Artifacts contain our cultural history, that’s why they’re so precious

Hand-carved wood panels made in Amache in Colorado during WWII. These were among the items  that would have been auctioned.

Hand-carved wood panels made in Amache in Colorado during WWII. These were among the items that would have been auctioned. Here’s a link to the announcement on JANM’s website.


 
UPDATE MAY 3, 2015:T he Japanese American National Museum announced last night at a gala fundraising honoring George Takei (who’s a JANM board member as well as a community activist) that with Takei’s help, the museum will take in the collection of Japanese American concentration camp artifacts that were originally slated to go to public auction. This is great news, and a brilliant public relations move by JANM and its CEO, Greg Kimura. When can we expect to see the “Eaton Collection Exhibit?” Here’s the Facebook Page, “Japanese American History: NOT for Sale,” with announcements and reactions from the community.
 


I’ve watched the news in horror as ISIS forces have systematically destroyed ancient mosques, temples, artwork and artifacts in their zealous pursuit of religious absolutism. It’s patently offensive to me that there could be such callous disregard for an entire civilization’s recorded and preserved history.

Compared to such crimes against humanity, some people might think that the auction of a personal collection of artifacts from the imprisonment of Japanese Americans during World War II must be a minor controversy.

But the auction, which was to be held April 17, was canceled two days before, following an ad-hoc social media campaign and mainstream media coverage that was sparked by outraged Japanese Americans, was not a minor controversy.

It blew up into a big deal. A Facebook page named “Japanese American History: NOT for Sale” gained almost 7,000 followers after it was created on April 9. A Change.org online petition created just a few days before the auction got almost 8,000 people signed on.
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The students protesting for their high school history curriculum are fighting for JAs, too

Hundreds of Lakewood High School students, including this one, left their classrooms in September to protest a proposed history curriculum they believed would lead to censorship. Students organized the walkouts using social media sites like Facebook. Photo by Nic Garcia/Chalkbeat Colorado

Hundreds of Lakewood High School students, including this one, left their classrooms in September to protest a proposed history curriculum they believed would lead to censorship. Students organized the walkouts using social media sites like Facebook. (Photo by Nic Garcia/Chalkbeat Colorado)

I grew up as part of a generation that found our collective voice in protest, for African American civil rights, against the war in Vietnam, and to advocate for women’s and LGBT rights and Asian American studies.

College students have been at the forefront of many of these social movements. The Student Non-Violent Coordinating Committee was a cornerstone of the civil rights movement. College students led the free speech movement at the University of California at Berkeley, and the left-wing Students for a Democratic Society was formed at the University of Michigan. Students led protests across the globe, including the Prague Spring in 1968 all the way to the Tiananmen Square protests of 1989. Even the Taiwan protests earlier this year and the current and Hong , Kong democracy protests.

But in Colorado where I live, my admiration goes out to a group of high school students, who have been protesting in Jefferson County, the school district where I graduated in the 1970s.
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How are Asian Americans reacting to the news from Ferguson?

One of the few times I heard a reference to Ferguson was in this panel: from left, Hansi Lo Wang (NPR),  Shefali S. Kulkarni (PRI), Ernabel Demillo (CUNY-TV), Emil Guillermo (AALDEF) and moderator Phil Yu (Angry Asian Man).

One of the few times I heard a reference to Ferguson was in this panel: from left, Hansi Lo Wang (NPR), Shefali S. Kulkarni (PRI), Ernabel Demillo (CUNY-TV), Emil Guillermo (AALDEF) and moderator Phil Yu (Angry Asian Man).

I just got back from a week in Washington, D.C. attending the Asian American Journalists Association’s annual convention. I sat in on a lot of interesting (and some not-so-interesting) sessions about social media and journalism, issues in the Asian American Pacific Islander (AAPI) community, and lots of other current topics in the news.

But one topic was barely mentioned as part of the panel discussions: The death of 18-year-old Michael Brown, an unarmed African American man who was shot by a local police officer in the small town of Ferguson Missouri, a suburb of St. Louis.

He was killed on August 9, and for the next week – during the AAJA convention – the tension in Ferguson between protesters and law enforcement has been front and center in the news.
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Asian values kept doctor who found herself in an emergency room from speaking up about the quality of her care

Dr. Charlotte Yeh in her AARP office, proudly holding her colorfully decorated cane.

Dr. Charlotte Yeh in her AARP office, proudly holding her colorfully decorated cane.

Note: As the Asian American Journalists Association AARP Fellow, I’ve been writing articles for the AARP.org website about AAPI themes but mostly work within the AARP AAPI Community’s social media platforms on Facebook and Twitter. I’m starting to write profiles of AARP’s AAPI volunteers and staff and post them to the AARP AAPI Community Facebook Page. This is the first profile I’ve posted, and because it’s such a compelling story that I’ve decided to repurpose it here. If you find the story is valuable, please LIKE the Facebook page!

When Dr. Charlotte Yeh wrote a powerful article earlier this year in the Washington Post about shortcomings in emergency care, she subtly hinted at the conflicting cultural values that affected her that night two and a half years ago when she was hit by a car as she crossed a street.

She was taken to a nearby hospital’s emergency department, but wasn’t given the level of customer care she would have liked. And she’s an expert on the subject: Trained in surgery, Dr. Yeh was an emergency department physician and experienced healthcare administrator.

But she didn’t complain or raise questions with the doctors and nurses giving her care that night. Instead, she wrote in her Post column recalling that night that she wanted to be the “good patient.”

“The good patient in me wanted to please the doctor and saunter out of the room, but the real person in me was scared,” she wrote, even though in fact she wasn’t sure she could even stand and walk at all.

That phrase, “good patient,” comes up three times in her article, and is an echo of a deeply-felt Asian value that affects many immigrants in the United States, as well as generations of Asian Americans.
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Katy Perry’s faux-Japanese American Music Awards performance was terrible

katyperry-kimono

Katy Perry opened the American Music Awards with an over-the-top performance of her song “Unconditionally,” dressed in a gaudy, faux-Japanese kimono (with Chinese-style mandarin collar and slits up the legs, as well as American-style exposed cleavage) and painted in hideous full-yellowface makeup to fake an “Oriental” look.

The performance has sparked some outrage in both the blogosphere and mainstream media. Maybe that’s what she wanted. She’s probably pissed that Miley Cyrus has been getting all the media attention recently for her edgy, racy performances.

The opening notes of the AMA segment (below), plucked out on shamisen, a traditional Japanese stringed instrument, while a woman in kimono was silhouetted behind a Japanese shoji screen, had me hopeful that something that showed respect, appreciation and understanding for Japanese culture was about to be broadcast.

But no.

As the screen is pulled away and the woman behind it — Perry in her fake kimono — started singing, my heart sank and my gut clenched. Here we go again, a cultural mishmash of what white people think is “Japanese” all thrown into one ugly, cluttered, throw-in-the-kitchen-sink four-minute nightmare.
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