Gil Asakawa's Nikkei View | media
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September 6, 2006

Oswald being shot, photo by Bob JacksonI'm watching "JFK: Breaking the News," a documentary on WNET, one of the New York area's PBS stations, about the media coverage of the November, 1963 assassination of president John F. Kennedy. It's fascinating because in analyzing the way both print and broadcast journalists scrambled in Dallas after the shooting, the program shows how it was a bellwether event in the history of media. It marked the passing of the "breaking news" mantle from newspapers to television.
August 22, 2006

CNN this week ran this Associated Press story, about how musicians who've been holdouts from the iPod/iTunes bandwagon -- the Beatles, Led Zep, Garth Brooks and others among them -- will probably cave in and finally allow their music to be downloaded song-by-song. Apple's iPod dominates the digital music player market, and iTunes accounts for over 70 percent of the (legal) digital music market. Meanwhile, CD sales have been dropping steadily. The era of the compact disc is over, it seems.
August 15, 2005

The future of journalism, of course, is in the hands of the young journalists and journalism students who are about to enter the profession. That’s why I’m happy (and honored) to be volunteering as one of the professional mentors working with a group of students on AAJALink, the student-run Web site covering the annual convention of the Asian American Journalists Association. The confab is in Minneapolis, a city I’ve never traveled to. So far, I haven't seen much of it except what I’m sure must be the world’s largest Target (a two-story department store a block away from the retailer’s corporate offices, which is also on the downtown Minneapolis Nicollette Mall).
July 8, 2005

I'm always fascinated by the field of rock criticism. It's hard to believe that a career that didn't exist until the mid-1960s and didn't become commonplace until the late 1970s and early '80s -- that's when most paper in America finally relented and realized they better have a "staff pop music critic" onboard -- is already entrenched in traditions and patterns. There's even a Web site to rock critics' serious navel gazing, RockCritics.com. I used to be a rockcrit, and I loved my decade-plus covering music, especially because I did it for Westword when it was still a fledgling alternative paper, and I was in it for the passion. I had my heroes -- brainy academic Greil Marcus, Rock & Rap Confidential founder Dave Marsh and the Village Voice's self-proclaimed "Dean of American Rock Critics," Robert Christgau.