Gil Asakawa's Nikkei View | music
32
archive,tag,tag-music,tag-32,qode-quick-links-1.0,ajax_fade,page_not_loaded,,qode-title-hidden,qode-theme-ver-11.0,qode-theme-bridge,wpb-js-composer js-comp-ver-5.1.1,vc_responsive
November 28, 2013

ai kuwabara trio project We recently were privileged to enjoy a concert of contemporary jazz by a vibrant young group from Japan, the Ai Kuwabara Trio Project. Simply put, the combo rocked the joint at the King Center for the Performing Arts at the Auraria campus. The auditorium was full for the free performance, and I bet everyone there were blown away. Pianist Kuwabara is impossibly young for such an astonishingly assured and accomplished musician and composer. She's a mere 23 years old, but she and her bassist and musical partner Yusuke Morita have already released two albums as the Ai Kuwabara Trio Project (the "Project" part is because the group doesn't have a permanent drummer, though Shintaro Imamura is doing a sterling job on the current tour). The musicians' youth comes through in the way they are almost starstruck at their own success. At a pre-show reception, Kuwabara bowed deeply when she was introduced to Ikuhiko Ono, the Consul General of Japan at Denver, and his wife Eiko. The tour is organized by the Japan Foundation of Los Angeles, which brings a variety of Japanese arts and culture and showcases them here in the States. This particular tour was too brief: The group played in Berkeley and LA before coming to Denver, and the next day they flew off to Anchorage -- yes, Alaska -- to perform one more time before flying back to Japan.
September 12, 2013

mara-measor-72dpi Mara Measor's eponymous debut album is a late summer treat, a collection of songs colored by a diverse palette that span roots in folk, jazz and alt-rock, with a splash of arty chamber pop thrown in. Her stylistic range merges into a studied sound that's both memorable and intellectually satisfying. (Kudos to album producer Jamie Lawrence for his light touch and diverse approach to framing Measor's music.) Her bio compares her to a mashup of Jason Mraz and Regina Spektor, but Measor's artistic scope also reminds me of a Jane Siberry, an idiosyncratic Canadian singer-songwriter who's less known because she's marched to a different drum all her career. Measor's music has a broad appeal so I hope that she won't have to work the margins of the mainstream and can break through to a wider audience. mara-cover"Mara" deserves to be heard. It opens with insistent acoustic strumming that punctuates the desperation of "Desperate for You," and the track introduces Measor's supple, sultry voice, which can soar from a whisper to a full-throated roar, matched by an arrangement that builds when it needs to and then returns to a plaintive piano and Measor's solo strumming to let the listener back down. The tracks that follow showcase her sensibility with mostly downbeat ballads and mellow swing and her wordsmithing -- the only cover on the album is Coldplay's "The Scientist."
December 18, 2009

These dancers are just paert of the 70-person touring troupe for "Carnival China Style" that will perform in Denver on Jan. 13, 2010. UPDATE: THIS EVENT IS NOW FREE! (Ticketmaster processing charges still apply) It probably irks Chinese people to no end that their centuries of culture is often crammed into just a couple of off-hand images: Bruce Lee and martial arts, Chairman Mao holding up his Little Red Book, Jackie Chan and martial arts, the traditionalist flash of a Beijing Opera performer in full makeup and drag, Jet Li and martial arts. Oh, and martial arts of any kind, whether or not it's from China. The mainstream American consciousness seems to be oblivious to the depth and richness of Chinese culture, and to its vast variety. But Chinese culture spans a huge area and a long timeline. Remember, China is so big and diverse that it even has seven separate groups of language dialects. A Chinese person from Beijing may not be able to understand someone from Hong Kong, because Mandarin is spoken in Beijing and Cantonese in Hong Kong. The country's government has been on an international campaign since before last year's Beijing Olympics to educate the world about all of China. Because the country's taking over the world stage as a economic power (by most accounts, it'll eclipse Japan as the world's second-largest economy in 2010, second only to the U.S.), it's been keen to promote cultural exchanges and send performers halfway around the world. You can expect this public-relations campaign to continue through at least next year's 2010 World Expo, which will be held in Shanghai. The ongoing effort to showcase China's riches is great for those of us who are interested in the breadth of its culture. Here in Denver we have a rare opportunity to catch a spectacle of an event, "Carnival China Style," that will bring 70 performers and support staff from all over China to the U.S. and Canada starting after the new year. A Denver stop's been announced for Wed. Jan. 13 at 7 pm at the Ellie Caulkins Opera House, the classy auditorium at the Denver Center for the Performing Arts. Other stops on the tour include Toronto, Ottawa, Chicago, St. Paul, Denver, San Francisco, Sacramento, Reno, Seattle and other cities. President Obama enjoyed some of the performers traveling in this troupe during his recent visit to China. The evening of entertainment is based on a Chinese traditional festival format and it'll highlight the long history, grace, beauty, populism, diversity and folk nature of Chinese culture. The evening won't just be traditional dance and music, either. There's a segment featuring Wang Feng, a popular rock star in China, and even the woman who hold the Guinness World Record for twirling the most hula hoops at once. Who knew that's a Chinese cultural heritage? Here are some descriptions from the event's press release:
December 2, 2009

