What an atomic bomb looks like from just outside the blast zone: Japanese American photographer finally talks about it

atomic bomb blast

The German news magazine Der Spiegel has an incredible, and disturbing, story about photographers and filmmakers who worked for the US government in the Cold War years, chronicling atomic bomb test blasts… from 3.1 miles from ground zero, just outside the blast zone and considered a safe distance. One surviving photographer, George Yoshitake, shot photos of a mushroom cloud with nothing but a baseball cap to protect him from fallout.

The work of about 40 photographers and cameramen in the 1352nd Photographic Group of the US Air Force, in both the Nevada desert and remote islands in the Pacific Ocean, was considered Top Secret at the time, and the surviving cameramen are just now starting to tak about their experiences, thanks to a documentary filmmaker’s efforts to capture their stories. Many of the images and films shot by these men have become iconic images of the era, and used in dozens — maybe hundreds — of other films and articles.

How crazy were these men to put themselves so close to nuclear annihilation to document such a horrible weapon? “We could see how the shockwave came rolling across the valley floor,” says Yoshitake in the article. “We hung onto our cameras so we wouldn’t fall over.”

Yoshitake also says his worst memory was photographing the results of a blast on animals placed in the blast zone. I have to wonder if Yoshitake — like many Japanese Americans — had family members from the Hiroshima region of Japan, and if the thought ever crossed his mind that his relatives may have been in harm’s way when the first atomic bomb was detonated above Hiroshima at the end of WWII.

The Der Spiegel article (it’s in English) is fascinating, and also features a gallery of eight of the images.

(Thanks to Kateopolis’ Tumblr blog, where I first saw this)

Wong Fu Production’s “Agent of Secret Stuff” comedy film is a big hit on YouTube

Anything that San Diego-based Wong Fu Productions creates is big news in Asian American circles. But their 35-minute indie film, “Agents of Secret Stuff,” a spy comedy has garnered the attention of the mainstream tech press because it’s already been viewed over 2 million times since was posted on YouTube on Nov. 24.

Mashable.com, the online bible of the social media industry, posted about the movie’s success. Wong Fu has also posted an entertaining 8 1/2 minute “Behind the Scenes” video and a 4-minute Blooper reel. Wong Fu’s starting to feel like a grown-up movie studio!

But they’re still a trio of young Asian American friends from college days, Wesley Chan, Ted Fu, and Philip Wang, who decided to pool their talents in video production, hooked up with lots of AAPI talent (they’ve worked on Far East Movement’s music videos, for instance), started a t-shirt company called Nice Guy Design, and travel around to colleges speaking to Asian American student groups (they’ve spoken and showed their work at Denver University, for instance, even out here in the hinterlands).

“Agents of Secret Stuff,” a collaboration between Wong Fu and Japanese American comedian Ryan Higa (the first person to hot 2.8 million subscribers on YouTube) is a funny and silly but very entertaining spy spoof about Adan, an agent of Agents of Secret Stuff (A.S.S.) played by Higa, who has to go undercover as a high school student to protect a girl (played by the lovely Arden Cho) from A.S.S.’s archenemy, the Society Involving Not-so-good Stuff (S.I.N.S.). Taylor, the girl at first resists having a bodyguard, but then of course they fall in love. It’s a cliched plot and yes, it descends into goofiness here and there, but it’s cute and irresistibly likable throughout. It’s also the longest, studio-quality film to be posted on YouTube, and it doesn’t disappoint.

The trailer above is just a taste of the fun. Check out the whole film!

2nd installment of Greg Pak’s “Vision Machine” comic book available for free download

A panel from Greg Pak

For fans of sci-fi and comic books, the second installment of writer Greg Pak‘s “Vision Machine” comic book series is now available for FREE download at visionmachine.net and comixology.com. Part 1 is also available on the downloads page, with Part 3 coming in December.

Here’s the official skinny on the book:
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Artist Takashi Murakami’s in the Macy’s Thanksgiving Day Parade… is that weird?

Takashi Murakami

It was a surreal moment, when I looked up at the TV this morning and saw Matt Lauer and Meredith Vieria nattering on about Japanese artist Takashi Murakami, and how cute his artwork is. The camera switched to the Macy’s Thanksgiving Parade  (yeah, it was on — what’s it to ya?) and there was Murakami, bundled up in a fluffy costume that he must have created, designed to look like some indeterminate animal/plant hybrid species. He was bopping up and down and grinning like a mad-man, loving every moment of his nationwide exposure.

I did a double take, because Murakami’s pop art can be very cute, but he also makes art that is very sexual and fetishistic. He makes life-sized figures of manga-like characters in sexual poses. And, he’s created striking, powerful paintings and sculptures that depict the atomic bomb mushroom cloud — it’s a recurring motif in his work.
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Mudra Dance Studio takes flight on “ILLhaam… Cycles… ILLumination”

It seems every time Mudra Dance Studio mounts one of its big productions — it’s been every two years for the last three shows — it’s worth the wait because the troupe’s founder, Namita Khanna Nariani, adds something new and incredible to the mix.

We’ve seen the Mudra troupe perform at all but one Colorado Dragon Boat Festival, so we’re not strangers to the talent of this remarkable South Asian organization, and to Nariani’s determination to stretch the artistic limits of traditional, classical Indian dance with contemporary aesthetics that rise above ripping off the hipness factor of Bollywood musicals with some shallow syncopated moves. but to see the Mudras dance a 30-minute set is one thing. The three-hour artistic tour-de-force that is their big blowout performances is something else entirely.
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