Gil Asakawa's Nikkei View | history
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December 10, 2013

hawaii-five-0 We're fans of the CBS series "Hawaii Five-0" for lots of reasons, including the fact that it's a showcase for Asian and Pacific Islander actors such as Daniel Dae Kim and Grace Park, and the entertaining "bromance" relationship between Steve McGarrett (Alex O'Loughlin) and Danny "Danno" Williams (Scott Caan). I always loved the original series that ran from 1968-1980, and think it's great that this reboot uses pretty much the same arrangement for the theme song, and even uses quick-cut images that evoke the look and feel of the intro sequence from the earlier Five-0. And finally, who can't love a show that celebrates the coolest and best-looking of all the United States, with loving b-roll shots of both its glistening city life and its incredibly beautiful natural scenery? This week, we get a whole new reason to appreciate "Hawaii Five-0" and tune in regularly. The producers are focusing on an aspect of American history that still remains under the radar of most mainstream American pop culture: The American imprisonment of people of Japanese ancestry in the wake of Japan's attack on Pearl Harbor.
December 10, 2013

snowfallingoncedars-BenandArleneMany Japanese Americans who've grown up since World War II -- myself included -- dreaded December 7 every year. As kids (and sometimes as adults) we've been taunted with hateful calls to "Go home, Jap!," "Go back where you cam from!" and the classic, "Remember Pearl Harbor!" As if we could forget. The war happened decades ago, and as Japanese Americans we had nothing to do with the attack on the U.S. military on Hawaii that sparked America's entry into WWII. Hell, today, most people in Japan had nothing to do with Pearl Harbor. Yet, I still feel wary when I go out on Dec. 7. Although I haven't faced a dumb remark in years now, I know that feeling is always there, just beneath the surface of civility. The ugliness comes out, perversely, when a tragedy occurs in Japan, like the "It's God's revenge for Pearl Harbor!" comments that were tweeted out after the March 11, 2011 earthquake and tsunami that devastated northeast Japan. So we decided this year, we'd face our trepidation directly. We bought tickets for "Snow Falling on Cedars," the stage version of David Guterson's award-winning 1994 novel about the after-effects of post-war racial hatred against Japanese Americans in a small Pacific northwest community. The book was made into an atmospheric film in 1999 starring Ethan Hawke that was nominated for a cinematography Oscar. Seeing the play at the Vintage Theatre in Aurora would help exorcise the Pearl Harbor demons, we figured, even as it reminded us of the hysteria that the bombing caused. That hysteria led just a few months later to the imprisonment of almost 120,000 people of Japanese ancestry -- half American citizens, born in the U.S. -- in concentration camps away from the West Coast.
November 12, 2013

[caption id="attachment_5353" align="aligncenter" width="520"]Denver's Medal of Honor recipient Joe Sakato is second from the bottom on the left; the late Hawaii Sen. Daniel Inouye is second from the top on the right. (Courtesy USPS) Denver's Medal of Honor recipient Joe Sakato is second from the bottom on the left; the late Hawaii Sen. Daniel Inouye is second from the top on the right. (Courtesy USPS)[/caption] At our local supermarket the weekend before Veterans Day, veterans were handing out little red poppies to pin on passersby’s lapels as tributes to generations of war dead (it’s a reference to John McCrae’s 1915 WWI poem, “In Flanders Fields”). I thanked the vet for giving me one and was heading in to shop when a scruffy-looking guy came up and growled that I was supposed to pay for the poppies. I stammered as he walked away that I was going to give some change on my way out, but the man who gave me the poppy shook his head and said there was no donation required. He apologized for the second man’s behavior. I realized that the scruffy guy was probably reacting to my ethnicity. Sigh. He probably thought I was a “Damned Jap” or a “Gook” and didn’t deserve to be wearing a poppy. I should have yelled back at the scruffy guy that my dad was an American soldier and I was wearing this poppy for him. On Veterans Day, I was happy to see a TV news report about George “Joe” Sakato, a 92-year-old Nisei from Denver who traveled to Washington DC to be honored as part of the release of a set of stamps paying tribute to World War II Medal of Honor recipients. In 2012 when the US Postal Service announced the new stamps, the plan was to have portraits of the 12 WWII veterans who still alive featured on the sheets surrounding the stamps, and the men would attend the unveiling this year. Three have died since the project was announced, including another Nisei soldier, the late Senator from Hawaii, Daniel Inouye. An accompanying booklet lists all 464 WWI Medal of Honor recipients. Both Joe Sakato and Daniel Inouye fought in the celebrated 100th Battalion/442nd Regimental Combat Team in Europe. The combined battalion, made up mostly of Japanese Americans, many conscripted from the American concentration camps where their families were still imprisoned, remains to this day the most highly decorated unit of its size and length of service in the history of the U.S. military. So take that, scruffy guy! Inouye went on to an illustrious public career and passed away last December. Ironically, Sakato is a retired US Postal Service employee.
June 11, 2013

United flight 139 from Denver International Airport to Tokyo's Narita Airport flies direct daily, and shaves off hours of travel time and stress from flying to the west coast for a connecting flight to Narita. Here's what I wrote when the direct flight on Boeing's 787 Dreamliner was first announced. Technical issues grounded the plane for several months from the original...

