George Takei speaking to the audience at a Talkback session following a performance of “Allegiance” in New York in November, 2015.
Like many people, and especially many Japanese Americans, I’m a big fan of George Takei. I’ve followed his career since I first saw him in the role of Lieutenant Hikaru Sulu in the original 1960s television “Star Trek” series and as he reprised the character in subsequent Star Trek movies in the 1970s and 1980s.
Instead of fading into pop culture history after the Star Trek movies, he’s reinvented himself in both politics and pop culture, and today he’s hands-down the best-known and influential Asian American and an activist for human rights. He’s truly the Energizer Bunny of AAPI role models.
The Japanese American National Museum in LA has honored Takei with an exhibit, “New Frontiers: The Many Worlds of George Takei” that closes August 20. Takei is a member of the museum’s Board of Trustees, and is a vocal supporter of the institution. JANM returns the favor with this overview of Takei’s epic career, from acting to activism, and his current status as a social media superstar. I wish I lived I LA so I could see the exhibition!
The historical story of the Japanese American incarceration during World War II is still not well-known in mainstream American culture and literature. When it comes to books, there are only a handful of books that are based on JAs’ wartime experience. After the groundbreaking, angry “No-No Boy” by John Okada in 1957, Jeanne Wakatsuki Houston’s “Farewell to Manazanar” was the first well-known memoir in 1973 (and made better-knwon because of its 1976 TV movie adaptation). The 1994 novel “Snow Falling on Cedars” is the most famailiar to non-JA audiences (again, because of the 1999 Oscar-nominated Hollywood film version).
“Why She Left Us” by Rahna Reiko Rizzuto in 1999 delved into the emotional distress of incarceration. I loved “The Red Kimono,” a 2013 novel by Jan Morrill that told the story of life in a concentration camp in Arkansas from the perspective of a young girl.
Now, we can add to this short list of excellent literature, “The Little Exile” by Jeanette Arakawa, a first-time author who couches her own story in a fictionalized novel instead of a memoir.
The fictional framing serves the story well, and gives Arakawa the creative freedom of shaping the narrative and dialogue for a sweeping, epic look at her family’s history that starts in pre-war San Francisco and ends as her family returns to the Bay Area after the war, and after spending time in Denver upon leaving the Rohwer concentration camp in Arkansas. Yet, that history is told in exquisite vignettes, as if she is remembering one memory at a time, turning them over like a Rubik’s Cube in her mind and then lining up the colors before moving on to the next memory.