Listening to oldies when they were new

“Time-shifting” is a new media term for the ability of technology to allow us to consume media — whether it’s video or music or text — at any time. The most obvious example is people recording TV shows on the DVRs to watch later, at their leisure.

You can hear a teleseminar via podcast any time after the fact (for instance, on a plane flight to SF, which is when I listened to a class on my iPod).

And this morning, I’ve been both time- and PLACE-shifting, by listening to an archival re-broadcast of Casey Kasem‘s “American Top 40” radio show, which was originally broadcast on April 14, 1973. It’s kind of spooky because it’s very possible I was listening to Casey Kasem’s affable voice that Sunday morning, and yet here I am, “tuned in” to hear the show all over again, in a San Francisco hotel room but hearing a stream from Denver oldies radio station KOOL105. All I need is the newscasts and commercials of the time, and I’m a 15-year-old kid all over again. Continue reading

1968 redux

aarp 1968 section

As a card-carrying baby boomer (I guess officially, with my AARP membership!), I was 10 when most of 1968 happened. It was a pivotal year, no doubt — though in my consciousness, ’69 left a deeper impact.

AARP magazine does a fine job of using the Web as a story-telling device to revisit the year. This online special section kicks ass over the print edition’s article and timeline. No offense to the mag; its layout is really good and compelling to flip through. But the online version, with its audio clips of interviews, slideshow, interactive timeline, trivia quiz, “AARP Radio” and all the articles and reader reminiscences (and invitation for audiences to submit their memories), is a pleasure to experience.

Recommended reading/viewing for nostalgic boomers as well as anyone interested in the history of our country. This photo above, from the timeline, is a good reminder that with an unpopular war being waged and a lame duck president in office, Richard Milhouse Nixon took the presidency away from the Democrats. That’s one of the darker legacies that 1968 left us.

Echoes of FM Radio in the Summer of Love

Interesting exercise in nostalgia with irony:

KCUV-FM in Denver is celebrating the official kickoff of summer by recreating the sound of Denver’s FM radio from 1967, complete with news items, radio commercials from back then, and typical playlsists, all presented by the airstaff of progressive radio from the time, including guys like Bill Clarke (who’s on Channel 7 now but came to Denver in the ’60s as an early Top 40 and progrock radio jock), and Thom Trunnell (wow, that’s a name I hadn’t heard in 25 years, from KFML days).

It’s very strange hearing Clarke, who’s on now through 10 am, talking as if the news is happening now, and griping about the cold rainy weather for July 21, 1967 (it’s hot in reality today, and reporting about the Monterey Pop festival as if it just ended the previous week.

It’s going on all day. Kinda weird, but interesting. I’ll tune in all day just to hear strangeness they pull out of the hat.

http://kcuv.com

Tune in, turn on and drop out.

Welcome back, Prince

I dunno about you, but I find it fascinating that Prince played the Super Bowl halftime show tonight. It’s good to see him again, and damn, he looks good and he’s hot, ripping up the guitar like a diminutive, modern-day Hendrix.

It’s sort of weird to see him playing music so centered around his “Purple Rain” period, but cool to see the marching band playing along, though I can’t really hear them at all.

Just in the past few years during the Super Bowl halftime show we’ve seen Janet Jackson (with her “costume malfunction”) along with Justin Timberlake, P. Diddy, Kid Rock and Nelly; the Rolling Stones ad last year, Paul McCartney.

But Prince? Continue reading

Meet the Beatles again… sort of

Although a small label had unsuccessfully released some singles in 1963, most American rock and roll fans were introduced to a new band from England via Capitol Records’ 1964 album, “Meet the Beatles.”

That album, and the subsequent visits by the mop-topped Liverpudlians to the U.S., sparked by appearances on TV including historic performances on the “Ed Sullivan Show,” re-set an entire generation’s emotional gyroscope. Beatlemania brought with it a different kind of music, pop that popped with surging harmonies and was driven by hard, clangy rhythms, shot through with the soul and R&B of rock’s roots but also energized with a new kind of electricity.

The Beatles were the prototype for power pop, a genre that generations of bands, fans and rock critics have been seduced by ever since “Meet the Beatles.”

The list of power-pop artists that have been critically heralded is long even though few have hit the charts and become rich and famous: the Byrds (as much power pop as folk-rock and later, country); Alex Chilton and Big Star, Marshall Crenshaw, Windbreakers, Bram Tchaikovsky, the Records, Flamin’ Groovies, Let’s Active, Bangles, Nick Lowe, Matthew Sweet, Rubinoos, the Shoes… the list goes on and on.

One power pop band that actually has hit songs to its credit, the Smithereens, has gone full circle with its latest recording, “Meet the Smithereens.” It’s a song-by-song replica of “Meet the Beatles,” only done as the Smithereens. Continue reading