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Advice for Mid-Career Journalists from Yuki Kokubo on Vimeo. Journalist Yuki Kokubo interviewed a sampling of speakers (including me) at the recent Detroit convention of Asian American Journalists Association, and though she didn't have a pre-planned script when she began taking to people, the consistent theme that emerged from the speakers themselves was advice for mid-career journalists. This video is from the...

Colorado Okinawa Kenjinkai at CDBF 2011It struck me towards the end of the first day of the Colorado Dragon Boat Festival that the clash of cultures I had just witnessed perfectly encapsulates why I’ve been a volunteer for this event since it was started in 2001. (Full disclosure: Last year, my partner Erin Yoshimura took on the role as executive director of the festival, after volunteering from the beginning. I help out with media, the website and emceeing on the main stage.) As the first day of the two-day event came to a close, the main stage lineup included a sampling of performers from the festival’s very popular Cultural Unity stage, a showcase of Colorado’s diverse hip-hop community. The hip-hop sampler was fantastic – and showed why their stage is always so jammed that you can barely see through the crowds surrounding the tent, especially when the dancers are spinning on the ground. The elevated main stage offered an eye-popping view for the audience, most of whom hadn’t gone by the Cultural Unity area before. The performance was a 20-minute introduction to the artistic principles and driving aesthetics of hip-hop culture, starting with naked rhythm from a conga drum, then showing the evolution of the rhythm into the DJ’s scratching with turntables and vinyl records. Then the B-boys and B-girls assembled around the stage in a half-circle took turns strutting their stuff to the rhythmic riffing, spinning, flipping and contorting their bodies into unbelievably elastic poses and leaving the audience agog. The set emphasized the multicultural appeal of hip-hop and pointed out how the performers on stage with him ran the ethnic gamut: Asian, Caucasian, African American, Latino. Following the Cultural Unity sampler, which drew a huge crowd to the stage, most of the audience stayed for the Colorado Okinawa Kenjinkai, a group of women from Okinawa who preserve the traditional dances of Okinawa, a culture that’s distinct from Japan.

Many thanks to FOX 31 weekend anchor Deborah Takahara and reporter Chris Jose, as well as the FOX 31 crew and Dragonboat Race Association of Colorado (DRACO) members who manned the dragon boat for this shoot on a hot summer day! My wife Erin is the executive director for the Colorado Dragon Boat Festival. We volunteered for the first seven years...

Discover Nikkei Discover Nikkei, a project of the Japanese American National Museum that collects stories submitted by people of Japanese descent around the world -- the Nikkei diaspora, if you will -- is taking stock of all of us. They need anyone who's of Japanese descent to take this quick survey. The survey closes at 10 am PT on July 25, so take a few minutes to full it out now. Here are links to the survey in four languages: ENGLISH: http://5dn.org/copanisurvey-en 日本語: http://5dn.org/copanisurvey-ja ESPAÑOL: http://5dn.org/copanisurvey-es PORTUGUÊS: http://5dn.org/copanisurvey-pt The results of the survey will be announced at the XVI COPANI (Conventions of the Association of Pan American Nikkei) conference in Cancun, Mexico this September, where Discover Nikkei will hold workshops. Discover Nikkei it's a terrific resource for the Japanese American community, as well as a great hub of cultural conversation about Japanese Latin Americans and Japanese folks from all over the world. Did you know that there are a lot of Japanese immigrants living in Latin America? The largest Japanese population in South America is in Brazil (that's why the Discover Nikkei site is available in Portuguese, the language of Brazil, in addition to Spanish). Peru has the second largest Japanese population in South America. You may remember a man with a Japanese surname, Alberto Fujimori, was president until he fled to japan in the midst of a corruption scandal. His daughter, Keiko Fujimori, just narrowly lost the election for the presidency last month on a right-wing ticket. Japanese Americans also share some of the tragedy of history with Japanese Latin Americans. Hundreds Japanese Peruvians were rounded up and illegally deported to Crystal City, a U.S. Justice Department prison camp in Texas, during World War II with the intent to be traded for U.S. POWs. Few returned after the war, and the rest were left stateless. Japanese Peruvians are still waiting for the redress and official apology that were granted in 1988 to Japanese Americans for internment. Personally, I'd love to know some Japanese Latin Americans, and learn how their culture is different and colored by Spanish and Portuguese traditions. Here's some more info about Discover Nikkei:

[caption id="attachment_3686" align="aligncenter" width="500" caption="The Japanese Gardens as it currently looks at the Denver Botanic Gardens"]Denver Botanic Gardens' current Japanese Garden[/caption] Many Japanese Americans – especially older JAs – will be familiar with the name Bill Hosokawa. He wrote a column, “From the Frying Pan,” which was a running commentary on Japanese America that ran in the Pacific Citizen, the national newspaper of the Japanese American Citizens League (JACL), a civil rights organization, for decades. In 1969 he published the first comprehensive history of Japanese Americans, “Nisei: The Quiet Americans,” that included information about internment. In 1982 he published “JACL: The Quest for Justice,” a history of JACL. He also published a collection of “Frying Pan” columns with added observations in 1998. His final book, published in 2005, was “Colorado's Japanese Americans: From 1886 to the Present,” which most Japanese Americans across the country probably aren’t familiar with, but was well-received here in Colorado. Even at age 90, when he wrote the book, he was an agile wordsmith and a witty and straightforward storyteller, a gift that served him well in his long career as a journalist. He died two years later, in 2007. bill hosokawa-denver press club 2005I was interviewed for an obituary in the LA Times when Bill died, and the reporter couldn’t understand how important “Nisei” was to a JA kid in northern Virginia in the early ’70s, where my family lived when I first read Bill’s landmark book. Being in a multicultural place like California with Asian faces everywhere you look, a book about the history of Japanese Americans may seem unremarkable. The Times’ obit even pointed out that to the emerging third-generation activists who were radicalized and beginning to actively seek their identity, “Nisei” seemed tame and even reinforced stereotypes of the meek, accommodating model minority. But to me, a kid in a northern Virginia suburb with no Asian friends — a banana if there ever was one — “Nisei” was like an electric jolt of identity. The radicalism came later; the first step for me was realizing that there were other people like me with an Asian face and Japanese values, but American heart and spirit. Colorado is more like Virginia when it comes to Asian population and JA identity. I’m much more a part of an Asian American community now, but it’s a small and disparate one. So having a historical giant like Bill Hosokawa in the area was like having a lighthouse in a fog. Bill Hosokawa was well-known nationally as one of the foundations of the Japanese American community’s national history. He’s also remembered in Colorado, and not just by Japanese Americans. His legacy looms large in Denver and throughout his adopted state for his work as a writer and editor, and a diplomat who built lasting bridges with Japan. He was, as he quite accurately used to quip, “The most famous Japanese American in Japan.” And Colorado, too.

We're addicted to the Food Network because we're amateur foodies who believe deeply that food is the gateway for most people to learn about other cultures. I'm always amazed when I find people who are closed-minded about trying different types of cuisines, and I've always lived by the rule that if somewhere in the world, someone eats a dish, I'm willing to try it... at least once. Living by this rule, I've had some funky food, including insects, plants that you wouldn't think are edible, slimy sea creatures that I'm not sure other sea creatures would eat, and animal parts that would probably make a PETA supporter faint. We love all kinds of cuisines from around the world, and obscure indigenous specialties from around the U.S. One of our favorites is Korean cuisine. You can trace a lot of Japanese culture to China or Korea, including food. Yakiniku, grilled marinated thin-sliced beef, is Korean bulgogi (my favorite). Gyoza dumplings are either Chinese potstickers or Korean mandu. Kimchi is, well, it's a purely Korean original: Pickled napa cabbage that's deeply infused with hot chili pepper and briny salt. It's a staple of Korean cuisine, an ubiquitous side dish, delicious and really healthy to boot. My mouth starts watering just thinking about it. Erin and I even cooked up our own Soon Doobu Jjigae spicy tofu soup one night, and look forward to trying more Korean recipes. Growing up in Japan, we had kimchi pretty regularly. My mom used to make it (she hardly cooks anything anymore) when I was a kid. Its pungent odor would fill the house and embarrass me once we moved to the states if my white high school buddies visited, but I even got my giant football player friend Bubba to try kimchi. Like some other Asian dishes, it doesn't taste as stinky as it smells. A new PBS series, "Kimchi Chronicles," explores the richness of Korean food in a fascinating way that's part-travelogue, part food program and part a journey about identity. The series has been rolling out in some markets, but here in Denver it premieres July 2 on Rocky Mountain PBS (Channel 12 in Denver) What makes the show so intriguing to me is the star, Marja Vongerichten, who is wife of superstar New York chef Jean-Georges Vongerichten.

TaikoProject brings its "Rhythmic Relations" show to LA's Little Tokyo Another reason I wish we lived in LA: TaikoProject, the acclaimed genre-expanding taiko group based in LA, brings its talents home to perform its "Rhythmic Relations 2011" show this weekend outdoors at Noguchi Plaza in front of the Japanese American Cultural & Community Center in Little Tokyo, 244 S. San Pedro St., Los Angeles. There will be two performances, at 2 and 7:30 pm; tickets are $30 - $35 + service charges. Tickets are available online at www.jaccc.org or by phone (213) 680-3700. The group will be joined by Bombu Taiko, Kitsune Taiko and Loma Pacific Taiko, and the show will feature special guest Ryutaro Kaneko (former Artistic Director for the superstar Japanese taiko group Kodo). You may have caught TaikoProject this week on "The Voice," the terrific NBC singing competition show (we're cheering for Dia Frampton, and not just because she's Asian American -- hapa Korean). You may have also seen TaikoProject way back in 2006, playing on a Mistubishi car commercial (I remember at the time, thought it was totally cool to see a taiko group on a commercial). Here's how TaikoProject describes itself: