This has been an exciting year for Asian American music fans. Taking off above a bubbling community of AAPI singer-songwriters and individual performers, we've seen Bruno Mars, who's of Filipino and Puerto Rican descent (and born and raised in Hawai'i) hit the top of the charts with "Just the Way You Are," and Far East Movement, the first-ever all...
Interesting exercise in nostalgia with irony: KCUV-FM in Denver is celebrating the official kickoff of summer by recreating the sound of Denver's FM radio from 1967, complete with news items, radio commercials from back then, and typical playlsists, all presented by the airstaff of progressive radio from the time, including guys like Bill Clarke (who's on Channel 7 now but...
I grew up – like all baby boomers – during an era of radio when the Top 40 format was perfected during the first two decade of rock and roll, and genres didn’t divide up into separate formats. An entire generation of pop music fans pretty much grew up listening to a wild mix of rock, soul, country – white and black – with a lot of novelty songs thrown in for good measure.
This was true through the 1960s, certainly and also up through the mid-‘70s. But two things happened to radio between, say 1969 and 1974. First, the FM progressive or freeform format that had emerged in 1967 began attracting the older rock music fans, and for the first time, after 1969, there was a defined generation gap. If you were in college and protesting the Vietnam war, chances were the Archies’ “Sugar Sugar†wasn’t as relevant to you as, say, Ten Years After’s “I’d Love to Change the World.†For me, being just 11 during the summer of 1969, bubblegum rock was a sweet and welcome part of my musical diet.
There was a lot of crossover between FM and AM, especially during the early ‘70s. For instance songs like Crosby, Stills, Nash and Young’s “Ohio†was a hit on AM as well as FM stations.
