Gil Asakawa's Nikkei View | japanese
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This jaw-dropping shamisen throwdown took place during a free performance sponsored by the Consul General of Japan at Denver, of ABEYA Tsugaru Shamisen Performance Ensemble. It's an incredible eight-piece group that performs traditional folksongs (and original material) on the shamisen, a three-stringed lute with a tone similar to a western banjo, that's plucked with a tool that looks like a...

[caption id="attachment_4327" align="alignright" width="515" caption="Cherry blossoms at the Japanese Imperial Palace moat in Tokyo (photo Public Domain from Wikimedia Commons)"][/caption] When I was a kid in Japan, my family would make the requisite trek out every spring to see the cherry trees, or sakura, blooming at places like the Imperial Palace (above) or Ueno Park, which is better known the rest...

Sushi Poppers -- is this cool or dumb? Wow. As if buying crappy-tasting, unauthentic "sushi" at your local supermarket or Costco wasn't enough, they've found a way to completely commodify sushi -- sushi rolls, at least -- as a mass-produced pre-packaged snack food. Sushi Poppers are individually wrapped sushi rolls on a stick that you eat like... a Popsicle, those quiescently frozen confections. In fact, you can even buy Sushi Poppers online, and have it delivered frozen, packed with dry ice. They claim they'll be fine frozen for up to 30 days. I dunno, I've never been able to eat sushi that's even refrigerated overnight, never mind frozen for a month. I may have to order some just to test it. You get six tubes of sushi on a stick, with seven pieces in each roll (that's 42 pieces), for $29.95. You can get various flavors, including ones with raw tuna, spicy tuna or salmon, cooked fish, vegetarian, meat (teriyaki chicken or beef, miso chicken) and some dessert flavors. It seems they're really stretching the definition of "sushi" here. If you're suspicious of ordering frozen sushi through the mail, the company is planning to have the Poppers available at retailers nationwide, with the sushi made locally.

Japanese have trouble saying certain English consonants and vowels. Will they be able to say "iPad" and keep it different from "iPod?" Like a lot of geeks and a lot of people in journalism, I paid close attention to the weeks of hype and rumors, and then the official announcement yesterday, of Apple's potentially "game-changing" new tablet computer, the iPad. For weeks, the tech media have passed along rumor after rumor about the device and its features, but the most vexing of all rumors was the name. Blogs tracked down trademark filings and obscure documents and the main contenders for the name were "iSlate" and "iTablet." At the last minute, "iPad" was proposed. And during Apple's hour-and-a-half media event unveiling the gadget, Steve Jobs immediately announced it would indeed be called the "iPad." Then I immediately thought, "Wow, I wonder how the Japanese are going to deal with this name?" The iPod has been long-established in Japan as the premiere digital music player, as it is all over the world. I saw "i-pahd-do" everywhere in Tokyo, in shop windows and being used by music fans, with those iconic but crappy white earbuds. Now comes the iPad. And I predict there will be some major consumer confusion stirred up in Japan.

http://discovernikkei.org http://iamkoreanamerican.com/ Every once in a while, people ask me about the name of my blog, because they only hear the word "Nikkei" when it's used for the Japanese stock exchange. "Nikkei" is also so the word used to describe people of Japanese ancestry outside of Japan. I'm a Nikkei-jin, or Nikkei person. When my blog first started out in the 1990s as a column in Denver's weekly Japanese community newspaper, the Rocky Mountain Jiho, its publishers, Eiichi and Yoriko Imada, suggested I call the column "Nikkei View" since it reflected my perspective on pop culture and politics. The name stuck. In the years since, I've come across "Nikkei" a few times as a term for who I am -- mostly on research projects such as the International Nikkei Research Project, a three-year collaborative project involving more than 100 scholars from 10 countries and 14 participating institutions including the Japanese American National Museum (JANM) in LA. There are organizations that use the term, such as the Oregon Nikkei Legacy Center, and the blog "Nikkei Ancestry." Now there's another "Nikkei" site, which is republishing some of my babbling from this blog. In 2005, JANM launched Discover Nikkei, which is a gathering place for stories about Nikkei-jin from all over the globe, not just Japanese Americans but also Japanese Peruvians and Japanese Brazilians (two countries that have very large Nikkei populations), and every other country, as well as mixed-race people of Japanese ancestry.

Sho Kosugi, who plays the masochistic master in Ninja Assassin, played ninjas in movies through the Ninja Assassin is an entertaining film full of bloody action.The new movie "Ninja Assassin" just might spark a new wave of fascination with Asian martial arts, but instead of kung fu, the fad will be for ninjutsu, the art of the ninja warrior. The film updates the image of the silent, stealthy assassins from Japanese history, and suggests that ninja clans still exist, sending out mercenaries all over the world to kill off targets for gold. It's an enticing concept, and one that's in line with the tradition of the ninja in both Japanese history and Japanese pop-culture mythology. During my childhood, I didn't really fantasize about being a cowboy. Oh sure, I had the requisite cowboy outfit -- western hat perched cockily to one side like a young John Wayne, a real leather holster belt with a pair of shiny Mattel cap pistols hanging down my side (I tied them to my thighs with strips of leather) and a silver sheriff's star on my chest. I played cowboys and Indians like American boys did back then. But not all the time. In Japan, there was another, more romantic character that boys could play -- the ninja. They were lots cooler than cowboys. They were able to leap incredible heights over palace walls, walk silently through a sleeping castle, and noiselessly kill their prey with their samurai swords (which they wore across their backs instead of hanging on their sides) or shuriken, razor-sharp steel stars like many-sided daggers that ninja could throw with deadly accuracy. Ninjas even looked cool -- instead of fancy, bulky, multi-layered samurai outfits (or battered and sweaty cowboy hats), ninjas were clad in a simple outfit of midnight-black fabric (better to skulk around in the dark) just loose enough to allow freedom of movement in martial arts hand-to-hand combat. They covered their heads with a black hood, and only their eyes were visible through the veil. Although the ninjas were, like the cowboys of America, a romanticized icon of an earlier, "frontier-era" spirit, they also made sense for the early 1960s. They were precursors of spies in a modern world deeply divided by the Cold War. With James Bond and the Man from U.N.C.L.E. looming just around the pop-culture corner, I was ready-made for sneaking around my small yard in Tokyo, fantasizing about being a ninja.