Gil Asakawa's Nikkei View | asian american
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Sometimes, protesting works. It took about a week of buzz on the blogosphere to get the attention of Paramount Studios for the obnoxious racism disguised as satire in the trailer for the comedy starring Jeremy Piven, "The Goods: Live Hard, Sell Hard." The scene shows car salesmen worked up by the thought of Pearl Harbor being attacked by the Japanese and chanting "never again," until they all pounce on an Asian character in the film. Piven's character then tries to make light of the hate crime by trying to blame the Asian. It's a clumsy reprise of anti-Japanese sentiment from 70 years ago, with a scary flashback of the 1982 murder of Vincent Chin, who was beaten to death by two Detroit autoworkers who thought he was Japanese (he wasn't) and somehow directly responsible for them losing their jobs. Well, enough outrage over this scene built thanks to coverage from Asian American blogs including Minority Militant, Angry Asian Man and 8Asians, that the JACL released a statement expressing outrage a couple of days ago, and several national organizations announced a protest yesterday. (There were also letters of protest sent around by individuals like actor Ken Narasaki and Soji Kashiwagi.) The protest was held yesterday, and though I haven't noticed if national mainstream media had picked up on the issue, Paramount has heeded the protest. A little while ago, I received this email from JACL:
PARAMOUNT APOLOGISES TO THE JACL Los Angeles -- The Japanese American Citizens League (JACL), the nation's largest and oldest Asian American civil rights and community advocacy organization, welcomed Paramount Pictures' apology for "racially demeaning language" in its recently released film, The Goods: Live Hard, Sell Hard.

Turnabout is fair play, right? It's karma. In Japanese, it's a bachi coming back -- basically, you reap what you sow. McDonald's in Japan has started using a laughable nerd who doesn't have a clue in its ads, mangling Japanese, looking all uptight in glasses and ill-fitting khakis. You'd think it's how an Asian would be cast in American commercials...

I had to post this, although I haven't had time to blog about the Asian American Journalists Association convention last week in Boston. This illustration was in the organization's silent auction and I had to have it. Cartoonist Tak Toyoshima, who draws the syndicated comic "Secret Asian Man," drew this the day before the start of the convention, specially for...

This is a nice touch in the age of social media -- direct communication with the people who supported their cause and hoped and prayed for their release with petitions, Facebook posts, Tweets and candlelight vigils. It's nice timing, since the plenary session for the first full day of the Asian American Journalism Association convention in Boston kicks off this morning...

Pho has evolved over the years, from its invention in 1920s Hanoi to its popularity in the U.S. today. When the soup, with rice noodles and meats served in a hearty broth, first arrived in the stateside, the restaurants catered to mostly Vietnamese diners, like an exclusive club. As non-Vietnamese discovered pho, the restaurants became more inviting, and the diners more diverse. When we first started going to pho restaurants, we weren't always treated very warmly, because we were outsiders -- clearly not Vietnamese. These days, pho restaurants have evolved. We're welcomed as regulars at our favorite neighborhood pho spot, Pho 78, and all sorts of folks enjoy pho. Even Denver, not exactly known as an Asian American mecca, has dozens of pho restaurants, many with the odd names including nonsensical numbers. Pho-Yo! is the next evolution. When you step in you might not even think it looks and feels like a typical, funky family-run pho restaurant. The difference starts with the menu: it’s an Asianfusion combo of the popular Vietnamese noodle soup, pho, and the popular dessert, frozen yogurt.

The Minority Militant blog posted this (R-rated) trailer for the new Jeremy Piven comedy about car salesmen, "The Goods: Live Hard Sell Hard." Towards the end of the trailer are two segments showing an Asian character played by Ken Jeong. In the first scene, which we've seen in the G-rated TV version of the trailer, he opens a bank bag a customer paid him for a car, and his face gets covered in the blue dye they put in stolen money. Ha ha, make fun of the short Asian dude who can't catch a clue. I can live with that, though it makes me squirm a bit. In the second scene, which ends the R-rated version of the trailer, Piven's character, an uber-salesman, is motivating the sales force (which includes Jeong's character) by citing Pearl Harbor. "The Japs... flying in low and fast," he says. "We are the Americans, and they are the enemy." Huh? Is this about the art of war applied to the art of sales? Or is it about Japanese cars vs. American cars? "Pearl Harbor. Never again! Pearl Harbor. Never again!," Piven screams and gets the others to yell along, even the Asian guy. But one of the older Caucasian guys starts eyeing the Asian guy and then shouts, "Let's get him!" A free for all ensues, and all the salesmen kick and pummel the Asian guy.

Our friend JozJozJoz came across this TV commercial on YouTube and posted it on the excellent team blog, 8 Asians, with a poll asking what aspect of the commercial was most racist. For me, it might be the fact that the person who posted it to YouTube titled it "Borderline Racist 1960's Jell-O Ad" and in the description says it's...

Attorney Dale MinamiThe next interview scheduled for Erin and my visualizAsian.com project is one close to our hearts. The free, live interview on Tuesday, August 25 at 6 PM PT (9 PM ET) will be with with Japanese American attorney Dale Minami. Dale is a rock star within the AAPI community -- in fact, the entire U.S. legal community -- as the lead attorney in Korematsu v United States, the landmark case that cleared the name of Fred Korematsu, a Japanese American who resisted being sent to internment camps during WWII and was sent to prison. A 1944 U.S. Supreme Court's decision established the constitutionality of the internment of Japanese Americans during World War II. But Dale and a team of young pro-bono lawyers took on the case and in 1983, got Korematsu's conviction overturned. He's most famous for the Korematsu case, which he won on a writ of coram nobis, a legal tactic that forced the court to admit that an error of "fundamental character" had been made in Korematsu's conviction.
Here's a must-see video about Dale made for an award ceremony when he received the UC-Berkeley law school's highest honor:
But Dale has been fighting for the AAPI community all his career. He filed the first class-action lawsuit over employment by AAPIs on behalf of AAPIs with United Pilipinos for Affirmative Action v. California Blue Shield, and he helped the Spokane chapter of the JACL take on Washington State University with a class action suit to establish an Asian American Studies program. He also led a fight against UCLA over tenure that was denied an Asian American professor that revealed the layers of discrimination in the academic community.