‘The Little Exile’ is a terrific addition to the JA reading list

The historical story of the Japanese American incarceration during World War II is still not well-known in mainstream American culture and literature. When it comes to books, there are only a handful of books that are based on JAs’ wartime experience. After the groundbreaking, angry “No-No Boy” by John Okada in 1957, Jeanne Wakatsuki Houston’s “Farewell to Manazanar” was the first well-known memoir in 1973 (and made better-knwon because of its 1976 TV movie adaptation). The 1994 novel “Snow Falling on Cedars” is the most famailiar to non-JA audiences (again, because of the 1999 Oscar-nominated Hollywood film version).

Why She Left Us” by Rahna Reiko Rizzuto in 1999 delved into the emotional distress of incarceration. I loved “The Red Kimono,” a 2013 novel by Jan Morrill that told the story of life in a concentration camp in Arkansas from the perspective of a young girl.

Now, we can add to this short list of excellent literature, “The Little Exile” by Jeanette Arakawa, a first-time author who couches her own story in a fictionalized novel instead of a memoir.

The fictional framing serves the story well, and gives Arakawa the creative freedom of shaping the narrative and dialogue for a sweeping, epic look at her family’s history that starts in pre-war San Francisco and ends as her family returns to the Bay Area after the war, and after spending time in Denver upon leaving the Rohwer concentration camp in Arkansas. Yet, that history is told in exquisite vignettes, as if she is remembering one memory at a time, turning them over like a Rubik’s Cube in her mind and then lining up the colors before moving on to the next memory.
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My New Year column written for the JACL’s Pacific Citizen newspaper

I’m the chair of the editorial board of Pacific Citizen, the national newspaper of the JACL. Below is my column in the New Year’s issue of the PC. I wanted to post it here and also add even more current concerns given President Trump’s rocky first three weeks, his eyebrow-raising relationships with world leaders (including Japan’s Shinzo Abe, which merits a separate blog post), the currently on-hold Muslim travel ban, and the wild ride of national security issues climaxing — with possibly more climaxes to come — in the resignation of Trump’s National Security Adviser. On top of all the political insanity in a dangerous and shifting world, racism and prejudice still loom large, not just against African Americans, Latinos, Muslims and Jews but also against Asians in America.

The photos at the top are mirror images of anti-Asian ignorance. The first is from a news story today about racist graffiti on the Minneapolis home of a Hmong American family; the other is a very similar message on a Japanese American family’s home 75 years ago. This year we mark the 75th anniversary of the signing of Executive Order 9066. We need to think about that document’s impact on America, and hope we don’t make the same mistake today.

Here’s my column:
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Being JA v2.0 is here, and I’m so glad to be JA!

I gave a re0ent reading to a full house at the Japanese American Museum in San Jose's lovely Japantown, and had a blast.

I gave a recent reading to a full house at the Japanese American Museum in San Jose’s lovely Japantown, and had a blast.

During a recent trip to San Francisco to attend the annual conference of the Asian American Journalists Association, I squeezed in two readings from the new revised edition of my book, “Being Japanese American.” The two events reminded me why I wrote the book in the first place and why I love speaking to JA audiences. I love being JA!

The first edition was published in 2004, but a lot has happened since then: Japanese culture is even more popular now in the US than a decade ago, but so is Asian American culture in general. The Internet was around in 2004, but social media has exploded on the scene since “Being JA” v1.0 came out. During those years, Asian American have been early adopters and leading lights on blogs, YouTube, Facebook and Twitter – we’ve embraced digital media because we’re invisible in mainstream media.

Yet, even in mainstream media, we’ve made some huge strides: Hollywood movies still suffers from “yellowface” casting of whites in Asian roles, but there are more of us in starring and co-starring roles. John Cho was even cast the romantic lead in a short-lived sitcom this year, and “Fresh Off the Boat,” the comedy that showcases an AAPI family, is filming a second season.

In a sad reminder of our inherent “foreignness” in the US, the March 11, 2011 disaster in Japan of the Tohoku earthquake, tsunami and Fukushima nuclear meltdown sparked a fury of racists all over social media shouting how the disaster was god’s revenge on Japan for bombing Pearl Harbor — as if the US disintegrating Hiroshima and Nagasaki with atom bombs weren’t “revenge” enough. Whenever ugly emotions like that well up from under the shallow surface of political correctness, I and other JAs are reminded how we’re easily lumped together with events in Japan, even if we’re generations removed. That’s what caused our community to be imprisoned in concentration camps during World War II, and what caused many of us to grow up dreading December 7 every year, when we’d be pelted by the stings of hateful taunts from other kids “Remember Pearl Harbor!” The tsunami stirred up a lot of the same emotions for me.

So it made sense when my publisher Stone Bridge Press reached out and asked me to update the book with new text, additional historical photos and interviews with more JAs, Japanese Canadians and mixed-race Japanese.

The book covers he history of Japanese immigration and of course the WWII concentration camp experience, but it’s also about our culture, community, food and families, and the future of JAs.
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Artifacts contain our cultural history, that’s why they’re so precious

Hand-carved wood panels made in Amache in Colorado during WWII. These were among the items  that would have been auctioned.

Hand-carved wood panels made in Amache in Colorado during WWII. These were among the items that would have been auctioned. Here’s a link to the announcement on JANM’s website.


 
UPDATE MAY 3, 2015:T he Japanese American National Museum announced last night at a gala fundraising honoring George Takei (who’s a JANM board member as well as a community activist) that with Takei’s help, the museum will take in the collection of Japanese American concentration camp artifacts that were originally slated to go to public auction. This is great news, and a brilliant public relations move by JANM and its CEO, Greg Kimura. When can we expect to see the “Eaton Collection Exhibit?” Here’s the Facebook Page, “Japanese American History: NOT for Sale,” with announcements and reactions from the community.
 


I’ve watched the news in horror as ISIS forces have systematically destroyed ancient mosques, temples, artwork and artifacts in their zealous pursuit of religious absolutism. It’s patently offensive to me that there could be such callous disregard for an entire civilization’s recorded and preserved history.

Compared to such crimes against humanity, some people might think that the auction of a personal collection of artifacts from the imprisonment of Japanese Americans during World War II must be a minor controversy.

But the auction, which was to be held April 17, was canceled two days before, following an ad-hoc social media campaign and mainstream media coverage that was sparked by outraged Japanese Americans, was not a minor controversy.

It blew up into a big deal. A Facebook page named “Japanese American History: NOT for Sale” gained almost 7,000 followers after it was created on April 9. A Change.org online petition created just a few days before the auction got almost 8,000 people signed on.
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