picture of Lou with her mother on the TV show, above. But she's such an unusual sight in China that the TV show labeled her "Black Pearl" and "Chocolate Girl," and the media picked up on her inclusion in the show and made her a national racial sideshow. In a cultural switch from the "You speak such good English" line that Asian Americans get in the U.S., she's grown up hearing people ask how she can speak such good Chinese. "Because I'm Chinese" is her answer, of course. Following her appearances on the TV show, the Chinese blogosphere became filled with hateful comments aimed at both mother and daughter, venting outrage that her mother would have sex with a black man and calling Lou all manner of names and telling her to leave China (she will if she gets her wish for post-graduate study in the U.S.). There are a lot of different ethnic groups in China, and they don't all get along, as witnessed by the recent violence between ethnic Uighurs and Han in western China. But the majority of Chinese -- 90% -- are descended from the Han race. Although some Chinese are tolerant, many apparently are not. CNN has a good video report with accompanying text about the racial issues that Lou Jing has sparked in China. Here's a video of Lou performing on "Go! Oriental Angel":

These dancers are just paert of the 70-person touring troupe for "Carnival China Style" that will perform in Denver on Jan. 13, 2010. UPDATE: THIS EVENT IS NOW FREE! (Ticketmaster processing charges still apply) It probably irks Chinese people to no end that their centuries of culture is often crammed into just a couple of off-hand images: Bruce Lee and martial arts, Chairman Mao holding up his Little Red Book, Jackie Chan and martial arts, the traditionalist flash of a Beijing Opera performer in full makeup and drag, Jet Li and martial arts. Oh, and martial arts of any kind, whether or not it's from China. The mainstream American consciousness seems to be oblivious to the depth and richness of Chinese culture, and to its vast variety. But Chinese culture spans a huge area and a long timeline. Remember, China is so big and diverse that it even has seven separate groups of language dialects. A Chinese person from Beijing may not be able to understand someone from Hong Kong, because Mandarin is spoken in Beijing and Cantonese in Hong Kong. The country's government has been on an international campaign since before last year's Beijing Olympics to educate the world about all of China. Because the country's taking over the world stage as a economic power (by most accounts, it'll eclipse Japan as the world's second-largest economy in 2010, second only to the U.S.), it's been keen to promote cultural exchanges and send performers halfway around the world. You can expect this public-relations campaign to continue through at least next year's 2010 World Expo, which will be held in Shanghai. The ongoing effort to showcase China's riches is great for those of us who are interested in the breadth of its culture. Here in Denver we have a rare opportunity to catch a spectacle of an event, "Carnival China Style," that will bring 70 performers and support staff from all over China to the U.S. and Canada starting after the new year. A Denver stop's been announced for Wed. Jan. 13 at 7 pm at the Ellie Caulkins Opera House, the classy auditorium at the Denver Center for the Performing Arts. Other stops on the tour include Toronto, Ottawa, Chicago, St. Paul, Denver, San Francisco, Sacramento, Reno, Seattle and other cities. President Obama enjoyed some of the performers traveling in this troupe during his recent visit to China. The evening of entertainment is based on a Chinese traditional festival format and it'll highlight the long history, grace, beauty, populism, diversity and folk nature of Chinese culture. The evening won't just be traditional dance and music, either. There's a segment featuring Wang Feng, a popular rock star in China, and even the woman who hold the Guinness World Record for twirling the most hula hoops at once. Who knew that's a Chinese cultural heritage? Here are some descriptions from the event's press release:

Graphic from the Japanese newspaper Yomiuri Shimbun, showing how the victim was forced off her motorbike by a rope strung across the road. I should just shake my head and mutter, "Kids these days, what were they thinking." But I have deeper feelings than that, and I'm terribly saddened by the ongoing news coverage out of Japan, where four teen-aged dependents of U.S. military personnel were arrested over the weekend for attempted murder. The three boys and a girl, aged 15 to 18, are charged with an August attack in Tokyo, when a woman was knocked off her motorbike when she ran into a rope that had been tied across the road, and fractured her skull and broke her neck, leaving her hospitalized for three months. The rope was moved from its position across the driveway entrance to a business, and re-tied to a post across the road. The graphic above from the Yomiuri Shimbun, one of Japan's huge national daily newspapers, illustrates what happened. After the woman crashed, one of the assailants reportedly flagged down a passing motorist and asked the person to call for an ambulance, then the attackers fled the scene.Police questioned the teens after viewing footage from a nearby security camera. The arrests came Saturday, aftr negotiating with U.S. officials. Two of the teens live on Yokota Air Base, an American Air Force facility, close by in Tokyo; the other two live off-base with their families. This attack, or prank, or stupid act, whatever it turns out to be, if it was committed by teenagers, would make the news in the U.S., but it's especially grabbing attention in Japan because there's an ongoing debate within that country about the need for, and level of, U.S. military presence there.

