Gil Asakawa's Nikkei View | stereotypes
300
archive,paged,tag,tag-stereotypes,tag-300,paged-3,tag-paged-3,qode-quick-links-1.0,ajax_fade,page_not_loaded,,qode-title-hidden,qode-theme-ver-11.0,qode-theme-bridge,wpb-js-composer js-comp-ver-5.1.1,vc_responsive

Clint and Spike are having a spat. (from Gawker.com) File this under "you're too sensitive" if you want, but I think people of color notice these types of media mistakes because they reflect, deep-down, America's lack of evolution on the diversity front. From Gawker a few days ago: an MSNBC reporter described Spike Lee as "uppity" because of his back-and-forth spat with Clint Eastwood over the lack of African American soldiers represented on his two films about the World War II battle for Iwo Jima, "Flags of Our Fathers" and "Letters from Iwo Jima." When Lee's criticism, which he made when he was at the Cannes Film Festival in May, was published, Eastwood responded that Lee should "shut his face." I linked to the Gawker story in my Facebook page, and this morning I got an IM from a friend in New York, Peter V, who said he didn't get what the fuss was about. "Forgive my ignorance - but is 'uppity' a racial slur? I missed that one," he said. I thought about it, because I had immediately linked to the Gawker piece, but upon reflection, he was right "uppity" in itself is not an offensive word. It's the historical context that I was responding to. "In itself, no," I replied. "But someone in the national media should know the loaded nature of using the word when referring to a black man.... She may not have meant anything by it, but shame on her. It has hundreds of years of hate and hangings behind it..." As I explained in a follow-up email, the parallel, for me, is that I grew up hearing the phrase "sneaky Japs" -- all my life, from other kids in school, on the playground, at work (back in the day, when workplaces were less enlightened) and elsewhere, from all ages.

The email below was sent today by David Chiu, a graduating senior at the University of Colorado. He's been involved with a group of students, meeting with the CU administration since Feb. 18, when an ill-advised satire column titled "If It's War that Asians Want, It's War They'll Get" was posted on the Campus Press website of the university's school of journalism. If you're not familiar with the controversy, here is an article published by the Pacific Citizen, and my original blog post and an update and a second follow-up. David's update, sent almost on the eve of his graduation, is a sad commentary on the frustrations felt by the students who were directly affected by this article. There hasn't been a lot of progress, although there have been a lot of politically correct platitudes and promises given out. There are efforts outside the university, within the Asian Pacific American community at large, to keep the issue alive during the summer months. What these brave and dedicated students have started at CU have caused a ripple effect outside Boulder's insular world, that will hopefully continue outward for a long time.

Bill Imada, founder and CEO of IW Group, a PR/Marketing firm, is part of a group blog at Advertising Age called "The Big Tent" that's worth following. In this recent post, Bill writes about (and includes embedded videos of) TV commercials that include Asians and Asian Americans without using demeaning stereotypes. Here are the ads that Bill writes about: The post is in reaction to the stupid animated commercials for SalesGenie.com that debuted during the Super Bowl, which are still airing despite complaints from APA groups.

I missed this NPR report a couple of weeks ago, about the impact of the character Long Duk Dong from the 1980s hit movie, "16 Candles." I had heard a promo for the report while driving but got home before it came on. I finally went back to check it out and it's worth hearing. The link to the report is at the top of the page; the text on the page is the report's transcript. Be sure to check out the extra interview clip with Gedde Watanabe, the Japanese American actor who played "the Donger" -- he doesn't really have a clue, unfortunately. And check out the comic that's included, "Donger and Me."

I've never seen Denver's Asian American community rally so quickly around an issue like they have around the botched satire, "If it's war the Asians want... It's war they'll get", that ran on the website of The Campus Press, the University of Colorado's venue for budding journalists. There's been a blizzard of emails flying around town from groups and individuals, outraged postings (including mine as well as Joe Nguyen's commentary on AsiaXpress), and TV and print media news reports. A collective of APA students who've organized a Facebook group called Colorado Asian American Organizations organized a meeting yesterday at Denver University, where about 40 people showed up. Erin attended, and also sent out notices to some of the local media, so there were TV crews from several stations on hand to cover the discussion. Attendees included not just students, but community activists, older APAs and also African Americans and Latinos.

I'm always amazed at how young "journalists" can write really stupid stuff and then hide behind the cloak of "satire" to defend themselves. That's what happened this week, when the University of Colorado's amateur student news site, CampusPress.com, ran a commentary by Max Karson titled "If it's war the Asians want... it's war they'll get." It's not very well written. It's self indulgent in an immature, self-possessed manner. It's confusingly filled with hate language and alarming statements for much of the column, then it veers into surrealism, and suddenly, if you weren't sure whether it's supposed to be a joke (I wasn't), you start to realize it's not serious. The problem is, so much of it sounds serious, and feels serious, and perpetuates racist stereotypes and statements about Asians that I've heard all my life. So why wouldn't I take it seriously?