There’s a new ABC sitcom being aired starting in February that I can hardly wait to see. I’m hoping “Fresh Off the Boat” will finally be a show where I can see people like me acting the way my family acts, with funny American situations but filtered through an Asian cultural perspective. I expect it’ll be a moment of critical...
Japanese American friends: Help me make the revised edition of "Being Japanese American" the best book it can be! I'm looking for photographs of the Japanese American experience, to include in the revised 2015 edition of my book, "Being Japanese American." Not just portraits but photos that capture our lives as JAs. Here are some examples of things I'm looking for:...
Earlier this year, Sandra Oh made a graceful exit from the hit television series "Grey's Anatomy" after 10 seasons as the talented, loyal, driven and mercurial surgeon Cristina Yang. In the final episode of the 10th season, Oh's character left the Seattle hospital where the drama takes place, and took a job at a clinic in Switzerland, of all places. The new season began without her this fall.
Oh hasn't been slacking off since her departure from one of the most celebrated ensemble casts in Hollywood, though. She immediately took to the stage in Chicago, for Argentinian-Chilean playwright Ariel Dorfman's drama "Death and the Maiden," in the lead role that was played by Glenn Close on Broadway and by Sigourney Weaver in a film adaptation by director Roman Polanski. Oh also appeared in a small part in Melissa McCarthy's comedy, "Tammy" this year.
And now, she's trying a new role, as executive producer of an animated film, "Window Horses," and trying to raise money through a crowdfunding campaign for the project on Indiegogo.
The film tells a multicultural story of a mixed-race Asian Canadian young woman, Rosie Ming, who is half Chinese and half Persian, who's invited to Iran to participate in a poetry festival and finds herself on a journey to discover her roots, find her identity and learn the truth about her father.
Hundreds of Lakewood High School students, including this one, left their classrooms in September to protest a proposed history curriculum they believed would lead to censorship. Students organized the walkouts using social media sites like Facebook. (Photo by Nic Garcia/Chalkbeat Colorado) [/caption]
I grew up as part of a generation that found our collective voice in protest, for African American civil rights, against the war in Vietnam, and to advocate for women’s and LGBT rights and Asian American studies.
College students have been at the forefront of many of these social movements. The Student Non-Violent Coordinating Committee was a cornerstone of the civil rights movement. College students led the free speech movement at the University of California at Berkeley, and the left-wing Students for a Democratic Society was formed at the University of Michigan. Students led protests across the globe, including the Prague Spring in 1968 all the way to the Tiananmen Square protests of 1989. Even the Taiwan protests earlier this year and the current and Hong , Kong democracy protests.
But in Colorado where I live, my admiration goes out to a group of high school students, who have been protesting in Jefferson County, the school district where I graduated in the 1970s.
"Gyaan" is not your typical showcase of energetic classical and contemporary Indian dance, which Mudra Dance Studio has become known for. It is, but it's much more too.
The stage at the Lakewood Cultural Center, where Mudra has hosted many of its elaborate, every-other-year professionally-produced shows in the past decade, is partially filled with a backdrop of boxed-in platforms that serve as bandstands for the musicians. The boxes are white before the show, but once the house lights dim, they become three-dimensional screens for a complex visual interplay of videos that help tell the story that's primarily told through dance in the front part of the stage.
This 3D multimedia richness is just one of the factors that sets "Gyaan" apart from a typical community dance recital, and even a level higher than Mudra's typically impressive Indian showcases. It was so expensive to produce that the group launched a Kickstarter campaign to help pay for the production (it was only for a small fraction of the cost).
With "Gyaan" -- Sanskrit for "knowledge through experience" -- Mudra founder Namita Khanna Nariani has a message she wants the audience to absorb: that in today's world of violence and tragedy, people have to come together and support each other. It seems trite to say it, but this show is about how love and community and art can save us all.
One of the few times I heard a reference to Ferguson was in this panel: from left, Hansi Lo Wang (NPR), Shefali S. Kulkarni (PRI), Ernabel Demillo (CUNY-TV), Emil Guillermo (AALDEF) and moderator Phil Yu (Angry Asian Man).[/caption]
I just got back from a week in Washington, D.C. attending the Asian American Journalists Association’s annual convention. I sat in on a lot of interesting (and some not-so-interesting) sessions about social media and journalism, issues in the Asian American Pacific Islander (AAPI) community, and lots of other current topics in the news.
But one topic was barely mentioned as part of the panel discussions: The death of 18-year-old Michael Brown, an unarmed African American man who was shot by a local police officer in the small town of Ferguson Missouri, a suburb of St. Louis.
He was killed on August 9, and for the next week – during the AAJA convention – the tension in Ferguson between protesters and law enforcement has been front and center in the news.
Dr. Charlotte Yeh in her AARP office, proudly holding her colorfully decorated cane.[/caption]
Note: As the Asian American Journalists Association AARP Fellow, I've been writing articles for the AARP.org website about AAPI themes but mostly work within the AARP AAPI Community's social media platforms on Facebook and Twitter. I'm starting to write profiles of AARP's AAPI volunteers and staff and post them to the AARP AAPI Community Facebook Page. This is the first profile I've posted, and because it's such a compelling story that I've decided to repurpose it here. If you find the story is valuable, please LIKE the Facebook page!
When Dr. Charlotte Yeh wrote a powerful article earlier this year in the Washington Post about shortcomings in emergency care, she subtly hinted at the conflicting cultural values that affected her that night two and a half years ago when she was hit by a car as she crossed a street.
She was taken to a nearby hospital’s emergency department, but wasn’t given the level of customer care she would have liked. And she’s an expert on the subject: Trained in surgery, Dr. Yeh was an emergency department physician and experienced healthcare administrator.
But she didn’t complain or raise questions with the doctors and nurses giving her care that night. Instead, she wrote in her Post column recalling that night that she wanted to be the “good patient.”
“The good patient in me wanted to please the doctor and saunter out of the room, but the real person in me was scared,” she wrote, even though in fact she wasn’t sure she could even stand and walk at all.
That phrase, “good patient,” comes up three times in her article, and is an echo of a deeply-felt Asian value that affects many immigrants in the United States, as well as generations of Asian Americans.