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Asian American Pacific Islanders have been so invisible in mainstream American society, working hard in the background but rarely achieving high profile attention (unless it's for something lousy, like Jon Gosselin or Falcon Heene!), that we're shocked when the spotlight suddenly shines on some aspect of our culture and identity. A lot of the reason is that culturally, Asians have a tendency to eschew attention. It's the old "the nail that sticks out will be pounded in" rule. Don't bring attention to yourself, don't make waves, don't complain, don't don't don't. It's partly our own fault that we're invisible. But another reason is that the mainstream media, from Hollywood movies to the news industry, tends to ignore us, marginalize us or exoticize us. We're the "model minority," we're doing fine, we don't have complaints, we don't need the attention. Things are changing... I've written about the increase in Asian faces on TV, for instance. But there's still a ways to go.

Jon  and Kate Gosselin in happier -- we think -- times.When I first found out Jon Gosselin is Asian American, I thought, "Cool!" His kids were an adorable hapa brood, and Kate was a somewhat... shall we say ... difficult partner. A mixed-race family is nothing unfamiliar to many AAPIs (and especially Japanese Americans, who have had the highest out-marriage rate of all AAPI ethnicities for decades). Erin called it almost the first time she happened to tune in to the show. She pointed out all the ways that Kate showed little emotional intelligence (barking, "What planet are you from, Jon?" in one show), and the ways Jon seemed to be distancing himself from Kate in his body language and expressions. That's what the first look at "Jon and Kate Plus 8" was like for us. Now, Jon Gosselin just looks like a fool, not cool. He's being sued by TLC for breach of contract. And his antics may have also cost Kate, soon to be his ex, a chance at her own show with the kids, "Kate Plus 8." He tried preventing crews from filming their kids, so TLC has apparently postponed the new show's Nov. 2 launch, according to TV Guide. Other reports have said the show has been canceled altogether. What's ironic is that Kate's been coached and appears to be a different person from the hard and harsh wife from the start of the series in 2007. She's been reinventing her brand to a sympathetic character and a warm-hearted mom. Meanwhile Jon's devolved his brand from long-suffering husband and kinda bumbling dad to dumbass playboy twerphead. She might deserve another 15 minutes of fame, but his clock's run out.

Members of Denver I learned a whole lot about Genghis Khan, the Mongolian ruler who in the 13th century conquered most of the known world of the time, from Asian to the Middle East and into Europe. We also learned about Mongolian culture, and this morning, I learned why, as a child, I was classified as "Mongoloid" -- and why that term had its origins in Genghis Khan's time but now has an offensive connotation. What sparked so much learning? The opening of an exhibit, "Genghis Khan," at the Denver Museum of Nature and Science, and a gala event we were fortunate enough to attend last night. Denver Mayor John Hickenlooper was there to welcome dignitaries from the Mongolian government including Ambassador Khasbazaryn Bekhbat; speeches were made, diploamtic gifts exchanged, and then attendees had a buffet catered by the museum that featured mostly Mongolian or Asian themed food (except for the salmon in pastry shells and the table of veggies and dip), such as Mongolian noodle bowls, a stiry-fried variant of Mongolian barbecue without the piles of meat, and generic Chinese chicken dumplings (the brand sold by Costco, I bet) that were boiled then pan-fried and not so bad). While dining, we chatted, networked and schmoozed while a stream of performers entertained the crowds -- most unfamiliar with any of the riches of Mongolian culture -- with traditional music and dancing, as well as the esoteric art of Tsam masks (giant scary-looking masks worn by "dancers" who move slowly to ominous music) and the more modern flashiness of a contortionist.