June 9, 2013

Oregon Nikkei Legacy Center internment exhibit I visited the Oregon Nikkei Legacy Center in Portland, Oregon last week while on a business trip to the northwest, and I was struck at how important organizations like it, and the museum it operates are for our community. Institutions from the largest such as the Japanese American National Museum in Los Angeles to one-room repositories such as the Nikkei Legacy Center or the Amache Museum in Granada, Colorado, are repositories for our collective memory as a community, and home to our history. Portland’s museum is a project of the Oregon Nikkei Endowment, and it’s tucked into a storefront in the city’s Old Town district, in the midst of what used to be the Nihonmachi, or Japantown neighborhood. One of the first items on display inside the door is a scale model of the district, with all the buildings labeled with the Japanese businesses that used to thrive. Only a couple of the businesses still exist, but they’re no longer in the neighborhood – the Nikkei Legacy Center is the only remaining sign of the community that was based here before WWII. The museum does a great job within its limited space of tracing the Japanese’s arrival in the area, the variety of businesses, and then imprisonment during WWII. There are artifacts, models, and text explaining historical milestones. A small area features a re-creation of an internment camp barrack's interior, with actual tables, chairs, desk and dresser (shown above) that were all built by internees in Minidoka, Idaho, where Portland JAs were imprisoned. The historical timeline of the permanent exhibit ends with a small video viewing area with interviews with local Nisei about the war years. Hiroshima exhibit at Oregon Nikkei Legacy CenterIn a small rotating gallery space in the back is a powerful, somber art exhibit (right) that addresses the horror of the atomic bombings of Hiroshima and Nagasaki, titled “Shadows and Black Rain: Memories, Histories, Places, Bodies.”
May 31, 2013

David Wagner, a consultant, trainer and journalist who is originally from Colorado but has lived for years in Japan, had the opportunity to sit down and speak with two giants of Japan scholarship. Dr. Donald Keene and Dr. Joyce Lebra (a professor at the University of Colorado). It's a fascinating and far-ranging conversation, starting with both Keene and Lebra's...

May 28, 2013

I was nervous that this YouTube clip of a post-game interview with shortstop Munenori Kawasaki would be just an opportunity to make fun of the onetime Japanese baseball star, but I didn't need to worry. His likable enthusiasm came through in spite of his struggles with English, and his team's appreciation for the player came through loud and clear when one player stepped aside to allow him to be interviewed, and two others doused him as if they'd just won the World Series. It wasn't the championship: Kawasaki had just helped his Toronto Blue Jays win a game in the 9th inning against the Baltimore Orioles by hitting a walk-off double. Although (or maybe because) he had started the season in the Blue Jays' minor league club (he had been released after one season with the Seattle Mariners). I hope his Major League career continues to be as bright and happy as this day.
May 16, 2013

mikado I recently blogged about a video produced by the City of Los Angeles – using taxpaper money – that was originally produced with good intentions: Explaining the importance of recycling water. But to make its point, the video used a ghastly, stereotypical caricature of geishas played by non-Asians with painted faces wearing kimonos, including one played by a non-Asian man. Of course, they spoke in “ching-chong” Japanesey accents. It's disturbing that it's OK even in 2013 to caricature Asians with the most shallow racial stereotypes -- ones that have been used to depict us for 150 years. There’s a long tradition in Hollywood and show business in general of “yellowface” – non-Asians (usually Caucasians) cast as Asians. The most egregious example is probably the horrid character of Mr. Yunioshi in “Breakfast at Tiffany’s," in which Mickey Rooney played the part to the hilt with buck teeth, thick glasses, squinty eyes and a terrible accent. But wait, there's more! He played a perverted lech of a photographer who keeps trying to shoot pictures of his downstairs neighbor Holly Golightly (imagine this name pronounced in a horrible fake Japanese accent), played by Audrey Hepburn. There are many, many examples of yellowface going back to Katharine Hepburn and Marlon Brando playing Chinese and Japanese characters with their eyes taped back in classic films such as “Dragon Seed” and “Tea House of the August Moon,” all the way to last year’s big-budget sci-fi flick “Cloud Atlas,” in which Hugo Weaving (of “Matrix” and "Lord of the Rings” fame) was among the cast who played both white and Asian parts, with hideously phony-looking makeup. It's not just on the big screen. Yellowface has also been a tradition on the stage, and I happened to see two plays recently that used elements of the practice, with varying results. Gilbert & Sullivan’s famous 1885 comic opera “The Mikado” is known for its social satire; the musical pokes fun at British politics and society by using Japan as the setting for its wacky love story. But the Japan it portrays is the Japan that people in the late 1800s fantasized about: Exotic, utterly foreign and just plain strange. To ensure that it only depicts simpleminded stereotypes, W.S. Gilbert based the play on a fictional Japan that had just been opened to Western commerce, but he didn’t bother to do any research to make his portrayal of Japanese culture realistic at all. Instead, he named the village where “The Mikado” takes place “Titipu” and gave his characters improbably names such as “Nanki-poo” and “Yum-Yum.”