A Japanese American Judge for Denver: Mayor Hickenlooper and Kerry Hada’s swearing-in

Japanese Consul General Kazuaki Kubo, Denver District Court Judge Kerry Hada and Denver Mayor John Hickenlooper.
Consul General of Japan in Colorado, Kazuaki Kubo, left, and Denver Mayor John Hickenlooper, right, congratulate Judge Kerry Hada on his appointment at a ceremony on Dec. 3.

When Denver County Court Judge Melvin Okamoto announced earlier this year that he was retiring after two decades on the bench, the legal community offered up a handful of qualified candidates to take Okamoto’s place. Of those, three top candidates were interviewed by Denver Mayor John Hickenlooper, and Colorado native Kerry Hada, an attorney who went to Wheat Ridge High School, served as an Army Ranger in the last years of the Vietnam War, ranked nationally as a skier while attending CU, and got his law degree from DU, was chosen for the position.

Hada deserves the honor, because he’s a mainstay of the legal community and the Asian American Pacific Islander community. That community support was obvious last night.

As Hickenlooper looked out over the hundreds of people gathered in the lobby of the city’s Wellington Webb building last night, he remarked that he’d never seen such a huge crowd for the swearing-in of any official appointment since he became mayor. He joked that everyone in the room probably sent at least two letters to his office recommending Hada; Kerry himself noted that he would not have received the nod this time (he’s tried for a couple of judgeships before, including one a couple of years ago with Hickenlooper) without the support from the community.

People from every segment of Kerry’s life and work, including friends, family, military friends, folks from the local legal community and many representatives of the local Japanese American and Asian American communities were there to congratulate him. The Consul General of Japan, Kazuaki Kubo, and his wife also both attended.

Hizzoner and Kerry both gave props to Okamoto, himself a damned nice guy, who waved happily from the side of the room. It’s purely coincidental that the Mayor chose a JA to replace another JA, but I’m glad — and proud — that he did.

Meiko and the new ‘Gray’s Anatomy’ folk music: dreamy and world-weary

Meiko, a one-quarter Japanese American, or “quapa,” from Georgia by way of Los Angeles, is at the vanguard of the new folk music. At least, that’s the category where you’ll find her on iTunes. She strums and picks an acoustic guitar, so she fits the folksinger/troubadour image.

But her music isn’t based on the traditional “folk” music of the 1960s folk boom. Meiko’s the latest in a long line of singer-songwriters who came out of that earlier folk boom. Starting with the likes of Bob Dylan, and peers and disciples from Tom Rush and Eric Andersen to Leonard Cohen, Joni Mitchell and Jackson Browne, singer-songwriters have skirted the edges of the rock-pop mainstream, playing their own music instead of traditional songs, with acoustic instruments as their foundation.

Their subject matter is mostly introspective and personal (hence, anti-pop by design) but when it clicks commercially, singer-songwriter music, like alternative rock, can hit the sweet spot and rise up the pop charts.

It’s a style of music that in recent years has become quieter and quieter, almost a whisper instead of the declamatory protest music of, say, early Phil Ochs, or Peter, Paul and Mary, in the ’60s, or the folk and country-rock of the ’70s. The new folk music can be mopey (then again, weren’t Jackson Browne’s songs mopey too?).

And, it’s become a signature style of television soundtracks. Although many shows now, from “Bones” to the “CSI” franchise, feature this type of music, I think of “Gray’s Anatomy” first and foremost when I hear the new folk. The genre fits perfectly with the introspective spoken narration that closes each episode of “Gray’s.”

“Boys with Girlfriends,” one of the best songs from Meiko’s first full-length recording, “Meiko,” was featured on “Gray’s Anatomy on November 20. Once you know the song, you’ll chuckle at how perfect it is for the romantic tensions that are at the heart of the series: “I know better not to be friends with boys with girlfriends,” Meiko sings.

Boys With Girlfriends – Music Video

Meiko has a handful of equally terrific songs, the kind that get in your head and bounce around like a superball, keeping you humming for days. She’s perfected the new folk sound, a dreamy, world-weary singing style that’s colored with just a hint of a husky rasp. But it’s her way of fitting words and phrases into cadences that stretch and contract to conform to her lilting sense of melody that stay with you.
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Asian American artists’ hidden history (and my claim to almost-fame)

Asian Americans are finally showing up in American pop culture at large, but Asian American fine artists are still mostly invisible. Only a few have had notable — or rather, noted — careers in the art world.

When I was an art student, I didn’t think much of my heritage. You might say it was my “Banana Period.” As an artist, I didn’t appreciate my ethnicity, even when I was included in a group show of Japanese artists and my painting was bought by a famous playwright (keep reading below).

I simply didn’t identify myself as an Asian American artist. I was simply an artist, and the art I made was informed by my 8th grade art teacher, Julie Maiolo, my high school art teacher, Jay Filson, and all my professors (especially color theorist Mary Buckley), as well as the art history teachers and books I soaked up. Which meant my awareness of art was all Euro-centric.

In all of that art history and theory, what I knew of Asia in art was that calligraphy was beautiful, ink painting was hard but similar in process to watercolor, and that Japanese woodblocks inspired the French Impressionists that I loved so much.

So it’s understandable that I assumed any artist with an Asian name was Asian, not Asian American. For instance, for years I thought the sculptor Isamu Noguchi was Japanese, even though he was born in Los Angeles.

But now, the hidden history of Asian American artists is finally getting a jump start, thanks to two projects.

First is the first extensive exhibition of Asian American artists, “Asian/American/Modern Art: Shifting Currents, 1900–1970,” curated by the de Young Museum, part of the San Francisco Fine Art Museum (there’s a companion book available). The exhibit opened in October, and runs through late January. Then the work moves to the Noguchi Museum in Long Island City near New York.

Second is the publication of “Asian American Art: A History, 1850-1970,” by Stanford University Press.
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The first illegal immigrants

From Los Angeles-based Asian American comedy/improv troupe 18 Mighty Mountain Warriors, via Angry Asian Man, here’s a totally politically incorrect skit about race and immigration, but with the tables turned and European Americans as the FOBs (“fresh off the boat,” for you non-AAPIs).

It’s a Thanksgiving satire that gave me a chuckle, despite its disgusting, inexcusable use of “whiteface,” “redface” and racial stereotypes, the kind of thing I’d write up and rant about on Nikkei View. Well tough nuts, y’all. What’s that cliche — “turnabout is fair play”?

Asians are always told to lighten up and have a sense of humor. Here’s proof that we do:

Japanese American attorney, Kerry Hada, appointed Denver Judge


Kerrry Hada at the microphone during the dedication of Highway 285 as “Ralph Carr Highway.” Carr was the governor of Colorado during World War II who fought the unconstitutional internment of Japanese Americans from the West Coast, and lost his political career for his stand. Hada helped lead the effort to name the highway after Carr.

Congratulations are in order for Kerry Hada, a Colorado-born Japanese American attorney who has just been named by Denver Mayor John Hickenlooper as a Denver County Court Judge.

Erin and I have known Kerry for years, and he’s deeply involved in both the Japanese American and wider Asian American Pacific Islander communities. He’s a member of the Governor’s Asian Pacific American Advisory Council (GAPAAC) and has been a member of many community organizations. He was named this past year to the Board of Directors of the Japanese American National Museum in LA, and he is dedicated to Denver and to the AAPI population.

I’m very glad to see that The Mayor has chosen him from a short list of qualified candidates. (BTW, he’ll be replacing a retiring judge, another JA, Mel Okamoto, who’s also a great guy… but I doubt the ethnicity had anything to do with Hickenlooper’s choice).
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