Dawen, LA-based Asian American R&B singer-songwriter The first single from Dawen's debut album, "American Me,"which was released back in September, wastes no time stating his passion for Asian American identity. "Flip through the paper, turn on the telly, go to a movie," he croons in his supple, silky soprano. Then he slips into the first verse:
Just because you saw the movie Crouching Tiger Doesn’t mean that I know kung-fu And just because Mr. Yan has an accent Doesn’t mean that I’ve got one too People tell me I “speak good English” Or that I’m “too thin to be Bruce Lee” Where do they get their preconceptions Of what I’m supposed to be?
That's his first single, but the first track on the album, is more blunt in addressing the inequities of many immigrants of color to the U.S.:
Welcome to the USA Freedom is your right Land of opportunity Only if you’re white Welcome to the USA Sea to shining sea I give my money, give my life Still they stare at me Welcome, Welcome, hey…
On the third track, "Ku Li," Dawen weaves in the lyrics from the folk song, "I've been working on the railroad," into a stunning statement about how Chinese immigrants were treated as slave labor during the taming of the American West. Dawen What's amazing, despite such in-your-face lyrics, is that Dawen wraps his message in an incredible wealth of warm musicality, starting with his soulful R&B vocals to his must-be-classically-and-jazz-trained keyboards and his guitar work, and his hooky instincts for get-in-your-head melodies and late-night funk bedrock rhythms. The album is a mellow, low-key wonder that can play in the background or zoom into the foreground with the sharply-observed social activism of the first eight tracks.
June 26, 2009

Here's a video that was coincidentally uploaded to YouTube by singer-songwriter David Choi, whose stuff I like very much, on June 23, just two days before Michael Jackson, the "King of Pop" suddenly and shockingly died. (It's the third-listed link on You Tube when you search for "Michael Jackson.") "Ben" is an unusual choice for a Michael Jackson cover -- a moody, plodding story-song that makes sense as a story only if you know it as the title song from a 1972 horror B-movie about a boy (not the young MJ) who befriends a pet rat named "Ben" who leads a pack of vicious killer rats. It was the sequel to the equally cheesy (no pun intended, honest) 1971 movie, "Willard." Choi posted his thoughts on Jackson's death on his blog, and like many others, he admits he sees Jackson's influence more clearly now that the man is gone.
April 2, 2009

Musical interlude: I saw on Facebook that Kinna Grannis had posted a video of herself with David Choi, sittin' on a couch and humming and strumming the pop standard, "What a Wonderful World." It's a very sweet version, and the two harmonize beautifully together. I blogged about Grannis a few months ago when I stumbled across her version of "Sukiyaki."...

December 31, 2008

Jero, the first African American Enka singer in Japan, learned the musical style from his Japanese grandmother.Enka music is often referred to as "Japanese blues." The comparison is apt for a couple of reasons: the music is almost always about heartbreak and inconsolable loss. You can hear it in the singing. And, enka singing relies a lot on vocal inflections that are also common to American blues and gospel music: vibrato and melisma (the bending of notes to show emotion). But fans of Enka in Japan probably never expected to see and hear an African American from Pittsburgh, PA make a name for himself as a rising star in the genre. (UPDATED: See bottom of this post for a video of Jero's historic New Year's Eve performance) Jerome Charles White, Jr. (coincidentally a name that would sound cool for a blues musician), who goes by the stage name Jero, is unique among Japanese pop stars, in that he's young (27), gifted, mixed-race black and American. He sings (and speaks) in perfect Japanese, and more important -- and more unusual -- he sings a style of Japanese pop music that many consider to be "old-fashioned." Enka music isn't quite blues -- aside from some of the vocal inflections and the sad subject matter, it's not a rhythmic style. It has roots in folk music like blues, but it's always presented in slick, orchestrated (stagey and theatrical) arrangements. Young Japanese have drfited away from this style and seem to prefer more modern genres like R&B, rock, disco and rap.