Tiger Woods apologizes to family, fans… now, let’s move on

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I’ve avoided the media feeding frenzy over Tiger Woods because it just didn’t seem that big a deal. I was concerned when the first reports of his accident came out and some media outlets reported he was seriously injured, but that turned out to be incorrect. When he was released with minor injuries, I decided it was a minor story. Then the story grew legs — female legs.

Tiger’s life is primarily lived on the golf course. He’ll go down in history as an incredible athlete, maybe the best ever in golf. He’ll also be revered as both the first and greatest African American and Asian American in golf (like Barack Obama, he’s claimed by both communities with equal adoration). His private life makes headlines too, sure. But he doesn’t live in a 24/7 media bubble like, say, Jon and Kate Gosselin (oops, I didn’t mean to ever mention that Fallen Asian American Dude ever again…). Tiger has taken care to keep his private life, well, private.

So it saddened me to see the media circus that exploded over his accident, and the reports of his having an affair. It cheapens his stature as an athlete, and whatever his private screw-ups, they weren’t related to his sport, like Michael Jordan or Pete Rose’s problems with gambling. And he wasn’t smearing his romantic dalliances in the tabloid media’s lenses like that Fallen Asian American Dude, for the sake of an extra 15 minutes of fame. Tiger doesn’t need a mere 15 minutes — his accomplishments will shine for a damned long time.

I was also saddened that he didn’t respond in a very smart way. Some experts started whispering that he’s damaging his mega-profitable brand by not speaking to the police and the media about the accident. Continue reading →

Next up on visualizAsian.com: Slam poet Beau Sia

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Slam poet Beau SiaErin and I are finishing off 2009 on visualizAsian.com’s AAPI Empowerment Series with slam poet Beau Sia, on Tuesday, December 8 at 6 pm PT (9 pm ET).

If you haven’t heard of him, Beau Sia is a Chinese-American poet from Oklahoma City. He’s an artist who uses words as his paint and canvas, and his work has been widely showcased.

We caught his performance, which is equal parts stand-up comedy, speechifying, testifying and socio-political commentary, earlier this year when he visited Denver University. He’s funny as hell, intense as hell, powerful, super perceptive and thought-provoking. One of his best pieces is an open letter to Rosie O’Donnell that he wrote after she made “ching-chong” comments on national TV.

He’s fearless, and gives an important voice to Asian American Pacific Islanders that’s too often missing. Continue reading →

“Ninja Assassin” updates the ninja image for the 21st century

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Sho Kosugi, who plays the masochistic master in Ninja Assassin, played ninjas in movies through the

Ninja Assassin is an entertaining film full of bloody action.The new movie “Ninja Assassin” just might spark a new wave of fascination with Asian martial arts, but instead of kung fu, the fad will be for ninjutsu, the art of the ninja warrior.

The film updates the image of the silent, stealthy assassins from Japanese history, and suggests that ninja clans still exist, sending out mercenaries all over the world to kill off targets for gold. It’s an enticing concept, and one that’s in line with the tradition of the ninja in both Japanese history and Japanese pop-culture mythology.

During my childhood, I didn’t really fantasize about being a cowboy. Oh sure, I had the requisite cowboy outfit — western hat perched cockily to one side like a young John Wayne, a real leather holster belt with a pair of shiny Mattel cap pistols hanging down my side (I tied them to my thighs with strips of leather) and a silver sheriff’s star on my chest. I played cowboys and Indians like American boys did back then. But not all the time.

In Japan, there was another, more romantic character that boys could play — the ninja. They were lots cooler than cowboys. They were able to leap incredible heights over palace walls, walk silently through a sleeping castle, and noiselessly kill their prey with their samurai swords (which they wore across their backs instead of hanging on their sides) or shuriken, razor-sharp steel stars like many-sided daggers that ninja could throw with deadly accuracy.

Ninjas even looked cool — instead of fancy, bulky, multi-layered samurai outfits (or battered and sweaty cowboy hats), ninjas were clad in a simple outfit of midnight-black fabric (better to skulk around in the dark) just loose enough to allow freedom of movement in martial arts hand-to-hand combat. They covered their heads with a black hood, and only their eyes were visible through the veil.

Although the ninjas were, like the cowboys of America, a romanticized icon of an earlier, “frontier-era” spirit, they also made sense for the early 1960s. They were precursors of spies in a modern world deeply divided by the Cold War. With James Bond and the Man from U.N.C.L.E. looming just around the pop-culture corner, I was ready-made for sneaking around my small yard in Tokyo, fantasizing about being a ninja. Continue reading →

My obsession with the Maneki Neko, the Japanese Good Luck Cat

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Rufus, our black and white mutt cat, when he was younger

a triple Maneki Neko, for triple the good fortune On our recent trip to LA, and a previous trip to San Francisco, I’ve been obsessed with buying various versions of the Maneki Neko, the iconic Japanese cat statues with upraised paw, holding on to a gold coin with the other paw.

“Maneki Neko” translates literally to “welcoming cat,” and its paw beckons to people in the Asian style, palm out and fingers moving down to say “yo! come here!”

I grew up seeing these cat statuettes everywhere in Japan, so they’re a part of my childhood memories. I always liked seeing them in Japaneses businesses here in the U.S. But in recent years, the Maneki Neko, which is supposed to bring good fortune, wealth (if the right paw’s raised) or more customers (if the left paw’s raised), has become a familiar site at all sorts of Asian businesses from Korean restaurants to Asian gift stores and souvenir shops. There are a dizzying array of neko styles, shaoes and sizes.

I keep buying tiny porcelain ones, but this time in LA, I had to have a silly plastic one that’s solar-powered with three cats — one large one and two kittens — whose heads bob back and forth. Some solar powered ones wave their paws, but something about the bobbing heads makes me smile, so I have it on my cube wall at the office.


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Banana wasn’t just a gathering of Asian American Pacific Islander bloggers – it was a statement of solidarity, camaraderie and community

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Gil & Erin with our new "daughters," Emily & Suzanne of AbsolutelyFobulous.com @ Banana

Erin and I just spent a great weekend in LA, and all day yesterday was the main event: We attended BANANA, the first-ever gathering of Asian American Pacific Islander bloggers from across the country, and from Canada. It was kind of an ad-hoc event, organized in just two months and a little ragged on the execution side, but it was also exhilarating in many ways, and a pure pleasure to meet so many great people who make up the growing chorus of AAPI voices on the Internet.

It felt at times like much more than just a conference or a get-together. It felt like the foundation of something that has a future, as if this event was ground zero where the spark was lit for a fire that could burn strong and bright for a long time.

The event was organized by San Diego-based Lac Su, author of “I Love Yous Are for White People” (shown in the photo above) and LA-based filmmaker Steve Nguyen (third photo, below). Ironically, neither are bloggers, but as regular visitors of many AAPI blogs, they recognized that we’ve been building up momentum, and more and more Asian Americans (and Canadians!) are expressing ourselves online. They thought if we could all meet and share our passion and knowledge and learn more about each other and our areas of expertise, that we could harness our combined energy and make all our blogs better.

I applaud their vision and the effort the two of them made, with help from friends at the University of Southern California, where BANANA was held, to pull off the event in such a short time. I bet they didn’t expect that they’d have more than 20 panelists on stage, representing all different views and perspectives on the AAPI experience, along with 30 or so audience members — some who were also bloggers — who wanted to learn and ask questions and share their stories. Continue reading →