Quick culture check-in: Disposable chopsticks’ ends

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Here’s a query from Facebook, where someone shared a story about how the blocky end tips of disposable chopsticks are meant to be snapped off and used as chopstick holders on your table (image to the right).

I responded with this comment and posted some photos I took:

I’ve seen this post, or one like it, before. I can honestly say that although you might be able to do this with the tab, here’s why I think this is a bogus theory:

1) The block is pretty small, and would not serve as a very good chopstick holder.

2) Japanese (most of the disposable chopsticks with this block at the end are manufactured for Japanese consumers, made from stripping bamboo rainforests all through SE Asia) are sticklers for packaging and usability, and if these pieces were meant to be snapped off, there would be a notch to make it easy to break off.
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My New Year column written for the JACL’s Pacific Citizen newspaper

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I’m the chair of the editorial board of Pacific Citizen, the national newspaper of the JACL. Below is my column in the New Year’s issue of the PC. I wanted to post it here and also add even more current concerns given President Trump’s rocky first three weeks, his eyebrow-raising relationships with world leaders (including Japan’s Shinzo Abe, which merits a separate blog post), the currently on-hold Muslim travel ban, and the wild ride of national security issues climaxing — with possibly more climaxes to come — in the resignation of Trump’s National Security Adviser. On top of all the political insanity in a dangerous and shifting world, racism and prejudice still loom large, not just against African Americans, Latinos, Muslims and Jews but also against Asians in America.

The photos at the top are mirror images of anti-Asian ignorance. The first is from a news story today about racist graffiti on the Minneapolis home of a Hmong American family; the other is a very similar message on a Japanese American family’s home 75 years ago. This year we mark the 75th anniversary of the signing of Executive Order 9066. We need to think about that document’s impact on America, and hope we don’t make the same mistake today.

Here’s my column:
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Read who, how and why Japanese settled in Colorado

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Most books about Japanese Americans focus on the West Coast because that’s where Japanese first arrived and settled on the US mainland.

So few well-known books tell the stories of Japanese as they crossed the country and decided to live in the mountains, or the midwest, or the northeast or the south. Yet I know of communities of JAs in New York (not surprising), Arkansas, Texas, New Mexico, Nebraska and Utah. I have JA family in Atlanta who speak with a sweet Southern drawl. I recently interviewed a JA woman in Nashville, Tennessee (who admitted the Japanese community there is minuscule and good Japanese restaurants hard to find).

The point is, the Japanese American story isn’t just about California, Oregon and Washington (and Hawai’i). We’re spread out, and quite often, the stories behind our arrival away from the West Coast can be compelling and as rich with history and promise, hopes and dreams, tragedy and triumph as the stories of the pioneering families who settled on the coast.

That’s why I enjoyed reading “We Chose Colorado,” a collection of oral histories from Japanese and Japanese Americans who live in Colorado — mostly in the Denver area. The book is by Joyce Lebra, Professor Emerita at the University of Colorado and a longtime expert on Japan and India. She’s written non-fiction books about the history of Japan, as well as novels set in Japan. Lebra was raised in Hawai’i and lived in Japan for 10 years. She received her doctorate in Japanese History from Harvard and Radcliffe, and lived through a big moment in Japanese history herself.
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George Takei’s “Allegiance” is coming to a theater near you Dec. 13, 7:30!

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NOTE: A full version of this post with more from Takei as well as cast members and producer, as well as videos from the musical, was originally published on Dec. 7, 2015.

After a November performance at the Longacre Theatre in New York’s fabled Broadway district, George Takei and other cast members answered questions about their powerful musical, “Allegiance.”

“I remember we started the school day, each day, with the Pledge of Allegiance to the flag. I could see the barbed wire fence and the sentry tower right outside my school house window as I recited the words, ‘with liberty, and justice for all.’”

Takei recalled his experience as a child, sent with his entire family to a concentration camp along with more than 110,000 people of Japanese descent during World War II – including, like Takei, half who were born in the US and therefore American citizens.

At age 78, Takei made his Broadway debut in the musical, which tells the story of Japanese American incarceration inspired by Takei’s childhood. The parallels between the 1940s incarceration and the national mood today are striking. Talk of banning Muslims, and citing the Japanese American incarceration of 75 years ago as a “precedent” for creating a Muslim registry, rings some serious alarms for anyone who’s studied the wartime injustice.

Takei has spoken out eloquently on his vast social media networks in response to the current hate-filled climate.

Educating the public about what happened to Japanese Americans, who were removed from the West Coast and sent to nine concentration camps as far east as Arkansas, is one of Takei’s lifelong goals. His family spent the war years in Rowher, Arkansas.

“I’m always shocked when I tell the story (of Japanese American incarceration) to people that I consider well-informed,” he said, “and they’re shocked and aghast that sometime like this could happen in the United States. It’s still little-known. So, it’s been my mission to raise the awareness of this chapter of American history.”

“Allegiance” accomplished Takei’s goal with Broadway grandeur that matches any hit musical, with songs that soar and tug at heartstrings, tight choreography and a storyline that is familiar to many Japanese Americans, but not to the public at large.

The musical ran for several months on Broadway. And now, it’s being screened across the country in movie theaters on Tuesday, Dec. 13.
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Trump supporter says internment is precedent for Muslim registration

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eo9066-civilianexclusionorder-posterThe slope just got a little slippery.

Carl Higbie, a former Navy SEAL who’s the spokesman for the Great America PAC supporting Donald Trump, was recently interviewed on Fox News’ “Kelly File.” The president-elect’s transition team is discussing plans for a registry for Muslim immigrants, he said, and there were historical precedents for such a registry including the imprisonment of Japanese in “internment camps.”

“We’ve done it with Iran back a while ago,” Higbie said, and continued, “we did it during World War II with the Japanese.”

What?

To her credit, Fox News anchor Megyn Kelly called out Higbie, exclaiming in no uncertain terms, “You can’t be citing Japanese internment camps as precedent for anything the president-elect is gonna do!”

This idea isn’t new. It bubbled up last fall during the campaign, when candidate Trump told a TV reporter he supported creating a registry for Muslims, as an addendum to his statement that he would ban immigration of all Muslims. It’s apparently now part of Trump’s plans for “extreme vetting.”

What’s next, requiring Muslims to have ID badges like Jews had to wear in Nazi Germany?

Would Muslims be imprisoned like the 120,000 people of Japanese descent who were incarcerated after President Franklin Roosevelt signed Executive Order 9066 on Feb. 19, 1942? That order allowed the U.S. Army to remove anyone of Japanese descent (half of the population was born in the U.S., so they were American citizens) from the West Coast and place them in prison camps surrounded by barbed wire and guard towers, for reasons of military security. Many of these families lost their homes and business and farms.
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