Gil Asakawa's Nikkei View | ukulele
183
archive,tag,tag-ukulele,tag-183,qode-quick-links-1.0,ajax_fade,page_not_loaded,,qode-title-hidden,qode-theme-ver-11.0,qode-theme-bridge,wpb-js-composer js-comp-ver-5.1.1,vc_responsive

The social media blog Mashable snagged a pretty cool interview with Hawai'ian ukulele maestro Jake Shimabukuro at the annual TED conference (TED stands for "Technology, Entertainment, Design" and it's a chi-chi invitation-only think-tank gathering of great minds) after his performance yesterday, which drew a standing ovation. I've written about Shimabukuro before, and I'm glad he got to play in front of...

jakeshimabukuro.jpgThink “ukulele” and you’ll invariably get a quaintly exotic image in your head (and the wrong pronunciation – it’s “oo-koo-leh-leh,” not “you-koo-leh-leh”): warm sun, swaying grass skirts, coconut bras, colorful cocktails with umbrellas, and palm trees and a beach in the background.

It’s true, the ukulele is a stringed instrument that was born in Hawai’i (albeit it has its actual origins in a Portuguese instrument that was brought to the islands by 19th century sailors) and given its name, which means “jumping flea” in Hawai’ian. And it’s also true that the ukulele, which basically looks and acts like a miniaturized, four-string guitar, has helped spread Hawai’ian music and culture for a century, since Hawaiian music first caught the fancy of mainlanders during a 1915 exposition in San Francisco.

But the cute little uke isn’t just a tool for strumming up tourism to Honolulu.