Enka music is often referred to as “Japanese blues.” The comparison is apt for a couple of reasons: the music is almost always about heartbreak and inconsolable loss. You can hear it in the singing. And, enka singing relies a lot on vocal inflections that are also common to American blues and gospel music: vibrato and melisma (the bending of notes to show emotion).
But fans of Enka in Japan probably never expected to see and hear an African American from Pittsburgh, PA make a name for himself as a rising star in the genre. (UPDATED: See bottom of this post for a video of Jero’s historic New Year’s Eve performance)
Jerome Charles White, Jr. (coincidentally a name that would sound cool for a blues musician), who goes by the stage name Jero, is unique among Japanese pop stars, in that he’s young (27), gifted, mixed-race black and American.
He sings (and speaks) in perfect Japanese, and more important — and more unusual — he sings a style of Japanese pop music that many consider to be “old-fashioned.” Enka music isn’t quite blues — aside from some of the vocal inflections and the sad subject matter, it’s not a rhythmic style. It has roots in folk music like blues, but it’s always presented in slick, orchestrated (stagey and theatrical) arrangements. Young Japanese have drfited away from this style and seem to prefer more modern genres like R&B, rock, disco and rap.