The Heene family in a publicity shot from ABC, for the network I don't know about other Asians, but I bet Erin and I are not the only ones who flinch whenever we hear or see coverage in the news media that involves an Asian or Asian American. If it's good news, hooray and we cheer on the butt-kicking Asian, or applaud the award or medal or accomplishment. But if it's bad news, we share the tragedy, shame or embarrassment as if it's happening to our own family. A good example is the big story today north of Denver, where a six-year-old boy reportedly climbed into his parents' homemade flying saucer-shaped balloon which took off and floated for several hours across northern Colorado. The media first reported that the "balloon boy" had crawled into the balloon and managed to untie a tether, which set the helium-filled craft free into the sky.

The Asian American blogosphere is all abuzz, and with good reason. The White House has more AAPIs in high places (the Cabinet) than ever in history. And yesterday, President Obama signed an executive order restoring the President's Advisory Commission and White House Initiative on Asian American and Pacific Islanders. Secretary of Commerce Gary Locke, who is Chinese American, and Education Secretary Arne Duncan will serve as co-chairs. The the commission was originally created during the Clinton administration, but it expired during George W. Bush's presidency and was not reauthorized. That alone says a lot about Bush's view of AAPIs as a force in this country, I think. It also says a lot about Obama's empathy for and understanding of AAPIs as a people who are woven throughout the fabric of American society. As part of the ceremony, Obama also paid tribute to the South Asian celebration of Diwali, the end of the harvest season in India and Nepal. The video of the ceremony is above; here's the full text of President Obama's speech:

Lane Nishikawa, writer, star and director of "Only the Brave," which comes out on DVD nationally on VeteranWow. Wow. Wow. It's a triple play. It's a hat trick. It's an Asian American trinity, sort of. Erin and I have booked three killer guests for our visualizAsian.com series of interviews in the AAPI Empowerment Series: Next Tuesday, Oct. 20 at 6 pm PT we'll speak to filmmaker Lane Nishikawa of "Only the Brave," an independent movie about the Japanese American soldiers who fought during World War II that will be released nationwide on Veteran's Day; On Tuesday, Nov. 10, we'll spend an hour getting to know Phil Yu, the man behind the must-read news site about Asian Americans, AngryAsianMan.com; And on Tuesday, Nov. 17, we'll meet Lac Su, the author of a powerful new memoir, "I Love Yous Are for White People."

Hiroshi Watanabe as Jimmy and Nae as Aiko in "White on Rice" Hiroshi Watanabe as Jimmy and Nae as his sister Aiko in director Dave Boyle's independent film "White on Rice." Erin and I attended a screening tonight of a new movie, "White on Rice," sponsored by Denver's Asian Avenue Magazine at the Starz Film Center, and thoroughly enjoyed the film. It's a sweet romantic comedy about an affable doofus of a Japanese man, 40-year-old Hajime "Jimmy" Beppu, who leaves Japan when his wife divorces him, and moves in with his sister and her husband and son in America. A hapless loser, Jimmy's reduced (when he's not living in a park or in his company's broom closet) to sharing his young nephew's bunk bed and pining after his brother-in-law's niece Ramona, who also moves in with the family. "White on Rice" pokes gentle fun at Japanese cultural values and personalities (the gruff, the clowny, the servile) but does it with respect, never lowering itself down to parody or worse, stereotype. The movie's chockfull of Asian Americans in addition to the rich portrayals of the Japanese characters: Jimmy's employer,a customer service company, has several Asian Americans, including Jimmy's friend Tim, played by James Kyson Lee of "Heroes" fame, who ends up being Ramona's love interest, thwarting Jimmy's obsession. The ensemble cast, which includes Hiroshi Watanabe as Jimmy, Japanese actress Nae as Jimmy's sister Aiko, Mio Takada as Aiko's husband, Lynn Chen (viewers may recognize her from "Saving Face") as Ramona, and very young Justin Kwong as the strange and wonderfully straight-faced kid Bob. The cast is mostly Asian and Asian American. Almost half the dialogue is in Japanese with subtitles. And, the co-writer and director, Dave Boyle, is a 27-year-old Mormon Caucasian from Provo, Utah. "Yeah, that's always the first question people ask," he said tonight after the screening. "So, what's with the white guy making a movie about Asians?"