Gil Asakawa's Nikkei View | history
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When the Japanese Canadian newspaper Nikkei Voice asked me to write about my favorite recent books related to Japan, I realized that I've read some books in the past year that I never got around to writing about, and was also finishing an innovative new book, or to be precise, a new ebook. In any case, I tend to read many...

I gave a recent reading to a full house at the Japanese American Museum in San Jose's lovely Japantown, and had a blast. During a recent trip to San Francisco to attend the annual conference of the Asian American Journalists Association, I squeezed in two readings from the new revised edition of my book, “Being Japanese American.” The two events reminded...

Hand-carved wood panels made in Amache in Colorado during WWII. These were among the items that would have been auctioned. Here's a link to the announcement on JANM's website.   UPDATE MAY 3, 2015:T he Japanese American National Museum announced last night at a gala fundraising honoring George Takei (who's a JANM board member as well as a community...

There’s a new ABC sitcom being aired starting in February that I can hardly wait to see. I’m hoping “Fresh Off the Boat” will finally be a show where I can see people like me acting the way my family acts, with funny American situations but filtered through an Asian cultural perspective. I expect it’ll be a moment of critical...

[caption id="attachment_5719" align="aligncenter" width="580"]Hundreds of Lakewood High School students, including this one, left their classrooms in September to protest a proposed history curriculum they believed would lead to censorship. Students organized the walkouts using social media sites like Facebook. Photo by Nic Garcia/Chalkbeat Colorado Hundreds of Lakewood High School students, including this one, left their classrooms in September to protest a proposed history curriculum they believed would lead to censorship. Students organized the walkouts using social media sites like Facebook. (Photo by Nic Garcia/Chalkbeat Colorado) [/caption] I grew up as part of a generation that found our collective voice in protest, for African American civil rights, against the war in Vietnam, and to advocate for women’s and LGBT rights and Asian American studies. College students have been at the forefront of many of these social movements. The Student Non-Violent Coordinating Committee was a cornerstone of the civil rights movement. College students led the free speech movement at the University of California at Berkeley, and the left-wing Students for a Democratic Society was formed at the University of Michigan. Students led protests across the globe, including the Prague Spring in 1968 all the way to the Tiananmen Square protests of 1989. Even the Taiwan protests earlier this year and the current and Hong , Kong democracy protests. But in Colorado where I live, my admiration goes out to a group of high school students, who have been protesting in Jefferson County, the school district where I graduated in the 1970s.

godzilla2014 Although Hollywood has been making monster movies since the original 1933 “King Kong,” the monster with the most staying power and screen incarnations didn’t come out of California, but from Tokyo. Godzilla is back with another cinematic reboot produced by Hollywood featuring the usual array of mega-special effects, including a digitized monster instead of a man in a monster suit. Whether costumed or computer-generated, Godzilla is the most famous Japanese American in the world. He’s starred in 28 movies, stomping his way through cities on both sides of the Pacific. Godzilla, or the Japanese pronunciation, “Gojira” (a combination of the words for gorilla, “gorira” and whale, “kujira”) made its first Japanese appearance 60 years ago, in 1954, but the film was edited and scenes inserted starring Raymond Burr as an American journalist for its 1956 release in the U.S. as “Godzilla, King of the Monsters!”

There's an embarrassingly small library of fiction books and feature films, about the Japanese internment during World War II. The humiliating experience of 110,000 people of Japanese descent carted away from the West Coast and into hastily built concentration camps is still under-represented in American pop culture. Classics like "Farewell to Manzanar" (in both book and film form) can be hard to find, and better-known Hollywood productions such as "Snow Falling on Cedars" (again, on both the page and screen) can be hits but are fleeting. One of my favorite indie feature films about the era, "Come See the Paradise" starring Tamlyn Tomita and Dennis Quaid, is little-remembered and deserves much wider acclaim. There are still many stories left to tell about Japanese Americans and their time in concentration camps during WWII. So it's cool to see a young filmmaker using the contemporary tools of social media and "crowdfunding" (asking the public to donate money) to bring his original JA story to life. And, it's even cooler to see that Chris K.T. Bright's project, "Tsuru" has caught the attention and gained the support of enough people that its Kickstarter fundraising campaign reached its initial goal of $15,000 in a mere three-and-a-half-days. Kickstarter gives the money to a project only if it meets its goal; if the campaign fails, every donor gets her money back. Now, Bright and his crew are hoping to keep raising money to reach their "Stretch Goals" in the month remaining in the campaign.

[caption id="attachment_5501" align="aligncenter" width="520"]Amache Japanese American internment camp The Amache Museum, a block from Granada High School, is managed by students from the school who take the "Amache Preservation Society" class. The students maintain the concentration camp site outside of Granada.[/caption] It’s a rite of greeting among older Japanese Americans. I’ve seen it happen over and over – one JA is introduced to another, and if they’re old enough, the first question they ask of each other is, “what camp were you at?” We all know that “camp” in the context of Japanese Americans has nothing to do with summer camp. These people are not being nostalgic about singing “Kumbaya” around the campfire, hopping along in potato sack races (maybe it would be rice sack races?) and learning how to “rough it” in the great outdoors. “Camp,” of course, in the Japanese American context, are the internment camps, or as I increasingly call them, “concentration camps,” that 110,000 people of Japanese descent were held in during World War II. So an elderly man says he was in Arkansas, and the other man says “Oh yeah? Which one?” “Jerome.” Common ground is found, and the two reminisce, if that’s the right word, about their families’ unjust incarceration.