Meet the Beatles again… sort of

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Although a small label had unsuccessfully released some singles in 1963, most American rock and roll fans were introduced to a new band from England via Capitol Records’ 1964 album, “Meet the Beatles.”

That album, and the subsequent visits by the mop-topped Liverpudlians to the U.S., sparked by appearances on TV including historic performances on the “Ed Sullivan Show,” re-set an entire generation’s emotional gyroscope. Beatlemania brought with it a different kind of music, pop that popped with surging harmonies and was driven by hard, clangy rhythms, shot through with the soul and R&B of rock’s roots but also energized with a new kind of electricity.

The Beatles were the prototype for power pop, a genre that generations of bands, fans and rock critics have been seduced by ever since “Meet the Beatles.”

The list of power-pop artists that have been critically heralded is long even though few have hit the charts and become rich and famous: the Byrds (as much power pop as folk-rock and later, country); Alex Chilton and Big Star, Marshall Crenshaw, Windbreakers, Bram Tchaikovsky, the Records, Flamin’ Groovies, Let’s Active, Bangles, Nick Lowe, Matthew Sweet, Rubinoos, the Shoes… the list goes on and on.

One power pop band that actually has hit songs to its credit, the Smithereens, has gone full circle with its latest recording, “Meet the Smithereens.” It’s a song-by-song replica of “Meet the Beatles,” only done as the Smithereens. Continue reading →

Book ’em, Danno… all over again

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One of the cool things about traveling to LA is getting to watch KDOC, a local station that unearths old TV shows and airs them. For some reason, whenever I’m in town I get to tune in to old episodes of “Hawaii Five-O.”

The show is fascinating to me for several reasons. It fit my early attraction for TV action shows (“Dragnet” just didn’t cut it) with its tire-squealing car chases and gun fights, and the cool, noir-hero cop Steve McGarrett, played by the square-jawed Jack Lord. It had one of the all-time greatest theme songs, which was recorded by the pioneering instrumental guitar-rock band the Ventures. It’s a cultural snapshot of a transitional time in post-war U.S. culture, when the generation gap produced by the baby boom was bulging into college age, and pop style was evolving from ’60s mod to ’70s avocado and harvest gold. Most of the men still had Brylcreemed hair, and the women had big poofy hairstyles when the show debuted in 1968 (it ran all the way to ’80). Continue reading →

“Heroes” on the tiny screen

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We don’t have cable TV — at least, not at the moment — and don’t have a TiVo or other digital video recorder. We also don’t watch much broadcast TV. Instead, we catch up on TV series on DVD, thanks to Netflix. We’ve burned through entire seasons of “24,” “Alias,” “X-Files,” “Smallville,” “Sopranos,” “Six Feet Under” and more in just a few evenings of crazed viewing. That’s just the TV shows — we also watch way too many movies, thanks again to Netflix.

OK, so it’s not healthy. But it means we control our movie and TV consumption. WE control the remote, not “The Outer Limits.”

Until now, all this controlled viewing still required a television. Now, there’s another way: the PC. My laptop not only plays DVDs, it can also play a number of TV programs, because increasingly, television networks are streaming content on the Internet.

I love all this access, because it extends my control, and allows me to watch TV when I want, or when I can. I’m currently catching up on “Heroes,” because I’ve missed a few of the episodes. Continue reading →

The “Long Tail” and my online tribute to a friend, Alan Dumas

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Newspapers come and the news is gone the next day. TV reports are even briefer. Magazines tell their stories week by week, or month by month, and then they’re forgotten. But content on the Internet has a more persistent life cycle. Now, content can live forever — or at least, a lot longer than it used to. And, in our current information age, content of all types can prosper even if it lies in the eddies and swirls along the edges instead of the mainstream of pop culture.

Chris Anderson, the editor in chief of Wired magazine, wrote an entire book (and blog) about this phenomenon, called The Long Tail. Here’s his theory, in a nutshell:

The theory of the Long Tail is that our culture and economy is increasingly shifting away from a focus on a relatively small number of “hits” (mainstream products and markets) at the head of the demand curve and toward a huge number of niches in the tail. As the costs of production and distribution fall, especially online, there is now less need to lump products and consumers into one-size-fits-all containers. In an era without the constraints of physical shelf space and other bottlenecks of distribution, narrowly-target goods and services can be as economically attractive as mainstream fare.

This idea of the Long Tail perfectly describes my experience with an online tribute page I created for my friend Alan Dumas, who died suddenly of a heart attack in April 1999. Continue reading →