Gil Asakawa's Nikkei View | japanese american
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Tamlyn TomitaErin and I are taking September off from doing interviews for visualizAsian.com, our series of live conversations with leading Asian American Pacific Islanders. But we're kicking off October with a star: Tamlyn Tomita, whose inspirational career as an actor spans movies, television and the stage, and whose leadership and activism spans the Japanese American and Asian American Pacific Islander communities. Our conversation with Tamlyn Tomita will be on Tuesday, October 6 at 6 pm Pacific Time (7 pm MT, 8 pm CT and 9 pm ET) is archived as an MP3 and is available for download for a limited time. When we thought of starting visualizAsian.com, Tamlyn was the first person we thought of to interview, because of her prominence and passion, and because we'd met her on the set of "Only the Brave," Lane Nishikawa's powerful movie about the Japanese American soldiers of the 100th Battalion/442nd Regimental Combat Team. She was funny, approachable, salty and very real. I have a very vivid memory of her during the filming, taking a break between scenes by sitting in her pickup truck (this was a low-budget production -- no trailers for the stars). She was yelling and screaming and so animated we thought something was wrong. It turned out she's a huge LA Lakers fan, and was listening to the playoff game in progress. Last year, we saw her again at the Democratic National Convention, when I was one of the emcees at an APIA Vote Gala along with Tomita and Joie Chen, formerly of CNN. She's a passionate, exciting and entertaining public speaker, and I've since seen her on video (just search YouTube) giving lots of speeches and serving as an emcee on many Japanese American and Asian American community events.

Attorney Dale MinamiThe next interview scheduled for Erin and my visualizAsian.com project is one close to our hearts. The free, live interview on Tuesday, August 25 at 6 PM PT (9 PM ET) will be with with Japanese American attorney Dale Minami. Dale is a rock star within the AAPI community -- in fact, the entire U.S. legal community -- as the lead attorney in Korematsu v United States, the landmark case that cleared the name of Fred Korematsu, a Japanese American who resisted being sent to internment camps during WWII and was sent to prison. A 1944 U.S. Supreme Court's decision established the constitutionality of the internment of Japanese Americans during World War II. But Dale and a team of young pro-bono lawyers took on the case and in 1983, got Korematsu's conviction overturned. He's most famous for the Korematsu case, which he won on a writ of coram nobis, a legal tactic that forced the court to admit that an error of "fundamental character" had been made in Korematsu's conviction.
Here's a must-see video about Dale made for an award ceremony when he received the UC-Berkeley law school's highest honor:
But Dale has been fighting for the AAPI community all his career. He filed the first class-action lawsuit over employment by AAPIs on behalf of AAPIs with United Pilipinos for Affirmative Action v. California Blue Shield, and he helped the Spokane chapter of the JACL take on Washington State University with a class action suit to establish an Asian American Studies program. He also led a fight against UCLA over tenure that was denied an Asian American professor that revealed the layers of discrimination in the academic community.

Consul General of Japan in Colorado, Kazuaki Kubo, left, and Denver Mayor John Hickenlooper, right, congratulate Judge Kerry Hada on his appointment at a ceremony on Dec. 3. When Denver County Court Judge Melvin Okamoto announced earlier this year that he was retiring after two decades on the bench, the legal community offered up a handful of qualified candidates to take...

Erin and I have great respect for Asian Americans and Pacific Islanders' need to preserve our traditional heritages -- they enrich our lives and help give us our sense of identity with the countries of our ancestors. I think too few young Asian Americans hold on to their ethnic heritage. At the same time, we're not just about kimonos and martial arts and traditional music and dances, and don't appreciate that outsiders (white people, mostly) view us through the exoticized filter of our cultural and social traditions. That's why, during her tenure as editor-in-chief of Asian Avenure magazine, Erin sought to paint Denver's AAPI communities with a broader palette. Major stories were about AAPIs in politics, the popularity of Anime with non-Asians, Asian Americans in the U.S. military, multi-racial Asian Americans and even how Asian Americans are excelling in hip-hop dance. Erin also wrote this month about Namita Khanna Nariani, the founder of Mudra Dance Studio, who's a terrific example of how AAPIs can synthesize their respect for traditional culture with the modern energy and pan-cultural richness of being Asian in America.


Members of the Grateful Crane Ensemble's "Moonlight Serenaders" in "The Camp Dance: The Music & The Memories," include (front row) Keiko Kawashima and Jason Fong; (back row) Kurt Kuniyoshi, Darrell Kunitomi and Haruye Ioka. (Photo by Phil Nee)
You wouldn't think that the internment of Japanese Americans during World War II would make for great source material for a stage musical. But it does, and in a way, makes a much more effective vehicle to tell people about that time, and what happened to JA families, than heavier, dramatic works such as the novel and movie, "Snow Falling on Cedars." "The Camp Dance: The Music & the Memories" is proof that internment can be explained in an entertaining way through a musical. Written and produced by Soji Kashiwagi, a sansei, and performed by his Grateful Crane Ensemble of actors, the play combines narration (the actors announcing what's going on on the stage), acting (there's plenty of terrific, believable and historically accurate dialogue), music and dance to entertain and educate audiences about the internment experience.

Bill Hosokawa in 2005, sitting next to a caricature at the Denver Press Club
Bill Hosokawa died of natural causes at age 92 in Sequim, Washington, where he lived with his daughter. He was a pioneering Japanese American journalist, author and diplomat who lived in Denver for 60 years. Those are the facts of Bill's life and death. But there's lots more to Bill than just the facts. I wrote an obituary for Bill that will run in the Pacific Citizen, the newspaper of the Japanese American Citizens League, the APA civil rights organization. Bill was a leader within the JACL, and a columnist for the PC for decades. I'm the editorial board chair for the newspaper, and a national board member of JACL, and I knew Bill because we'd run into each other at many events in Denver. So it made sense for me to write the obit for the PC. But I also owed it to Bill to write about him because he was a role model for me as a writer -- we both wrote columns for Denver's Japanese community newspaper (he kept his up long after I ran out of juice and got too busy). I wrote about Bill's influence on my career years ago, in one of my columns.

An interesting recent AP story raised the issue of what kinds of affectionate nicknames people use for grandparents. In Japanese, the words are "Obaasan" for grandmother and "Ojiisan" for grandfather, and many Japanese Americans still use the terms even if they don't speak much if any Japanese. But I have a confession to make. I didn't have an affectionate nickname for my grandmother.

MakoMakoto Iwamatsu died on Friday at the age of 72, of esophageal cancer. It's a huge loss to Asian Americans. If you know him at all, you probably know him better as simply Mako, the Japanese actor, who played countless character roles and supporting parts in television shows and movies starting in the early 1960s.