My obsession with the Maneki Neko, the Japanese Good Luck Cat

Rufus, our black and white mutt cat, when he was younger

a triple Maneki Neko, for triple the good fortune On our recent trip to LA, and a previous trip to San Francisco, I’ve been obsessed with buying various versions of the Maneki Neko, the iconic Japanese cat statues with upraised paw, holding on to a gold coin with the other paw.

“Maneki Neko” translates literally to “welcoming cat,” and its paw beckons to people in the Asian style, palm out and fingers moving down to say “yo! come here!”

I grew up seeing these cat statuettes everywhere in Japan, so they’re a part of my childhood memories. I always liked seeing them in Japaneses businesses here in the U.S. But in recent years, the Maneki Neko, which is supposed to bring good fortune, wealth (if the right paw’s raised) or more customers (if the left paw’s raised), has become a familiar site at all sorts of Asian businesses from Korean restaurants to Asian gift stores and souvenir shops. There are a dizzying array of neko styles, shaoes and sizes.

I keep buying tiny porcelain ones, but this time in LA, I had to have a silly plastic one that’s solar-powered with three cats — one large one and two kittens — whose heads bob back and forth. Some solar powered ones wave their paws, but something about the bobbing heads makes me smile, so I have it on my cube wall at the office.


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In praise of San Jose’s Japantown — the JA Mayberry

These banners are on display throughout San Jose

Unlike the many Chinatowns that serve as ethnic cultural enclaves in many American cities from coast to coast, and the increasing numbers of districts variously called “Koreatowns” and “Little Saigons,” you won’t find many Nihonmachi, or Japantowns. There are lots of reasons for this, but the main one is probably the Japanese American community’s need to assimilate into mainstream America after the shame and humiliation of being imprisoned in internment camps during World War II. In the 1950s and ’60s, most JAs moved into suburban America and avoided clustering in ethnic Japanese areas.

Denver has Sakura Square, a one-block development built in the 1970s I like to call “Tiny Tokyo” because it’s ridiculously small compared to Los Angeles’ Little Tokyo. And New York City has a couple-blocks of Japanese businesses that have sprouted in recent years in the East Village that might be called a “mini-Japantown” in Manhattan. Seattle’s Japantown evolved after the war into the International District, though I think it’s still anchored by the awesome, generations-old Uwajimaya supermarket.

But not surprisingly, the three Japantowns that are officially recognized as national historic districts are all in California, where the vast majority of Japanese immigrants settled in the late 1800s and early 1900s. Along with the well-known and tourist-filled Little Tokyo in LA and San Francisco’s Japantown is the Japantown area of San Jose that’s more a neighborhood than a business district.

Erin and I have traveled to and stayed at both Little Tokyo and San Francisco’s Japantown, but only visited San Jose’s J-town a couple of times. We spent a few hours there last week and we love it. Here’s why: Continue reading

It’s offical: H1N1 is a National Emergency, so should we wear face masks like the Japanese?

In Japan, people wear face masks as matter of courtesy when theyWhen President Obama officially declared the 2009 H1N1 outbreak a national emergency over the weekend, I thought, “good. Now it’ll force Americans to wear masks when they’re sick, or if they don’t want to get sick, like in Japan.

The Japanese (and other people throughout Asia) have always worn face masks to prevent the spread of illness. It’s partly out of personal interest — so they won’t have to breath in allergens, pollutants or other peoples’ yucky germs. But it’s also out of plain politeness and consideration — to keep your own damn germs to yourself.

H1N1, or as lots of people still call it, Swine Flu, is the first time in my memory in the U.S. that everyone is being reminded of simple ways to stay healthy with hygiene (wash your hands often) and even told how to sneeze or cough (into your elbow). At my office building, hand sanitizer dispensers have magically appeared everywhere from the lobby to the bathrooms. And, there are signs and poster everywhere, including on the door to the bathroom and on the paper towel dispenser in the bathroom, with diagrams showing people how to sneeze into their elbows, and to wash their hands.

