During the last week of October, there was a lot on my mind, including Covid-19 and the ongoing pandemic, and of course the November U.S. elections. But I also found myself at a moment in time, looking back one year that week to a 2019 family trip to Japan, and looking forward to next year with the hopes that we’ll...
“Always Be My Maybe,” a new movie on Netflix that dropped this month, is a wonderful, entertaining rom-com that reflects the reality of Asian America. ...
Naomi Osaka at the 2018 Nottingham Open qualifiers, photo by Peter Menzel, Creative Commons/flickr
I love following the exciting young career of Naomi Osaka, the world’s first Japanese tennis star who has been ranked number-one by the Women’s Tennis Association, after her recent win in the Australian Open.
I love her passion and skill and determination to win. And most of all, I love that she is mixed-race, with a Japanese mom and Haitian dad. And, that she’s culturally as American as she is Japanese or Haitian.
When the word “veterans” comes up in conversations within the Japanese American community, I suspect most of the time the image the word conjures is a picture of Nisei soldiers of the 100th Battalion/442nd Regimental Combat Team fighting during World War II.
I've been using Posterous and Tumblr as blogging outlets for posting about topics that don't fit Nikkei View, and I'm especially loving Posterous. I use my Posterous blog for pop culture stuff (Asian or non-Asian related) and Tumblr for new media and journalism stuff. Take a look: http://gilasakawa.posterous.com http://gilasakawa.tumblr.com The best thing about it is the ease of posting: I just send an...
This is from Slate: a re-imagining of the coverage of the Moon landing on July 20, 1969 if today's Internet- and cable-TV fueled media could have covered the event. I think it’s fabulous and funny, but I wonder if young people seeing this would go, “and your point is?†It’s wild to think most of what we accept as part...
Last year I received one of the coolest gifts ever -- a 41-DVD boxed set of "The Man from U.N.C.L.E.," the TV spy series that ran from 1964-'68. The set came in a package that looks like a secret agent's briefcase, and includes all 105 episodes of the program, plus a ton of extras such as documentaries and commentary by the show's stars, Robert Vaughn and David McCallum.
I'm still sifting through this pop-culture treasure chest, and having a blast. The series was my favorite TV show from my childhood -- I had a bunch of toys related to the show, and I read and collected books, gadgets, magazines -- anything to do with U.N.C.L.E.
I've been struck by a few observations about the show, in light of 40 years of being a fan, and then suddenly being able to see every episode on DVD.
First (and relevant to this blog), I'm surprised at how many Asian Americans were cast in the show as guest stars. There were some episodes set in Asia, like one that takes place in Japan, and that's kinda hokey since all the sets and scenes are actually shot in Hollywood. But in many episodes, the requisite woman who's an innocent bystander but gets dragged into the plot as a sidekick is Asian American, and I mean Asian American as in, no phony accents. They're Asian American actors cast in American roles, which is nice.
Second, they had some big name guest stars. I just watched a goofy one from the third season (of the four, the third was the one where the show got silly, comedic and unbelievable) titled "The Hot Number" that featured Sonny and Cher. Cher was a snooty fashion model (not a stretch) and Sonny was a bumbling fashion designer. The episode also featured Sonny and Cher's music, which was a neat cross-marketing gimmick.
Third, a lot of the episodes are slight to the point of being anemic. The story lines are sometimes clunky and the writing often forced. And little of the acting, even from Vaughn and McCallum, is Brandoesque. It's more like Shatneresque.
But then, the artifice is actually part of the charm of "The Man from U.N.C.L.E."
We all live our lives way too fast. We rush to work, work at a fast clip, rush home and barely get a chance to chill out before, as a wimpy '70s singer-songwriter once crooned, "we get up and do it again."
So the death of the Rocky Mountain News, like the death of a close friend or family member, has given me pause. It's making me reflect a bit on my own mortality: as a news junkie, journalist, writer, Internet geek and human being.
First of all, I feel terrible about the Rocky's closing. I feel worse -- a lot worse -- than I thought I'd feel. It's a business decision. But it affects hundreds of people, many of whom I know. In fact, I've known some of the staff at the Rocky for almost 30 years. In between jobs, I've written more freelance stories for the Rocky than for The Denver Post, the newspaper that's left standing in Denver.
Now I work for MediaNews Group Interactive, the online operation of the Denver Post's parent company. People -- especially bloggers who cover the media -- like to throw barbs at MediaNews and its owner, Denver-based Dean Singleton because he buys up newspapers and usually trims their operations to make them more profitable. "More profitable" of course is a relative term these days. Maybe we should settle for "less unprofitable" in these terrible economic times.