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The email below was sent today by David Chiu, a graduating senior at the University of Colorado. He's been involved with a group of students, meeting with the CU administration since Feb. 18, when an ill-advised satire column titled "If It's War that Asians Want, It's War They'll Get" was posted on the Campus Press website of the university's school of journalism. If you're not familiar with the controversy, here is an article published by the Pacific Citizen, and my original blog post and an update and a second follow-up. David's update, sent almost on the eve of his graduation, is a sad commentary on the frustrations felt by the students who were directly affected by this article. There hasn't been a lot of progress, although there have been a lot of politically correct platitudes and promises given out. There are efforts outside the university, within the Asian Pacific American community at large, to keep the issue alive during the summer months. What these brave and dedicated students have started at CU have caused a ripple effect outside Boulder's insular world, that will hopefully continue outward for a long time.

I'm a born-again Asian American. Most of my life, I was oblivious to my rich roots and Japanese heritage. I was a banana -- yellow on the outside, white on the inside. So probably more than some Asian Americans, I like the idea that May is officially "Asian Pacific American Heritage Month" in the U.S. There's a part of me that finds it irritating that APAs get noticed once a year and we're practically invisible the other 11 months. But I'm glad that former transportation secretary Norm Mineta drafted the legislation to establish this month-long celebration when he was a Congressman. I'm pretty immersed in the APA community now -- not just Japanese American, but also the dozens of other Asian ethnic cultures and how they've evolved as they've become established in the U.S. APA Heritage Month makes me think of times when I was less connected to my own roots, and not interested in the vast wealth of culture throughout Asia. When I was a kid, I was into Japanese and Chinese (or more correctly, Chinese American) food. That's what my family ate when we weren't eating hamburgers, steak, spaghetti and pizza. This was before I developed my voracious appetite for Indian, Vietnamese, Korean, Cambodian, Singaporean and Filipino food. It was pre-dim sum. And, it was way before I grew to appreciate all kinds of Asian music, both traditional and Asian American. (Note: For those of you non-Asians who are Asiaphiles, I want to make the distinction that though we Asian Americans appreciate our heritage and understand how we're steeped in traditional values, we're all about the mix of being both Asian and American, or perhaps more accurately, being Asian in America.) One very clear example of my growth and awareness of Asian culture today as opposed to when I was younger, is my appreciation for one particular track in George Harrison's landmark recording, "The Concert for Bangladesh." The track is the Indian music performance, "Bangla Dhun," by the sitar master Ravi Shankar.

Bill Imada, founder and CEO of IW Group, a PR/Marketing firm, is part of a group blog at Advertising Age called "The Big Tent" that's worth following. In this recent post, Bill writes about (and includes embedded videos of) TV commercials that include Asians and Asian Americans without using demeaning stereotypes. Here are the ads that Bill writes about: The post is in reaction to the stupid animated commercials for SalesGenie.com that debuted during the Super Bowl, which are still airing despite complaints from APA groups.

Iroha ramen and gyoza I just had a great meal at our favorite restaurant in San Francisco's Japantown, Iroha. It's a noodle house that serves up a great deal: A lunch combination special of ramen topped with a couple slices of pork, and gyoza dumplings on the side. The restaurant is more crowded than usual, and filled with lots of non-Japanese who are here for the first time. That's because J-Town in general is hopping this weekend. It's the second weekend of the annual Cherry Blossom Festival, or Sakura Matsuri. There are vendors with booths selling everything from junky trinkets to high-class jewelry, lots of food and stages of performers and martial arts demonstrations, all with a Japanese focus. But there's also a Japanese American undercurrent, with young people flocking to stores that specialize in anime and Jpop music. It's a cool mix of traditional and contemporary -- much like J-Town itself.

"Time-shifting" is a new media term for the ability of technology to allow us to consume media -- whether it's video or music or text -- at any time. The most obvious example is people recording TV shows on the DVRs to watch later, at their leisure. You can hear a teleseminar via podcast any time after the fact (for instance, on a plane flight to SF, which is when I listened to a class on my iPod). And this morning, I've been both time- and PLACE-shifting, by listening to an archival re-broadcast of Casey Kasem's "American Top 40" radio show, which was originally broadcast on April 14, 1973. It's kind of spooky because it's very possible I was listening to Casey Kasem's affable voice that Sunday morning, and yet here I am, "tuned in" to hear the show all over again, in a San Francisco hotel room but hearing a stream from Denver oldies radio station KOOL105. All I need is the newscasts and commercials of the time, and I'm a 15-year-old kid all over again.

Snow day in Denver Yesterday it was 82 degrees, close to a record high, in Denver. It was as if summer had arrived in one day, with students sunning themselves at the University of Colorado, and people everywhere doing what Coloradans do during the summer: biking, walking, throwing Frisbees. Yesterday is like a dream. You wouldn't know it happened. Today it snowed, and tonight the lows will drop to 20. Here are some photos of the return of winter.

Here's a video produced by Annie Guo, a Denver journalist and entrepreneur who is editor of Asian Avenue magazine, a pretty solid monthly publication, for a website she and other young APA activists have created called In-Solidarity.com. This is an Asian community response to the "satire" published by the University of Colorado's Campus Press Web site back in February, in which a white student columnist wrote, "If it's war the Asians want, it's war they'll get." The column provoked a firestorm of protest from APA and other students, not just at CU but also other area colleges, and from the Asian community at large. Guo and her In-Solidarity compatriots were part of an immediate response team that joined with CU's Asian Pacific American community. The furor was covered by the local TV stations and mainstream print media. CU apologized and the public pretty much put the incident in the past, which is what the CU administration wants to happen.

Whenever I see an Asian on TV, either in a program or on a commercial, who's the brunt of some comedic joke, my first reaction is to clench my stomach in anticipation of some personal embarrassment, as if the Asian on screen could easily be me. But here's a TV commercial that makes fun of an Asian guy, that manages to be funny and doesn't bother me (although the first time I saw it I did clench up, expecting that slap in the face), and respectful of the Asian dude's dancing ability -- that is, until, he screws up. The commercial, for Southwest Airlines, makes me chuckle every damned time, and I've seen the thing a lot. What makes me feel good about the video is that the African Americans in the scene start out skeptical of the Asian guy's ability to impress the woman (that's Ellen Cleghorne from SNL, isn't it?, but then everyone in the club, includig the DJ, give the guy his props and start urging him on. That's when he knocks over the turntables.. and the tagline for Southwest comes in: "Want to get away?"