Tag Archives: history

Asian American artists’ hidden history (and my claim to almost-fame)

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Asian Americans are finally showing up in American pop culture at large, but Asian American fine artists are still mostly invisible. Only a few have had notable — or rather, noted — careers in the art world.

When I was an art student, I didn’t think much of my heritage. You might say it was my “Banana Period.” As an artist, I didn’t appreciate my ethnicity, even when I was included in a group show of Japanese artists and my painting was bought by a famous playwright (keep reading below).

I simply didn’t identify myself as an Asian American artist. I was simply an artist, and the art I made was informed by my 8th grade art teacher, Julie Maiolo, my high school art teacher, Jay Filson, and all my professors (especially color theorist Mary Buckley), as well as the art history teachers and books I soaked up. Which meant my awareness of art was all Euro-centric.

In all of that art history and theory, what I knew of Asia in art was that calligraphy was beautiful, ink painting was hard but similar in process to watercolor, and that Japanese woodblocks inspired the French Impressionists that I loved so much.

So it’s understandable that I assumed any artist with an Asian name was Asian, not Asian American. For instance, for years I thought the sculptor Isamu Noguchi was Japanese, even though he was born in Los Angeles.

But now, the hidden history of Asian American artists is finally getting a jump start, thanks to two projects.

First is the first extensive exhibition of Asian American artists, “Asian/American/Modern Art: Shifting Currents, 1900–1970,” curated by the de Young Museum, part of the San Francisco Fine Art Museum (there’s a companion book available). The exhibit opened in October, and runs through late January. Then the work moves to the Noguchi Museum in Long Island City near New York.

Second is the publication of “Asian American Art: A History, 1850-1970,” by Stanford University Press.
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Adam Schrager: Honorary Japanese American

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Erin and I attended a talk and book signing with 9News Political reporter Adam Schrager last night, and introduced him to her folks. It was the second time we’ve seen Adam speak since the publication of “The Principled Politician.” This talk was held at Simpson United Methodist Church, which serves the Japanese American community, and it was sponsored by various area Japanese and Japanese American organizations, including the Denver Buddhist Temple, Japanese Association and the JACL’s Mile-Hi chapter.

This was the first time Schrager spoke to a hometown crowd of JAs. Back on Feb. 19 — the Day of Remembrance, a date Schrager purposefully sought out for his first book signing at the Tattered Cover bookstore — the crowd was mostly non-Japanese, with a definite emphasis on Denver media and politicos (Mayor Hickenlooper made it). Since then, Schrager has spoken at the Japanese American National Museum in LA, but here in Denver, his appearances have been on the bookstore circuit. So he admitted during the Q&A when Erin asked him, that talking about his book to an almost all-JA crowd was “intimidating.”

He didn’t act it. Looking his usual boyish self, and speaking with an impassioned conviction, the tall, lanky Schrager reminded me of the young Jimmy Stewart in the 1939 Frank Capra film, “Mr. Smith Goes to Washington.” By the time he finished and everyone convened downstairs for surprisingly good food from Japon and a long line of people buying his book and getting personalized autographs, Schrager had been accepted as an honorary Japanese American. Continue reading →

Keeping history alive through the good times

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Members of the Grateful Crane Ensemble’s “Moonlight Serenaders” in “The Camp Dance: The Music & The Memories,” include (front row) Keiko Kawashima and Jason Fong; (back row) Kurt Kuniyoshi, Darrell Kunitomi and Haruye Ioka. (Photo by Phil Nee)

You wouldn’t think that the internment of Japanese Americans during World War II would make for great source material for a stage musical. But it does, and in a way, makes a much more effective vehicle to tell people about that time, and what happened to JA families, than heavier, dramatic works such as the novel and movie, “Snow Falling on Cedars.”

“The Camp Dance: The Music & the Memories” is proof that internment can be explained in an entertaining way through a musical.

Written and produced by Soji Kashiwagi, a sansei, and performed by his Grateful Crane Ensemble of actors, the play combines narration (the actors announcing what’s going on on the stage), acting (there’s plenty of terrific, believable and historically accurate dialogue), music and dance to entertain and educate audiences about the internment experience. Continue reading →

A tribute to a pioneer

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Bill Hosokawa in 2005, sitting next to a caricature at the Denver Press Club

Bill Hosokawa died of natural causes at age 92 in Sequim, Washington, where he lived with his daughter. He was a pioneering Japanese American journalist, author and diplomat who lived in Denver for 60 years.

Those are the facts of Bill’s life and death. But there’s lots more to Bill than just the facts.

I wrote an obituary for Bill that will run in the Pacific Citizen, the newspaper of the Japanese American Citizens League, the APA civil rights organization. Bill was a leader within the JACL, and a columnist for the PC for decades. I’m the editorial board chair for the newspaper, and a national board member of JACL, and I knew Bill because we’d run into each other at many events in Denver. So it made sense for me to write the obit for the PC.

But I also owed it to Bill to write about him because he was a role model for me as a writer — we both wrote columns for Denver’s Japanese community newspaper (he kept his up long after I ran out of juice and got too busy). I wrote about Bill’s influence on my career years ago, in one of my columns. Continue reading →