Trump supporter says internment is precedent for Muslim registration

eo9066-civilianexclusionorder-posterThe slope just got a little slippery.

Carl Higbie, a former Navy SEAL who’s the spokesman for the Great America PAC supporting Donald Trump, was recently interviewed on Fox News’ “Kelly File.” The president-elect’s transition team is discussing plans for a registry for Muslim immigrants, he said, and there were historical precedents for such a registry including the imprisonment of Japanese in “internment camps.”

“We’ve done it with Iran back a while ago,” Higbie said, and continued, “we did it during World War II with the Japanese.”

What?

To her credit, Fox News anchor Megyn Kelly called out Higbie, exclaiming in no uncertain terms, “You can’t be citing Japanese internment camps as precedent for anything the president-elect is gonna do!”

This idea isn’t new. It bubbled up last fall during the campaign, when candidate Trump told a TV reporter he supported creating a registry for Muslims, as an addendum to his statement that he would ban immigration of all Muslims. It’s apparently now part of Trump’s plans for “extreme vetting.”

What’s next, requiring Muslims to have ID badges like Jews had to wear in Nazi Germany?

Would Muslims be imprisoned like the 120,000 people of Japanese descent who were incarcerated after President Franklin Roosevelt signed Executive Order 9066 on Feb. 19, 1942? That order allowed the U.S. Army to remove anyone of Japanese descent (half of the population was born in the U.S., so they were American citizens) from the West Coast and place them in prison camps surrounded by barbed wire and guard towers, for reasons of military security. Many of these families lost their homes and business and farms.
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Building bridges with the Muslim community

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Late last year, Erin and I were lucky enough to travel to New York City to see the Broadway musical “Allegiance” starring George Takei. It’s a story about the incarceration of Japanese Americans during World War II, and it vividly and powerfully brings to life the emotional toll of the experience on JAs for generations since then. I wrote about the play and interviewed Takei and others for AARP’s AAPI Community.

Two nights after attending the show and while we were still in New York, the Paris attacks happened. The next day, we had scheduled a visit to the 9/11 Memorial and museum in lower Manhattan. Like the way “Allegiance” evoked the racial hatred against my community 75 years ago, it was a powerful reminder of the tragedy of Sept. 11, 2001. There’s a lot in the museum exhibit about the terrorists who committed the acts, and the aftermath that included hate crimes, not just against Arab Americans but also Sikh Americans. I saw a photo of the slogan that someone put up on a banner in the Ground Zero site: “United We Stand.”

The rest of the day, I was haunted by the 1970 hit song, “United We Stand” by a group called the Brotherhood of Man: “United we stand, divided we fall; And if our backs should ever be against the wall; We’ll be together, together, you and I…”

The song was widely played in the days after 9/11, though most people probably missed the spirit of uniting with Arab Americans and Muslim Americans.

I was proud that JACL, the Japanese American Citizens League, held a press conference within days after 9/11 to decry violence against Arab Americans. We were the first voices nationally to warn against racial profiling in the wake of the attack, because we knew too well the potential disaster that can be sparked by fear and ignorance.

Unfortunately, there were hate crimes committed in the wake of the 9/11 tragedy, including against Sikh Americans, who aren’t even Muslim. And some commentators supported rounding up Arab Americans into concentration camps just like the Japanese Americans during WWII.

Sadly, the hatred and fear that was aimed back then at Arab Americans, Muslims, Sikhs, South Asians and anyone who might represent “the Other” are back.
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“Tsuru” short film about JA internment reaches Kickstarter goal in 3.5 days, looks forward to stretch goals

There’s an embarrassingly small library of fiction books and feature films, about the Japanese internment during World War II. The humiliating experience of 110,000 people of Japanese descent carted away from the West Coast and into hastily built concentration camps is still under-represented in American pop culture.

Classics like “Farewell to Manzanar” (in both book and film form) can be hard to find, and better-known Hollywood productions such as “Snow Falling on Cedars” (again, on both the page and screen) can be hits but are fleeting. One of my favorite indie feature films about the era, “Come See the Paradise” starring Tamlyn Tomita and Dennis Quaid, is little-remembered and deserves much wider acclaim.

There are still many stories left to tell about Japanese Americans and their time in concentration camps during WWII.

So it’s cool to see a young filmmaker using the contemporary tools of social media and “crowdfunding” (asking the public to donate money) to bring his original JA story to life. And, it’s even cooler to see that Chris K.T. Bright’s project, “Tsuru” has caught the attention and gained the support of enough people that its Kickstarter fundraising campaign reached its initial goal of $15,000 in a mere three-and-a-half-days. Kickstarter gives the money to a project only if it meets its goal; if the campaign fails, every donor gets her money back.

Now, Bright and his crew are hoping to keep raising money to reach their “Stretch Goals” in the month remaining in the campaign.
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