Haircut and history


NOTE: I just heard today that Mas Nonaka, a member of the local Japanese American community who has cut hair at several iterations of his barbershop, Nonaka’s, in and around Sakura Square since before the block was called Sakura Square, passed away.

Nonaka’s was where I first got my hair cut when my family moved to Denver from northern Virginia in 1972, and his shop at the time was on 20th Street across from the Buddhist Temple. Mas and his wife Yasuko (who styled women’s hair in the shop) were familiar figures whenever my family and I went to Sakura Square.

In recent years, I would see Mas and Yasuko at many Japanese American community events. He was always upbeat and very warm, even though I could see the years had cloaked themselves around him. He always called me “Gilbert” because that’s how he knew me, from my dad. It was when I went to college, everyone started calling my Gil. I never minded him calling me by my full name.

He had moved his shop to the ground level of Sakura Square for some years, and I know he wanted to sell the business, but it seemed younger barbers weren’t interested in small, family-owned barbershops. They would rather work for a chain, or maybe save money to buy a chain’s franchise. The past couple of years, Mas had relocated his shop to the mezzanine level of Sakura Square but it was rarely open when I walked past it.

I’m sad on hearing about his passing because Mas was the subject of the second-ever “Nikkei View” column I wrote way back in 1998, when the Rocky Mountain Jiho newspaper, now long-gone, asked me to write weekly columns for them.

I’m “repurposing” that second column today in his honor. Rest in peace, Mas…
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Peachy: “Changing Season” captures the passing of a family farm from one generation to the next

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NOTE: “Changing Season” will be screened during the Colorado Dragon Film Festival on Sunday, May 22 at 12 noon. Click here for full information about the festival.

You’d think after a lifetime of growing and harvesting peaches, you’d get sick of eating them. But the Masumoto family still loves peaches and serves them up every way imaginable. David “Mas” Masumoto, 62, the farmer who has nurtured his parents’ peach groves, says “Actually no. I love peaches, almost literally in my blood.”

Nikiko Masumoto, his daughter, adds, “We have 10 varieties and each has a window of ripeness for two weeks. So it’s like getting to see your best friends for two weeks out of the year.”

The father-and-daughter interaction is central to the delightful dynamics of “Changing Season: On the Masumoto Family Farm,” a documentary by director Jim Choi. The film follows the two, as well as the farm’s matriarch, Marcy and Nikiko’s brother Korio, through a transitional year not only in the farm but in the family’s life.

The Masumoto Family Farm, which produces nectarines and raisins in addition to peaches, was purchased and first tilled by Mas’ father, Takashi “Joe” Masumoto, in 1948. The family had returned to California’s Central Valley after spending World War II in a concentration camp in Arizona along with thousands of other Japanese American families.

Mas wasn’t planning on following in his father’s footsteps. He attended the University of California at Berkeley in the early 1970s, thinking he’d escaped the sweat and labor. “I studied something that I thought would never bring me back to the farm: Sociology, he says. “But it got me to study how a plant grows and everything around the peach” – the whole community of people and processes that produce the fruit.

He ended up embracing the sociology of farming as part of the ecosystem that connected humans to the Earth. And maybe Cal helped lead Mas to be an early adopter of organic farming.

“When I was growing up it was somewhat conventional. At the time fertilizers and pesticides were expensive. When we were transitioning to organics, I relied on my father’s experience of farming. It was much simpler.”
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Cross-cultured leader keeps Asahi Foods’ promise of perfect sushi fish

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DSC_3297It’s cold outside, but it’s colder in Asahi Foods’ refrigerated cutting room, where stacks of cardboard and Styrofoam boxes filled with giant fish await. The fish cutter is in early on a Saturday, wearing a white lab coat and heavy rubber gloves, various razor-sharp knives at the ready.

Charlene Thai, a tiny woman in a similar lab coat, hovers nearby, watching over the daily cutting ritual that begins the flow of fresh-cut fish for sushi and sashimi to 200 restaurants in Colorado and surrounding states.

“If you see our tuna, it’s clean-cut, like a machine,” she says. “It’s not just the texture, but the clean cut that matters. If it’s not right, our customers can return the tuna and say ‘this is not the way I want it to be cut.'”

Thai is Asahi Foods’ general manager, and oversees two dozen employees, including the fish cutter as he tosses a headless 70-pound tuna onto an enormous cutting board and first trims off the collar and tail. He guts it from underneath, then hacks along spinal column to slice the fish all the way through. Then he deftly cuts the tuna neatly into filets about equal size, about 15 pounds each. They get gingerly arranged on trays and will be wrapped, labeled and delivered to sushi chefs up and down the Front Range.

Hapa Sushi owner Mark Van Grack was Thai’s first customer when Asahi Foods launched five years ago, although he didn’t realize it.

“But I do remember meeting her when she came in to take some of our fish business, and I really liked her right away,” he says. “I thought she was a lovely, bubbly woman. ”

Since that day, Asahi Foods has been “one of our biggest suppliers.”

Van Grack credits Thai’s commitment to customer service for Hapa’s bond with Asahi Foods.

“One of the reasons we’ve had such a good relationship is that she has the same mentality about her customers that we have for our customers,” he says. “We want everything to be right 100 percent of the time, which is impossible, but it’s what we do when something’s not 100 percent that’s what’s important. Charlene has the attitude of ‘we’ll do whatever it takes to make it right.’ ”

Tokio chef Miki Hashimoto, who serves sushi and ramen from his restaurant in the shadow of Coors Field, has known Thai for years and says he buys from her because he respects her. “She’s loyal and has a wonderful personality,” he says. “I trust her.”

That’s why it’s important to Thai to make sure the fish is cut cleanly — just right for her customers.
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Is China’s economic domination coming to an end?

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I follow news from all over Asia. Primarily, I pay attention to all the news happening in Japan, from the goofy stuff to the serious headlines. But the world is so interconnected these days, that Japan can easily be affected by news developments — political, economic, cultural — in other parts of the globe, and especially Asia. The crazy dude in North Korea, Kim Jong Un, for example, has been shooting missiles into the sea to flex his weak muscle and try to scare Japan and it allies, like the U.S. and South Korea, whenever the U.S. conducts military exercises in the region.

The most important news from Asia is often about China. China is the 800-pound economic gorilla of Asia. A more appropriate description might be a slinky Asian tiger or dragon, but the enormity of China’s outsized impact is like a gorilla: brute strength sometimes flailing about like King Kong beating his chest and romping through Manhattan — Wall Street, to be exact.

For years, China’s economy was growing so fast that it attracted laborers from rural regions (of which there are many) to the cities where good paying manufacturing jobs were available. For years China invested huge amounts in building cities and the infrastructure to reach those cities. For years, China’s growth and spending was a windfall for the rest of the world, which was happy to supply the raw materials and technology to help China become the second largest economy in the world, overtaking Japan.

The whole world got richer as China got rich, and the Chinese got rich too, relatively speaking. A middle class developed in the cities, and China became one of the biggest markets on Earth for cars. Hollywood studios regularly court China’s humongous audience, these days flush with disposable income and able to go see the latest theatrical releases. Luxury goods and Western brands are all the rage with the nouveau riche, and Chinese tourists, who now have the cash to travel all over the world, are visiting Japan in droves and returning with modern rice cookers and fancy heated toilet seats.

The downside to all this growth is captured in the nervous joke that’s been making the media rounds: “When China sneezes, the world catches cold.”
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