. Saw this via Angry Asian Man (a daily must-read): Young Asian Americans are proving they can dance, and not just on MTV's "America's Best Dance Crew." This cool video is performed by FarEast Movement but created by Wong Fu Productions, a trio of Chinese Americans from UC San Diego who started making cool content online in 2003 and now run...
I know exactly where I was the night of June 5, 1983: I was freezing my butt off, soaked to the bone but ignoring my discomfort because I was in musical heaven, surrounded by huge sandstone rocks on both sides, a stormy sky above and a hungry young band called U2 just hitting its stride in front of me, its members playing their hearts out despite the crappy weather.
That concert was captured on an EP (for you post-CD fans, "extended play" releases were vinyl records with fewer songs than a full album but more than just a single with a flipside) and a video, both titled "Under a Blood Red Sky." The audio recording was actually a compilation of tracks recorded at Red Rocks and elsewhere during the same tour; the video was all filmed in Denver.
The combination of the two established U2 as world-class big-time rock stars, not the scrappy new-wavers who played clubs and small theaters. MTV loved the energetic performances amidst the dramatic, almost otherworldly, setting. Radio stations caught on to the band's talent, and U2 hit their stride. In the years since, the concert was hailed as a seminal moment not just for U2, but for pop music: Rolling Stone magazine named it to its list of the "50 Moments that Changed Rock and Roll."
I'm a born-again Asian American. Most of my life, I was oblivious to my rich roots and Japanese heritage. I was a banana -- yellow on the outside, white on the inside. So probably more than some Asian Americans, I like the idea that May is officially "Asian Pacific American Heritage Month" in the U.S. There's a part of me that finds it irritating that APAs get noticed once a year and we're practically invisible the other 11 months. But I'm glad that former transportation secretary Norm Mineta drafted the legislation to establish this month-long celebration when he was a Congressman. I'm pretty immersed in the APA community now -- not just Japanese American, but also the dozens of other Asian ethnic cultures and how they've evolved as they've become established in the U.S. APA Heritage Month makes me think of times when I was less connected to my own roots, and not interested in the vast wealth of culture throughout Asia. When I was a kid, I was into Japanese and Chinese (or more correctly, Chinese American) food. That's what my family ate when we weren't eating hamburgers, steak, spaghetti and pizza. This was before I developed my voracious appetite for Indian, Vietnamese, Korean, Cambodian, Singaporean and Filipino food. It was pre-dim sum. And, it was way before I grew to appreciate all kinds of Asian music, both traditional and Asian American. (Note: For those of you non-Asians who are Asiaphiles, I want to make the distinction that though we Asian Americans appreciate our heritage and understand how we're steeped in traditional values, we're all about the mix of being both Asian and American, or perhaps more accurately, being Asian in America.) One very clear example of my growth and awareness of Asian culture today as opposed to when I was younger, is my appreciation for one particular track in George Harrison's landmark recording, "The Concert for Bangladesh." The track is the Indian music performance, "Bangla Dhun," by the sitar master Ravi Shankar.
Various Artists
Bleecker Street: Greenwich Village In The 60's
To a fan of folk and folk-rock music like me, this is a rare, and little-known, treasure. It came out a few years ago and I came across it at a Borders bookstore. It’s a compilation of ‘60s urban folk-era remade by contemporary singer-songwriters, and though some of the covers are reverential and dry, some are really fresh takes on these songs, all of which I’ve known for decades. My favorites include Jonatha Brookes’ crystalline, haunting take of Paul Simon’s haunting “Bleecker Street,†the tribute to the first folk era’s ground zero in Greenwich Village, from Simon and Garfunkel’s debut album. Another favorite is Loudon Wainwright III and Iris DeMent’s rollicking “Pack Up Your Sorrows,†which led me back to Richard and Mimi Farina’s greatest hits album, where the original still glows, and Cry Cry Cry’s beautiful version of Tom Paxton’s deeply moving “Last Thing on My Mind.†Droll baritone folkie John Gorka tackles Eric Andersen’s “Thirsty Boots,†John Cale and Suzanne Vega (!) wrap themselves around Leonard Cohen’s â€So Log Marianne†and Larry Kirwan of the NYC Irish rockers Black 47 revs up Phil Och’s still-relevant anti-war rant, “I Ain’t Marchin’ Anymore.†Yeah, I like everything on the disc, and I’ve turned many souls onto this disc.
Interesting exercise in nostalgia with irony: KCUV-FM in Denver is celebrating the official kickoff of summer by recreating the sound of Denver's FM radio from 1967, complete with news items, radio commercials from back then, and typical playlsists, all presented by the airstaff of progressive radio from the time, including guys like Bill Clarke (who's on Channel 7 now but...