The bow seen We attended a birthday party of sorts last night, except there was no cake. Ever since Japan stationed a Consulate General in Denver, there has been an annual gathering of invited guests to mark the birthday of Akihito, the current Emperor of Japan. Royal birthdays are probably celebrated in the few countries that still have a monarch. For instance, the Queen of England's birthday is April 21 and it's officially celebrated on the third Saturday of June. But Japan is the only country in the world that has an Emperor as its titular head of state. The role of Emperor is hugely important in Japan -- so much so that after World War II, when many wanted to prosecute then-emperor Hirohito, the Allied Occupation Forces led by U.S. General Douglas MacArthur, who's still fondly remembered by many Japanese as the "Gaijin (Foreigner) Emperor," decided to allow Hirohito to remain in power even though the country was drafting a new, democratic constitution. Abolishing the royal structure and prosecuting Hirohito would have been too deep a disruption of Japanese society at a time when they needed to unite and pull the country out of the postwar ruins. So the Emperor became a symbolic head of state, with no actual ruling power. That's in the hands of the Diet, or parliament, and the prime minister. Hirohito died in 1989, and Akihito, his son, succeeded to the throne the same year. Japan's Imperial Household is the oldest continuing hereditary monarchy in the world, with a straight line drawn from Emperor Jimmu in 660 AD to Akihito today.

Sho Kosugi, who plays the masochistic master in Ninja Assassin, played ninjas in movies through the Ninja Assassin is an entertaining film full of bloody action.The new movie "Ninja Assassin" just might spark a new wave of fascination with Asian martial arts, but instead of kung fu, the fad will be for ninjutsu, the art of the ninja warrior. The film updates the image of the silent, stealthy assassins from Japanese history, and suggests that ninja clans still exist, sending out mercenaries all over the world to kill off targets for gold. It's an enticing concept, and one that's in line with the tradition of the ninja in both Japanese history and Japanese pop-culture mythology. During my childhood, I didn't really fantasize about being a cowboy. Oh sure, I had the requisite cowboy outfit -- western hat perched cockily to one side like a young John Wayne, a real leather holster belt with a pair of shiny Mattel cap pistols hanging down my side (I tied them to my thighs with strips of leather) and a silver sheriff's star on my chest. I played cowboys and Indians like American boys did back then. But not all the time. In Japan, there was another, more romantic character that boys could play -- the ninja. They were lots cooler than cowboys. They were able to leap incredible heights over palace walls, walk silently through a sleeping castle, and noiselessly kill their prey with their samurai swords (which they wore across their backs instead of hanging on their sides) or shuriken, razor-sharp steel stars like many-sided daggers that ninja could throw with deadly accuracy. Ninjas even looked cool -- instead of fancy, bulky, multi-layered samurai outfits (or battered and sweaty cowboy hats), ninjas were clad in a simple outfit of midnight-black fabric (better to skulk around in the dark) just loose enough to allow freedom of movement in martial arts hand-to-hand combat. They covered their heads with a black hood, and only their eyes were visible through the veil. Although the ninjas were, like the cowboys of America, a romanticized icon of an earlier, "frontier-era" spirit, they also made sense for the early 1960s. They were precursors of spies in a modern world deeply divided by the Cold War. With James Bond and the Man from U.N.C.L.E. looming just around the pop-culture corner, I was ready-made for sneaking around my small yard in Tokyo, fantasizing about being a ninja.

Rufus, our black and white mutt cat, when he was younger a triple Maneki Neko, for triple the good fortune On our recent trip to LA, and a previous trip to San Francisco, I've been obsessed with buying various versions of the Maneki Neko, the iconic Japanese cat statues with upraised paw, holding on to a gold coin with the other paw. "Maneki Neko" translates literally to "welcoming cat," and its paw beckons to people in the Asian style, palm out and fingers moving down to say "yo! come here!" I grew up seeing these cat statuettes everywhere in Japan, so they're a part of my childhood memories. I always liked seeing them in Japaneses businesses here in the U.S. But in recent years, the Maneki Neko, which is supposed to bring good fortune, wealth (if the right paw's raised) or more customers (if the left paw's raised), has become a familiar site at all sorts of Asian businesses from Korean restaurants to Asian gift stores and souvenir shops. There are a dizzying array of neko styles, shaoes and sizes. I keep buying tiny porcelain ones, but this time in LA, I had to have a silly plastic one that's solar-powered with three cats -- one large one and two kittens -- whose heads bob back and forth. Some solar powered ones wave their paws, but something about the bobbing heads makes me smile, so I have it on my cube wall at the office.

These banners are on display throughout San Jose Unlike the many Chinatowns that serve as ethnic cultural enclaves in many American cities from coast to coast, and the increasing numbers of districts variously called "Koreatowns" and "Little Saigons," you won't find many Nihonmachi, or Japantowns. There are lots of reasons for this, but the main one is probably the Japanese American community's need to assimilate into mainstream America after the shame and humiliation of being imprisoned in internment camps during World War II. In the 1950s and '60s, most JAs moved into suburban America and avoided clustering in ethnic Japanese areas. Denver has Sakura Square, a one-block development built in the 1970s I like to call "Tiny Tokyo" because it's ridiculously small compared to Los Angeles' Little Tokyo. And New York City has a couple-blocks of Japanese businesses that have sprouted in recent years in the East Village that might be called a "mini-Japantown" in Manhattan. Seattle's Japantown evolved after the war into the International District, though I think it's still anchored by the awesome, generations-old Uwajimaya supermarket. But not surprisingly, the three Japantowns that are officially recognized as national historic districts are all in California, where the vast majority of Japanese immigrants settled in the late 1800s and early 1900s. Along with the well-known and tourist-filled Little Tokyo in LA and San Francisco's Japantown is the Japantown area of San Jose that's more a neighborhood than a business district. Erin and I have traveled to and stayed at both Little Tokyo and San Francisco's Japantown, but only visited San Jose's J-town a couple of times. We spent a few hours there last week and we love it. Here's why: