Gil Asakawa's Nikkei View | asian american
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The Asakawa family circa 1960 in Hokkaido, Japan: (from left) George, Gary, Gil and Junko (stranger in front). I was born in Japan, so I can say this with a straight face: I'm becoming a born-again Japanese, and it's kinda fun. For years now, Erin and I have thought of ourselves as Asian American first, and Japanese American second. Mostly, it's because we're interested in and feel a kinship with other Asian Americans, whether their heritage is Chinese, Vietnamese, Korean, Thai, Hmong, Indian, Filipino, whatever. We certainly have immersed ourselves in the local Asian American Pacific Islander community, through being involved in events such as the Colorado Dragon Boat Festival, the AAPI Heritage Month Community celebration, the (now defunct) Aurora Asian Film Festival, Miss Asian American Colorado Leadership Program, Asian American Journalists Association and others. Erin spent six months last year serving as editor of the feisty little local pan-Asian magazine, Asian Avenue. It's wonderful to feel a part of a larger community within which we share lots of cultural values and appreciate the various cuisines. We've become friends with and learned about Asians across many borders, and generations from immigrant gens to very Americanized. It's also partly because the Japanese community in Denver is small, and insular, and tribal, and ... well, small. It's not like LA or San Francisco or Seattle or New York, where there are lots and lots of JAs to hang with, as well as tons more AAPIs in general. We just felt too constricted sometimes by the local community. But lately, I've found myself being among Japanese, and enjoying it.

When I posted the video yesterday, of a 1970s Calgon commercial that showed Asian Americans in a stereotypical role as laundry shop owners who used an "ancient Chinese secret" to get clothes cleaner, it was an homage to an earlier era when such stereotypes in pop culture were commonplace. I didn't expect that one day after Asian American Pacific Islander Heritage Month ended, I'd be alerted to a new commercial that uses a fresher stereotype that still portrays us as foreigners. The TV commercial for KFC's new "Kentucky Grilled Chicken" shows a bunch of people paired up, arguing whether they like fried or grilled chicken better. You can now have both in the same bucket, KFC announces. The problem is, of the quick flashes of people, there are whites and blacks, young people and older, and... two Asian men dressed as sushi chefs, with their "hachimaki" headbands, hapi coats and aprons. At first glance, they look like they're wearing martial arts "gi" (the loose-fitting fighting clothes), which would have made it even worse. What's worse, is that these two dudes, who may or may not actually be Japanese, speak in Japanese accents.

Erika Tanaka won the crown as Miss Asian American Colorado 2009.Congratulations to Erika Tanaka, the young Japanese and Vietnamese American woman who won the second annual Miss Asian American Colorado Leadership Program's Finale Show last night. The tiara was there, along with the glitz and glamor. But there was no swimsuit competition, and no one mentioned "world peace." This is no ordinary beauty pageant. The program is all about leadership and community service -- the inner beauty that the 17 contestants all displayed on the stage (yes, it's a cliche, but these woman all have inner beauty, in spades). Erin and I were impressed with all of the contestants when they shared their community service projects, and also impressed with many of their talent segments. Our favorites included what might be expected performances for this kind of event: Abhinetri Ramaswani's singing on a lovely, hypnotic Indian classical song, accompanied by a musician on tablas; Lana Nguyen's performance of a melancholy Vietnamese folksong. But we also enjoyed the performances that showed the "American" side of these Asian American women: Giane Morris' self-penned rock song (complete with a full electric band backing her) about the death of her brother; several spoken word performances including Nguyen Nguyen's passionate poem about her identity, "Beautiful Things"; and several hip-hop dance routines, including a very cool, intricately choreographed duet by Laila Nguyen. There were several non-traditional talents displayed in an entertaining way, including cooking pad Thai, making lotus flowers out of colored napkins, and most notably, a demonstration of the sport of curling (really).

"Ancient Chinese secret, huh?" In honor of the final day of Asian American Pacific Islander Heritage Month, I wanted to share an iconic classic television commercial. I grew up with the accusing tone of the white woman who catches the affable Asian laundry owner in a lie, ringing in my head. The TV commercial was for Calgon water softener, and the scene is in a Chinese laundry shop, run by "Mr. Lee." Here's the quite accurate description of the 30-second flash of Asian stereotype from the YouTube page that features the video:

The character of Russell in the movie "Up" is Asian American!From Channel APA: This one snuck up on me, but the new Disney-Pixar animated feature, "Up," stars an Asian American character, voiced by an Asian American kid. The part of Russell, the young scout who gloms onto the grumpy old man Carl just as the two take off on a crazy adventure, is read by Jordan Nagai, a Japanese American young man who was 7 when the movie was made. How cool is that? But wait, there's more: The Russell character itself was modeled on an Asian American animator at Pixar, Peter Sohn.

Yul Kwon is the first Asian American to win one of the seasons of "Survivor." He won the "Cook Islands" season in 2006.The second interview lined up for visualizAsian.com's AAPI Empowerment Series is with Korean American attorney-turned-TV celebrity Yul Kwon. The interview will be held Tuesday, June 9 at 6 pm PDT (9 pm EDT). Erin and I were fortunate to see Yul speak during last year's Democratic National Convention in Denver, and more recently during Asian American Pacific Islander Heritage Month at an event in Denver. He's a great role model because of his accomplishments, and because he's on a mission to dispel myths and stereotypes about Asian American Pacific Islanders, and to urge AAPIs to enter the political process. Kwon has a diverse background in law, politics, technology, business, and media -- except for his exceptional "Survivor" victory, he's almost a model for the "model minority" myth!

"Lumina" is an online-only series, an independently-filmed thriller written and produced by Asian American Jennifer Thym in Hong Kong. You've gotta love the Internet. I was contacted some weeks back by Jennifer Thym, the Asian American writer and director of "Lumina," a new online-only thriller serial debuting this summer. The movie project features an Asian American lead as well as Asian Canadian actors, and the whole thing is filmed in Hong Kong, where Thym has lived for the past two years. The trailer certainly is cool and mysterious and makes me want to see the series kick off (I subscribed to the email alerts from YouTube whenever a new installment is posted): Here's what she says about the project on her Rock Ginger blog:

Dengue Fever, an Asian American band featuring a Cambodian American singer and European American musicians. I loved watching Dengue Fever's new documentary, "Sleepwalking through the Mekong," and listening to the great music by the band as well as some of its antecedents collected on the soundtrack. I've written about Dengue Fever before, but didn't get a chance to see the show when they played Denver on a tour. So I'm glad this documentary has been released. The film follows the band on a 2006 visit to Cambodia, where singer Chhom Nimol was born. She moved to the U.S. where she was discovered singing in a karaoke bar in Long Beach, south of LA, by the Holtzman brother, Zac and Ethan. The Holtzmans had fallen in love with old recordings of Cambodian pop and rock music during a trip to Southeast Asia and had decided to perform that music in America. Since they -- and the rest of the band -- are white, they went in search of someone who could sing in the Cambodian language, Khmer, and came across Nimol, who's an enchanting singer with a strong voice and an undeniable beauty that practically glows whenever the camera focuses on her. Together, over four albums, two EPs and now this documentary film, the group has recorded a body of work that's consistently interesting, compelling and challenging, with its dreamy mix of psychedelia, folk-rock, surf music and Cambodian melodies. The end result, for me, is a perfect expression of that tired cliche, "East meets West," or better yet, a reflection of one aspect of Asian America.