Gil Asakawa's Nikkei View | asian american
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May 17, 2008

Internet technology is such a great, rapidly evolving field, that we're constantly being presented with new ways to tell stories -- to do journalism. Who woulda thunk even just 10 years ago that the Internet would be many people's main source of news and information? Who woulda predicted services such as Facebook, or Twitter, not to mention blogs? How about live streaming video? All these elements were part of a cool historic moment tonight, when all three Presidential candidates took some time to connect with Asian American voters for a first-ever Town Hall sponsored by an organization called APIA Vote. The event was held in an auditorium at the University of California at Irvine, an LA suburb, and included the expected speeches and some cool entertainment. JA actor Tamlyn Tomita kicked butt as an engaging, entertaining emcee. Hillary Clinton spoke first to the group via satellite, followed by Barack Obama over the phone, and then a surrogate stand-in for John McCain in person. The whole event was broadcast live over the Internet. A small -- too small -- group of us in Denver met in a meeting room at the Daniels Fund to watch the live feed.
May 17, 2008

We just snuck out after a couple of hours of Denver's annual Asian Pacific American Heritage Month celebration, an event sponsored by Colorado's APA umbrella organization, Asian Roundtable. This free event has been going on for over a decade, and it's held every May in a community auditorium at the Well Fargo Bank building in downtown Denver. The Asian Roundtable represents two dozen APA organizations and for-profit companies as well as some individuals. Its member organizations sponsor the event, which runs from 11 am-4pm on a Saturday, kicking off with a buffet and then featuring several hours of performances. I was involved with this event when I was the president of the Mile-Hi chapter of the JACL, almost 10 years ago. Back then, I appreciated the event because it brought Asian communities together to learn from each other. I was surprised at the time that Asians knew so little about each other's cultures. One year the JACL brought some basic sushi for people to taste, and people kept asking me, "What is that?" (Sushi, or wasabi.) "What's the soy sauce for?" (The sushi.) "What does this taste like?" (Try it and see, lady.) Then it struck me -- Asians are so tribal and insulated from each other, that they don't know anything about the other Asian cultures. I admit, I didn't exactly grow up eating Filipino or Thai or Vietnamese food. But I've embraced all those cuisines, and more, every chance I get. Many Asians (especially older Asians) don't do this.
May 7, 2008

The email below was sent today by David Chiu, a graduating senior at the University of Colorado. He's been involved with a group of students, meeting with the CU administration since Feb. 18, when an ill-advised satire column titled "If It's War that Asians Want, It's War They'll Get" was posted on the Campus Press website of the university's school of journalism. If you're not familiar with the controversy, here is an article published by the Pacific Citizen, and my original blog post and an update and a second follow-up. David's update, sent almost on the eve of his graduation, is a sad commentary on the frustrations felt by the students who were directly affected by this article. There hasn't been a lot of progress, although there have been a lot of politically correct platitudes and promises given out. There are efforts outside the university, within the Asian Pacific American community at large, to keep the issue alive during the summer months. What these brave and dedicated students have started at CU have caused a ripple effect outside Boulder's insular world, that will hopefully continue outward for a long time.
April 26, 2008

Bill Imada, founder and CEO of IW Group, a PR/Marketing firm, is part of a group blog at Advertising Age called "The Big Tent" that's worth following. In this recent post, Bill writes about (and includes embedded videos of) TV commercials that include Asians and Asian Americans without using demeaning stereotypes. Here are the ads that Bill writes about: The post is in reaction to the stupid animated commercials for SalesGenie.com that debuted during the Super Bowl, which are still airing despite complaints from APA groups.
April 16, 2008

Here's a video produced by Annie Guo, a Denver journalist and entrepreneur who is editor of Asian Avenue magazine, a pretty solid monthly publication, for a website she and other young APA activists have created called In-Solidarity.com. This is an Asian community response to the "satire" published by the University of Colorado's Campus Press Web site back in February, in which a white student columnist wrote, "If it's war the Asians want, it's war they'll get." The column provoked a firestorm of protest from APA and other students, not just at CU but also other area colleges, and from the Asian community at large. Guo and her In-Solidarity compatriots were part of an immediate response team that joined with CU's Asian Pacific American community. The furor was covered by the local TV stations and mainstream print media. CU apologized and the public pretty much put the incident in the past, which is what the CU administration wants to happen.
April 13, 2008

Whenever I see an Asian on TV, either in a program or on a commercial, who's the brunt of some comedic joke, my first reaction is to clench my stomach in anticipation of some personal embarrassment, as if the Asian on screen could easily be me. But here's a TV commercial that makes fun of an Asian guy, that manages to be funny and doesn't bother me (although the first time I saw it I did clench up, expecting that slap in the face), and respectful of the Asian dude's dancing ability -- that is, until, he screws up. The commercial, for Southwest Airlines, makes me chuckle every damned time, and I've seen the thing a lot. What makes me feel good about the video is that the African Americans in the scene start out skeptical of the Asian guy's ability to impress the woman (that's Ellen Cleghorne from SNL, isn't it?, but then everyone in the club, includig the DJ, give the guy his props and start urging him on. That's when he knocks over the turntables.. and the tagline for Southwest comes in: "Want to get away?"
April 13, 2008

I missed this NPR report a couple of weeks ago, about the impact of the character Long Duk Dong from the 1980s hit movie, "16 Candles." I had heard a promo for the report while driving but got home before it came on. I finally went back to check it out and it's worth hearing. The link to the report is at the top of the page; the text on the page is the report's transcript. Be sure to check out the extra interview clip with Gedde Watanabe, the Japanese American actor who played "the Donger" -- he doesn't really have a clue, unfortunately. And check out the comic that's included, "Donger and Me."
March 22, 2008


Around the turn of the century (man, it's still weird to use that phrase in 2008), I started reading about a bootlegged series of cassettes making the rounds, of Cambodian rock and soul recordings from before that country's dark, post-Vietnam war years under despot Pol Pot. These recordings, I read, were all that were left, like audio archeology, of musicians who had absorbed Western pop and soul and rock during the 1960s and early '70s, and both covered those songs enthusiastically in their own language, Khmer, and wrote original songs using those sonic elements as their foundation. These musicians had all been slaughtered in Pol Pot's killing fields, the stories went, and these three-decades-old echoes were all that was left of that creative explosion. I finally got a hold of some of these recordings (some are now available via legitimate avenues including Amazon.com, no doubt cleaned up and sounding much better than many of the tinny recordings I got). They were exciting, and fun to listen to, but spooky when you realized all the artists were killed within a few years of the recording sessions. Sometimes they were faithful recreations of familiar songs -- until the lyrics came in. But whether they were covers or original, the playing and singing had an irrepressible and irresistible spark. Those recordings were enough to inspire a pair of California brothers to pursue the sound and make their own fresh echoes of long -ago Cambodian pop in a unique group called Dengue Fever, which has over the years evolved from re-creating the sound of the old Cambodian scene to integrating those sounds in a fresh take on world pop.