Canadian teenage girl rages against South Asians in her town

Last year it was Alexandra Wallace, a UCLA student, who posted an amazingly racist rant on YouTube about all the Asians at her school. The video went viral, led to a bunch of satires by Asian Americans, and she got blasted for her insensitivity. She subsequently apologized for the video, then dropped out of school.

Now, the 2012 sequel to Alexandra Wallace’s video is by a 16-year-old secondary school student in Brampton, Ontario, Canada.

This video is outrageously racist. She goes off on the South Asians in her town and at her school, and equates them all with terrorists, calling them “turbanators.” She complains that walking down the hall at school, all she can smell is curry, and ends the rant by urging anyone who’s “brown” watching the video to “go back to your own country. I’m getting really tired of you guys taking over my city.”

The video is so over-the-top, I had to wonder if she was mentally stable. At one point, the 16-year-old spells out her name and invites other white people to connect with her on Twitter and Facebook (I’m not going to use her name here).

Phil Yu of Angry Asian Man posted a full text transcript of the video (some of the audio is hard to understand):
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V3con is the evolution of the Banana Asian American bloggers’ conference: Visibility. Vision. Voice.

Banana 2

The first Banana conference of Asian American bloggers back in November 2009 — almost an eternity in Internet years — was a revelation to me. Although I was familiar with some AAPI blogs, I didn’t feel like I was a part of a community of people like me, toiling away on our computers to pass on information and express our opinions on issues that matter to Asian Americans.

It was cool to meet some people face-to-face that I’d only I connected with online, and some bloggers who I admired, and make new friends.

Erin and I were invited to be panelists at Banana 1. It was a small gathering – in fact, organizer Lac Su didn’t want to call it a conference, he used the term “gathering” – held on the campus of the University of Southern California in Los Angeles. Su, the author of “I Love Yous Are for White People,” and co-founder Steve Nguyen (a filmmaker of ChannelAPA.com) came up with the idea to showcase the diversity of Asian American perspectives online.

Erin knew Lac from her emotional intelligence training — when he’s not promoting AAPI bloggers, Su is a psychologist, the founder and vice president of marketing for TalentSmart, a global think tank and management consulting firm based in San Diego. But I only knew him from his excellent book, a memoir of his upbringing in a refugee family that fled Vietnam for the U.S.

The gathering was planned quickly, but 20 bloggers showed up to be panelists, representing the well-known (Angry Asian Man, 8Asians) to the lesser-known but notable (Kimchi Mamas, Big WOWO). Phil Yu of Angry Asian Man was given an achievement award for his blog, which is a must-read for anyone interested in Asian America.

Banana 1 was a little raggedy, but real. It was an ad-hoc affair that attracted about 50 audience members, many of them also bloggers, and there was a lot of interaction between panelists and audience members. There was only one extended conversation that took much of the afternoon, with panelists fielding questions from Su that ranged from the provocative (women’s perspective in blogging) to confusing (if childhood traumas motivated us). The political bloggers criticized the pop culture bloggers for being shallow, and the lone Canadian on the panel criticized the event’s U.S.-centric worldview.

In the end, it was an inspirational afternoon of thoughtful conversation, and everyone left feeling like we were a part of something bigger than just ourselves and our blogs. It was a validation of our voice.

I wrote after attending Banana 1 that it felt like the start of something that would continue and grow.

It took a little over a year to organize, but Banana 2 took the inspirational spirit of the first conference and turned it into a terrific event for a couple-hundred people.
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Abeya Tsugaru Shamisen Performance Ensemble throwdown – who’s got the fastest fingers?

This jaw-dropping shamisen throwdown took place during a free performance sponsored by the Consul General of Japan at Denver, of ABEYA Tsugaru Shamisen Performance Ensemble. It’s an incredible eight-piece group that performs traditional folksongs (and original material) on the shamisen, a three-stringed lute with a tone similar to a western banjo, that’s plucked with a tool that looks like a putty knife.

The two men, Kinzaburo and Ginzaburo Abe, are brothers and both past national champions of shamisen. The woman, Maya Nemoto, who’s also an awesome vocalist, is the current national champion. These musicians are so amazing that it’s like imagining a similar face-off on guitars between rock giants like Jimmy Page, Richard Thompson and Les Paul.

Who do you think is the winner of this competition?

Denver marks the 100th anniversary of cherry trees from Japan to US by planting 50 trees

Chidorigafuchi Sakura Tokyo

Cherry blossoms at the Japanese Imperial Palace moat in Tokyo (photo Public Domain from Wikimedia Commons)

When I was a kid in Japan, my family would make the requisite trek out every spring to see the cherry trees, or sakura, blooming at places like the Imperial Palace (above) or Ueno Park, which is better known the rest of the year for a bustling train station and crowded market with smelly fish vendors. Sakura-viewing is such a historically significant cultural event in Japan that it has its own name: Hanami, or “flower-viewing.”

People — individuals, couples in love, entire families — stroll parks and avenues for Hanami and marvel at the fleeting beauty of the cherry blossoms, which bloom and then fall too soon as everyone picnics beneath the lovely pink cascade.

From the woodblock master Hiroshige's series, "36 Views of Mount Fuji" (Public domain)

The country feels so strongly about its precious sakura, that in 1912 Japan made a gift of friendship of 3,000 cherry trees to the United States. They were planted in Washington D.C., around the Tidal Basin (near the Jefferson Memorial), East Potomac Park and around the Washington Monument.

Those trees have become a springtime ritual for Americans as well, a popular seasonal tourist attraction. There’s a National Cherry Blossom Festival in Washington that runs from March 20-April 27 this year, with events throughout the month, as well as lots of “hanami,” except we call it “bloom watching.”

When my family moved Stateside in the 1960s and lived in northern Virginia, we would visit D.C. every spring to enjoy the sakura there.
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Asian Americans are making progress in mainstream American pop culture

I Am Bruce Lee

I happened to catch a terrific documentary the other night, “I Am Bruce Lee,” which combines a well-researched biography of the late great martial arts star Bruce Lee with interviews with everyone from his wife Linda Lee Caldwell, to LA Lakers star (and martial artist) Kobe Bryant who discuss Lee’s legacy and enormous influence on American pop culture.

Much of the documentary focuses on Lee’s efforts to overcome racial stereotypes of Asians that were prevalent in the 1960s and ’70s (many are still with us), and his struggles against a system that was stacked against featuring a male Asian in a leading role.

One segment got me thinking, where the film asserts that the system is still stacked against Asians – even today, there has been no major Asian male star who has the draw of, say, a Brad Pitt.

Sure, Jet Li for a time took up the martial arts mantle, and so did Jackie Chan. But Li’s talent never transcended his action roles, and Chan’s brand in Hollywood is as a comedic lightweight even though he can act in dramatic parts. Plus, once niched into martial arts, you’re always a martial artist. Even Bruce Lee might not have overcome that hurdle, had he lived.

There are some potential future contenders, though: John Cho can hopefully rise above the youth market appeal of the “Harold and Kumar” films and build on his butt-kicking role as Sulu in the new “Star Trek” movies, and it’s possible to imagine Tim Kang (TV’s “The Mentalist”) and Sung Kang (the “Fast and Furious” movies) cast as big-budget leads someday.

But I can’t monku (complain) too much about the lack of Asian men in star positions. The fact is, we’re doing so much better than just a few years ago in Hollywood, that we should be celebrating.

Less than a decade ago, I was giving speeches on the lack of Asian faces on TV and in movies.
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