Wow, we're excited to announce our Second Anniversary show in honor of Asian American Pacific Islander Heritage Month: A one-hour conversation with Albert Kim, a writer and co-producer for the hit CW network action series "Nikita" starring Maggie Q!
UPDATE:Due to a scheduling conflict, our conversation with Lynn Chen is now scheduled for Monday, April 11 at 7 pm PT.
Lynn Chen is a woman after Erin and my own hearts... and stomachs. She's a foodie as well as a talented actress and musician, and she writes one blog, "The Actor's Diet," about "the life of a Hollywood actress. Meal by meal," and recently launched another, "Thick Dumpling Skin," about Asians' diet and body issues, with Hyphen publisher Lisa Lee.
I met the affable, energetic Andrea Lwin last fall at the Banana conference of Asian American bloggers (Banana II details coming soon!). At the time, she had just launched "Slanted," a comedic web series based on her one-woman show of the same name, about an Asian American actresses' struggles to make her mark in Hollywood. I know, not a...
Before the Paramount comedy "The Goods: Live hard, Sell Hard" was released in August, the Asian American blogosphere was abuzz over the extended online trailer for the movie, which showed a disturbing scene with Ken Jeong being beaten up by fellow car salesmen just for being Asian, when star Jeremy Piven gets them all worked up over the memory of Pearl Harbor. The bloggers, including Angry Asian Man and 8Asians as well as Nikkei View, covered the issue enough that it led to protests and meetings between AAPI groups with Paramount studio execs.
Those meetings led to a public apology from Adam Goodman, President and CEO of Paramount.
The timing was terrible, because the trailer was airing just before the anniversary of the murder of Vincent Chin, who had been beaten to death in 1982 by laid-off auto workers who blamed Japanese cars for losing their jobs. The racist scene was edited out of the trailer. However, the scene, which includes Jeong getting beaten up and then Piven joking about covering up the hate crime, remained in the theatrical release because it was too late to pull from the movie.
The leaders of AAPI organizations who met with Paramount also believed that the offensive scene would be edited like the studio was able to do with the trailer (the revised preview takes out the most obnoxious elements, including the use of the word "Jap," even though it keeps Jeong's beating intact).
But the DVD was released this week and is available in stores nationwide with the offensive scene still in the movie. The studio claims the production of the DVD was too far along to change the scene.
Erin and I are taking September off from doing interviews for visualizAsian.com, our series of live conversations with leading Asian American Pacific Islanders. But we're kicking off October with a star: Tamlyn Tomita, whose inspirational career as an actor spans movies, television and the stage, and whose leadership and activism spans the Japanese American and Asian American Pacific Islander communities.
Our conversation with Tamlyn Tomita PARAMOUNT APOLOGISES TO THE JACL Los Angeles -- The Japanese American Citizens League (JACL), the nation's largest and oldest Asian American civil rights and community advocacy organization, welcomed Paramount Pictures' apology for "racially demeaning language" in its recently released film, The Goods: Live Hard, Sell Hard.
On the eve of its release today in India, the British independent film "Slumdog Millionaire" was nominated for 10 Academy Awards. It's already won four Golden Globes: Best Picture, Best Director, Best Screenplay and Best Score. The movie's up for all of those categories at the Oscars, and may well win some if not all of them, and then some.
We saw the film just last weekend and I was stunned by its power and eloquence, and for me, its sheer entertainment value in spite of the grimness of the life it portrays. It deserves its kudos.
If you haven't heard of it, it's the story of a two orphaned brothers from the slums of Bombay -- now Mumbai -- and their relationship as they survive their childhood and grow into their destinies. One, Jamal, played as an adult by the boyish Dev Patel, falls in love with an orphaned girl, Latika (luminously played as an adult by Freida Pinto).
Jamal's devotion to Latika, even though they're repeatedly separated, sometimes for years, and his dedication to finding her again, is the film's narrative thread.
But "Slumdog"'s visual leitmotif is the chaotic and tragic backdrop of modern Indian life. The story follows the characters from childhood through their teen years and into adulthood, in and out of the utter poverty that pervades the teeming slums. It's structured as a series of flashbacks with Jamal, who's been arrested for suspicion of cheating after winning 10 million rupees on India's version of "Who Wants to Be a Millionaire," explaining to a detective how he came to know all the answers he was asked on the show.
His life experiences coincidentally gave him the knowledge and prepared him to reach the next day's final question, for a possible payoff of 20 million rupees.
Almost immediately, viewers are taken on a breathless tour of the shantytown as a group of kids are chased by police, the camera moving as if the audience is one of the fleeing kids, looking for the next escape route. Then the view shifts to the cops' perspective, or others in the alleys, even a sleeping dog who's not the slightest bit fazed by all the commotion. The colors, the clatter and closed-in settings convey claustrophia ... and incredible excitement.
The movie opens up visually and feels pastoral only when the brothers get out of town atop a train and live like hobos, then spend some time scamming tourists at the Taj Mahal, and in one striking scene where the grownup Jamal meets up with his brother Salim (played by Madhur Mittal), now a low-level gangster, in a skyscraper construction site high above where their shantytown had been located.
Modern Mumbai's financial wealth has paved over the poverty and pushed the poor elsewhere.
Clint Eastwood, who looked at one of the most famous battles of World War II through the eyes of doomed Japanese soldiers in the 2006 film, "Letters from Iwo Jima," is now lookng at Asian Americans and racism in an upcoming movie, "Gran Torino."
Eastwood plays a racist Korean War veteran and retired Ford factory employee, Walt Kowalski, who's been beaten down by life. The only two steadfast things in his life are his 1972 Gran Torino, an artifact from the glory days of Ford muscle, and his M-1 rifle, an artifact from the glory days of American muscle. Everything else around him is going to hell: his wife has recently died, he's estranged from his grown kids, and to his dismay, his rundown neighborhood is becoming over-run by Asians.
The incoming foreigners are Hmong, not Korean. Eastwood's character gets to know the Hmong family that moves in next door after their 16-year-old son tries to steal his Gran Torino as part of a gang initiation. Predictably, Eastwood at first hates them but then grows close, and protects them against the gang.
The movie's trailer shows some typical interactions between a cranky white man and black neighborhood punks and scary-looking Asian gang members. Knowing Eastwood, I bet the plot is more complicated than the predictable scenes in the trailer, though.
This is the first time a Hollywood movie has taken a deep dive into the Hmong community, so it's an opportunity to teach Americans about their history and culture, and of the AAPI culture of second generation Hmong Americans.
Besides Eastwood, the movie stars a group of first-time actors, most if not all Hmong (no hiring of non-ethnically accurate actors just for the right "talent" or "star power" a la "Memoirs of a Geisha"), and the casting was featured in a series of interviews in a Hmong news site, Suab Hmong Radio: