Trump supporter says internment is precedent for Muslim registration

eo9066-civilianexclusionorder-posterThe slope just got a little slippery.

Carl Higbie, a former Navy SEAL who’s the spokesman for the Great America PAC supporting Donald Trump, was recently interviewed on Fox News’ “Kelly File.” The president-elect’s transition team is discussing plans for a registry for Muslim immigrants, he said, and there were historical precedents for such a registry including the imprisonment of Japanese in “internment camps.”

“We’ve done it with Iran back a while ago,” Higbie said, and continued, “we did it during World War II with the Japanese.”

What?

To her credit, Fox News anchor Megyn Kelly called out Higbie, exclaiming in no uncertain terms, “You can’t be citing Japanese internment camps as precedent for anything the president-elect is gonna do!”

This idea isn’t new. It bubbled up last fall during the campaign, when candidate Trump told a TV reporter he supported creating a registry for Muslims, as an addendum to his statement that he would ban immigration of all Muslims. It’s apparently now part of Trump’s plans for “extreme vetting.”

What’s next, requiring Muslims to have ID badges like Jews had to wear in Nazi Germany?

Would Muslims be imprisoned like the 120,000 people of Japanese descent who were incarcerated after President Franklin Roosevelt signed Executive Order 9066 on Feb. 19, 1942? That order allowed the U.S. Army to remove anyone of Japanese descent (half of the population was born in the U.S., so they were American citizens) from the West Coast and place them in prison camps surrounded by barbed wire and guard towers, for reasons of military security. Many of these families lost their homes and business and farms.
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The Olympics are a celebration of pride — so we should never forget the JA who set records in the 1950s

(Photo courtesy of the Center for Sacramento History Sacramento Bee Archives)

(Photo courtesy of the Center for Sacramento History Sacramento Bee Archives)

I’ve been watching the Olympics when I get tired of obsessing about the presidential campaigns. I’ve been a fan of the Olympic games since I was just a kid – I remember vividly watching the 1964 games in Tokyo when my family lived in Japan.

I was not quite 7 years old at the time, and the coolest part of that year’s competition was that my dad took the whole family on a day trip on the new “Shinkansen” Bullet Train, the fastest in the world, from Tokyo to Osaka and back. I remember the hubbub over the Olympics because Japan was even more hyped about that year than the Tokyo games coming up in 2020.

In October of 1964, Japan was to host its first-ever Summer Olympics. The honor was originally scheduled for 1940, but those games had been first oved to Helsinki, then cancelled entirely because of the conflict already engulfing Europe and the tensions with Japan over its invasion of China, a major step towards the start of World War II in 1941.

After its defeat in 1945, Japan had been focused on rebuilding and modernizing, and by 1964, the country was ready to show itself off as a member of the world’s first tier of nations. Facilities including an iconic stadium were built, and the entire country, not just the city, was abuzz with anticipation.

We didn’t see any of the games live, but I remember we watched every day on our flickering black and white television sets.

Later from the US, we watched the 1972 Winter Olympics which were held in Sapporo, Japan – the first winter games to be held in Japan. My mom is from Hokkaido, the prefecture where Sapporo is, so we were glued to the (color) TV for those games.

The Olympics is a showcase of the world’s greatest athletes, but let’s face it, it’s also a chance for all of us to feel proud of our own countries (or countries where we have roots). There’s an element of patriotism that creeps close to nationalism. I’m proud of the US athletes who’ve medaled in Rio de Janeiro, especially the athletes of color who are making their mark on the world stage, or track, or court, or pool. And who isn’t amazed by Michael Phelps, who’s overcome personal adversity to extended his legacy to retire on top of the swimming world?

But fame is fleeting, and some of the greatest athletes in the world can become forgotten heroes over time.

How many people know the name Tommy Kono today? A Nisei athlete who was unknown at the 1952 Olympics in Helsinki, he won the Gold in weightlifting and set a new Olympic record while he was at it – by 20 pounds more than his closest rival, from Russia. But today?

When TV reporter Ryan Yamamoto saw the name Tommy Kono in 2012, he wondered, “who?”

Unfortunately, most people today might ask the same question about Tommy Kono. But thanks to Yamamoto and his wife and fellow TV reporter Suzanne Phan, Kono’s legacy has been captured in a half-hour documentary, “Arnold Knows Me: The Tommy Kono Story,” that’s making the rounds this month on PBS stations across the country, just in time for the Rio Summer Olympics.
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Building bridges with the Muslim community

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Late last year, Erin and I were lucky enough to travel to New York City to see the Broadway musical “Allegiance” starring George Takei. It’s a story about the incarceration of Japanese Americans during World War II, and it vividly and powerfully brings to life the emotional toll of the experience on JAs for generations since then. I wrote about the play and interviewed Takei and others for AARP’s AAPI Community.

Two nights after attending the show and while we were still in New York, the Paris attacks happened. The next day, we had scheduled a visit to the 9/11 Memorial and museum in lower Manhattan. Like the way “Allegiance” evoked the racial hatred against my community 75 years ago, it was a powerful reminder of the tragedy of Sept. 11, 2001. There’s a lot in the museum exhibit about the terrorists who committed the acts, and the aftermath that included hate crimes, not just against Arab Americans but also Sikh Americans. I saw a photo of the slogan that someone put up on a banner in the Ground Zero site: “United We Stand.”

The rest of the day, I was haunted by the 1970 hit song, “United We Stand” by a group called the Brotherhood of Man: “United we stand, divided we fall; And if our backs should ever be against the wall; We’ll be together, together, you and I…”

The song was widely played in the days after 9/11, though most people probably missed the spirit of uniting with Arab Americans and Muslim Americans.

I was proud that JACL, the Japanese American Citizens League, held a press conference within days after 9/11 to decry violence against Arab Americans. We were the first voices nationally to warn against racial profiling in the wake of the attack, because we knew too well the potential disaster that can be sparked by fear and ignorance.

Unfortunately, there were hate crimes committed in the wake of the 9/11 tragedy, including against Sikh Americans, who aren’t even Muslim. And some commentators supported rounding up Arab Americans into concentration camps just like the Japanese Americans during WWII.

Sadly, the hatred and fear that was aimed back then at Arab Americans, Muslims, Sikhs, South Asians and anyone who might represent “the Other” are back.
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George Takei’s “Allegiance” is a timely historical musical for today

AllegiancePlay

After a November performance at the Longacre Theatre in New York’s fabled Broadway district, AARP members were invited for a “talkback” with George Takei and other cast members answering questions about their powerful musical, “Allegiance.” (NOTE: This post was riginally uploaded to the AARP AAPI Community Facebook page.)

“I remember we started the school day, each day, with the Pledge of Allegiance to the flag. I could see the barbed wire fence and the sentry tower right outside my school house window as I recited the words, ‘with liberty, and justice for all.’”

Takei recalled his experience as a child, sent with his entire family to a concentration camp along with more than 110,000 people of Japanese descent – including, like Takei, half who were born in the US and therefore American citizens – during World War II.

Now, at age 78, Takei is pledging again, making his Broadway debut in “Allegiance,” which tells the story of Japanese American incarceration inspired by Takei’s childhood. The parallels between the 1940s incarceration and the national mood today are striking. The news is filled with politicians speaking out against accepting refugees from the Middle East, and some are stoking a palpable fear within the public over Muslims.

Takei has spoken out eloquently on his vast social media networks in response to the hate-filled climate – he even invited David Bowers, the mayor of Roanoke, Virginia to come see a performance of “Allegiance” after the mayor announced he didn’t want any Syrian refugees in his city, and cited the Japanese American incarceration as a model. The mayor said the threat from ISIS via refugees is “just as real and serious as that from our enemies then.”

Takei criticized the mayor for his “galling lack of compassion” and added, “…one of the reasons I am telling our story on Broadway eight times a week in ‘Allegiance’ is because of people like you. You who hold a position of authority and power, but you demonstrably have failed to learn the most basic of American civics or history lessons. So Mayor Bowers, I am officially inviting you to come see our show, as my personal guest. Perhaps you, too, will come away with more compassion and understanding.”

Educating the public about what happened to Japanese Americans during World War II, when 120,000 people of Japanese heritage (half were US-born American citizens) were removed from the West Coast and sent to nine concentration camps as far east as Arkansas, is one of Takei’s lifelong goals. His family spent the war years in Rowher, Arkansas.

“I’m always shocked when I tell the story (of Japanese American incarceration) to people that I consider well-informed,” he said, “and they’re shocked and aghast that sometime like this could happen in the United States. It’s still little-known. So, it’s been my mission to raise the awareness of this chapter of American history.”

“Allegiance” accomplishes Takei’s goal with Broadway grandeur that matches any hit musical, with songs that soar and tug at heartstrings, tight choreography and a storyline that is familiar to many Japanese Americans, but not to the public at large.
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RIP George “Joe” Sakato

Joe Sakato points to the name of his friend Saburo Tanamachi, who died in his arms during the WWII battle to rescue the "Tecas Lost Battalion."

Joe Sakato points to the name of his friend Saburo Tanamachi, who died in his arms during the WWII battle to rescue the “Texas Lost Battalion.”

I was saddened to hear yesterday of the passing of George “Joe” Sakato, a Denver resident who was a World War II hero, a veteran of the famed 442nd Regimental Combat Team/100th Battalion that fought in Europe during World War II. He was 94 years old. Adele Arakawa of 9News broadcast a moving tribute to Joe that’s worth viewing.

“We were fighting prejudice in the States … and fighting the Germans in Europe,” he told Arakawa in 2013.
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