I always thought it was gross when someone sneezed or coughed into their hands, which was what our parents taught us when we were told to “cover your mouth,” but then extended their hand in greeting. Continue reading

Denver gets a backstage look at kabuki, traditional Japanese theater

Kabuki is one of the most dynamic and interesting theatrical forms in Japan.Like any school kid, I loved going on field trips when I was young, But, since we lived in Japan until 3rd grade, my earliest memories of field trips weren’t the typical ones that American kids remember. I remember looking out of a school bus and seeing steaming lumps of sticky rice being pounded into mochi for New Year’s celebrations, for example (I think we were on the way to a shrine where we learned about Oshogatsu, or Japanese New Year, traditions).

And, I have a distinct memory of going from Green Park Elementary School, on a U.S. Army base in Tokyo (it’s no longer there), to a grand old theater in the heart of Tokyo to see a form of traditional Japanese theater, kabuki.

A lot of Americans probably know the word “kabuki” because it’s been used for restaurants and hotels and other products. Like “Sukiyaki,” “Mikado” and other words, they’ve become shorthand for “something Japanese.” But many Americans who’ve heard the word probably don’t know that kabuki is a cultural treasure in Japan, an artform dating back to the early 1600s that’s a bit like a mix of stylized Chinese opera and melodramatic Western-style opera.

The Japanese government is hoping to change that, and make more Americans aware of the traditions of kabuki. They’re sponsoring a U.S. tour of a lecture/performance called “Backstage to Hanamichi,” starring two of Japan’s kabuki masters, Kyozo Nakamura and Matanosuke Nakamura (no relation) from the world-renowned Shochiku Company. Denver gets its introduction to kabuki this Saturday, Oct. 24, at the June Swaner Gates Concert Hall at Denver University, 2344 East Iliff Ave. (303-871-7720 for the box office). The performance costs $25.

I have vivid memories from my childhood field trip: Continue reading

Oodles of noodles: Ramen has quietly become hip in Colorado

The Miso Lobster Ramen is the ultimate dish at Bones, the non-Asian noodle house in Denver.

Erin and I have always been wistfully jealous of our friends in Los Angeles and San Francisco, for lots of reasons but not least the fact that they can eat killer ramen any night of the week. We have our fave ramen-yas in both San Francisco’s Japantown and LA’s Little Tokyo (“ya” means “shop”). There’s also great ramen to be had on the East Coast — I’ve slurped up wonderful noodles and steamy broth in New York City’s funky little “Japantown” district on the lower East side

In Denver, for many years we had only one ramen-ya: Oshima Ramen, which was good (albeit pricey) when it opened about a decade ago, and has over the past few years become increasingly dirtier and greasier, and the ramen less special and more bland. As it went downhill, it gave us less and less reason to drive all the way across town for a sad bowl of noodles. Some people (including some food critics who don’t know better) think it’s “the real thing” but uh, sorry.

So Erin and I have made it a holy mission to find good ramen without flying to the coast, and some brave Japanese restaurants have met the challenge just in the past year or so.

The best we’ve found in the area is Okole Maluna, a Hawai’ian restaurant an hour north of Denver in the tiny eastern plains town of Windsor, whose owners serve a killer Saimin (Hawai’ian-style ramen). There’s a very good, very authentic ramen served in a little take-out food court in Boulder called Bento Zanmai. Although it’a a bit unorthodox, the miso-ginger ramen served at the late Hisashi “Brian” Takimoto’s East Colfax restaurant, Taki’s, is very good. And now, even the fast-foody Kokoro is serving ramen (but at only one location, on 6th and Broadway, and only after 4 pm). We keep hearing about a Korean-run Japanese restaurant in Longmont that we haven’t made it to. But as you can see, we’re willing to drive for a good bowl of ramen, so we’ll get there eventually.

Imagine our surprise, then, to find that there’s been a veritable explosion of ramen happening right under our nose (is that a triple mixed metaphor?) — and that it’s not ramen made by Asians! Continue reading