Remembering John Lennon, Oct. 9, 2008

One of the great advantages of working for MediaNews Group Interactive is that our office, on the 9th floor of the same building that houses both the Denver Post, which we own, and the Rocky Mountain News, is that we have a terrific view. Located at the corner of Broadway St. And Colfax Ave., our building overlooks Civic Center Park, which is surrounded by us, the City and County Building, the Denver Art Museum and Denver Public Library complex, and the gold-topped Colorado State Capitol. Off in the distance to the west beyond the City and County Building rise the mellow foothillas and then the already-snow-dusted Rocky Mountains. With the sun shining and the air crisp with early fall — a rarity here, since fall is often skipped in the rush from summer to winter — it’s easy to remember why we love living in Colorado so much.

Today, the view off our 9th floor balcony of Civic Center Park showed some event going on. The summertime Farmers Markets had already stopped, and beside, they were held on Wednesdays and this was Thursday. You could hear the amplified sounds of music wafting up off street level, though, and a weird-looking tower was spitting out soap bubbles. There was a large, colorful peace sign drawn on the grass of the park, so I figured it must be an anti-war demonstration of some sort.

During lunch, I wandered downstairs and crossed the street to check it out. It turned out to be a peace-and-art event, and a celebration of the late musician-activist-Beatle John Lennon’s birthday. Lennon was born in Liverpool, England on Oct. 9, 1940. Continue reading

Multi-racial Asian Americans speak up

I wrote an article for Asian Avenue magazine, about mixed-race Asian American Pacific Islanders. The print edition, which is available at 500 locations around Denver, has lots of photos with it.

The article highlights some of the issues facing people of multiple racial heritage in general: the lack of acceptance by either side of your racial background; the disruption — or not — that a bi-racial relationship and children might cause within families; the richness of their experience, but also the cultural clashes. And, it also reflects the strength of identity that the people I interviewed have found for themselves, whether they’re Filipino and black, Korean and black, Japanese and Vietnamese, Japanese and white, or any other combination.

Maybe growing up mixed-race simply gives you the foundation to grow up internally with a strong sense of self, because your identity is such a major part of who you are externally.

Here’s my favorite quote, from a friend of mine that I used to work with, Michelle Butcher, who’s half African American and half Korean, and spends many weekends helping out her mom at a Korean gift shop on Havana in Aurora:

“I definitely feel that it makes my life more interesting to come from such a diverse background. How many black, kimchi eating, hip-hop listening, Korean girls do you know?”

Here’s also a sidebar article about the use of the word “hapa” for mixed-race Asians — its origins and the controversy over its use — as well asd a list of famous mixed-race AAPIs.

(Full disclosure: Erin is currently the Editor-in-Chief of AAm.)

Wanna host a Japanese Game Show on MTV?

You read it correctly: MTV is looking for a host for a new Japanese Game Show to be produced here in the U.S. They’re casting around for a hip young Asian American dude. here are the details, copied from an email I was sent by an MTV casting producer for series development:

“MTV is searching for a host for a fun, energetic Japanese game show pilot. They’re looking for outgoing, articulate, spirited people who appear to be between the ages of 21 – 35 and appear to be Japanese or of Japanese descent. Candidates must possess bold personalities and a devilish sense of humor.

“People that exude a lot of enthusiasm, have wicked personalities, distinct styles and possess a unique charm on tape should apply ASAP. The perfect candidate would have a Johnny Knoxville-like appeal. If this describes you, please email nycastingteam@gmail.com immediately. Television credits are not necessary. Improv / comedy backgrounds are a plus. There will be compensation.

“It is an amazing opportunity for the right talent, so please email nycastingteam@gmail.com with a headshot / pic and let them know why you’d be the perfect game show host. Must be well-versed in the English language. Union and non-union okay. Taping will be in New York.”

If I were young and hip, I’d apply. At least I got the JA male part down!

Boulder hip-hop contest rocks, recalls early days of punk music scene

The hip-hop dance scene of b-boys and b-girls isn’t exactly underground — 39 million votes were cast for the second season finale of “America’s Best Dance Crew” on MTV, and movies such as the 2007 documentary, “Planet B-Boy” and the movie “You Got Served” from 2004 (or, for that matter, the previous generation’s “Beat Street” and “Breakin‘” and “Breakin’ 2: Electric Boogaloo,” all from 1984), have all proven that there’s a healthy above-ground audience for the exciting moves and urban beat culture of hip-hop dance.

But last night, when Erin and I attended Rockers Rumble III, the third annual competition of Colorado breakdancers, held at CU-Boulder’s Glenn Miller Ballroom, I had a flashback of nights hanging out in crowded clubs, makeshift concert halls and low-rent bars in the early ’80s, when I used to be a music critic. The scene back then was small but growing, and there was a palpable sense of community, kind of a shared language and shared values. Everyone knew what was good and what was bad, and everyone agreed on the sound and spirit of the underground music scene.


Check out the move that comes about 20 seconds into this clip — and then watch for a couple more seconds.
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Korean dancers perform in Denver

Erin and I got to see a really interesting traditional Korean dance and music performance last week.

Think about it — you’ve seen taditional Japanese dancig in kimonos, and heard lots of traditional Japanese music, with the wood flute, koto and taiko drums. You’ve seen Chinese dance and heard Chinese music. And at events such as the Colorado Dragon Boat Festival, audiences have been intorduced to the traditional dance and music of Bali, Vietnam, Philippines, India and more… but not that much from Korea.

During the early years of the CDBF, a troupe of Korean seniors used to perform, but their act was mostly 20 minutes of the large group in traditional dress, circling the stage to no particular rhythm and randomly beating on drums. The festival has also featured a solo Korean dancer who did a slow and meticulous mask dance. Abd last year during the Miss Asian American Colorado pageant, one contestant performed a Korean fan dance with a bunch of cute kids helping out.

I’m not sure why, but there hasn’t been much exposure, at least in my world, of a lot of traditional Korean performance. Maybe the noisy, sometimes chaotic nature of traditional Korean dance just doesn’t appeal to Americanized tastes.

Whatever the reason, though, we got plenty on Saturday, Sept. 6, when the Korean Consulate General in San Francisco sponsored a rare U.S. visit by a Korean dance troupe, Festive Lands, for a performance at the DCPA’s Temple Buell Theater titled “Colorado Forever.”
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