Why Roger Ebert will always be remembered by Asian Americans

I’m glad Colorlines, via @Katchow, posted this clip of film critic Roger Ebert from 2002. I was going to track it down and post it myself, but they did the work for me.

Ebert attended the screening at Sundance that year for “Better Luck Tomorrow,” the landmark Asian American film that turbocharged the careers of, among others, director Justin Lin and actors such as John Cho and Sung Kang. The dark film turned the “Model Minority” Asian stereotype on its head, by following a group of Southern California Asian American high school students who are not model citizens.
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Naomi Hirahara, author of “Mas Arai” mystery novels, comes to Denver for a reading

Strawberry Yellow by Naomi HiraharaI’ve always been a fan of detective and crime mystery fiction, starting from my earliest days devouring the Hardy Boys and Three Investigators books when I was just a kid. I graduated to author Agatha Christie (including her female sleuth Miss Marple), Ellery Queen and of course, Sir Arthur Conan Doyle’s Sherlock Holmes. Then in college I fell in love with the hard-boiled noir novelists, such as Dashiell Hammett and Raymond Chandler.

Among this pantheon of excellent writers and their incredible fictional sleuths, these days I look forward to each new book by Naomi Hirahara in her Mas Arai series.

Arai is a little like Miss Marple — an unlikely crime-solver in the guise of a senior citizen. But he’s unlike everyone else I’ve read, because he’s a 70-something Nisei, or second generation Japanese American who was born in California but spent his childhood in Japan. He survived the bombing of Hiroshima and returned Stateside, where the plot of “Strawberry Yellow” takes root. It starts with the funeral of Mas’ second cousin Shug in Watsonville, California, where Mas worked on a strawberry farm upon his return from Japan after WWII. Shug grew up to become a renowned strawberry expert, cultivating new strains.

Mas grew up a little rough around the edges, but became a gardener in Los Angeles, married and had a daughter who’s now grown and he lives alone since the death of his wife. He’s a crusty old man who avoids conflict and also people, and hates controversy but seems to always find himself in the middle of a murder, or theft, or some other crime. And in spite of his quirky and thorny personality, he solves the problems.

You won’t find a sleuth like Mas Arai in the annals of crime fiction.

Naomi HiraharaAlong the way, Hirahara, who is herself the daughter of a gardener who was raised in Hiroshima, does a stellar job of accurately and lovingly reflecting her Japanese American (JA) community, including cultural traditions, venerated Japanese values, tangled family ties and the language. That includes not only lots of Japanese terms (she has a handy glossary online of some Japanese terms used in the Mas Arai books), but also capturing the heavily accented English of older JAs.
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Donate to put “Beyond the Bad & the Ugly” conference streamed online

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Here’s a conference I wish I could attend, but my schedule and budget don’t allow a weekend trip to LA on Saturday, March 23. Organized by the tireless Jeff Yang, who has a long history as a chronicler of Asian America and is currently a columnist for the Wall Street Journal covering AAPI topics in his perfectly titled “Tao Jones” blog, “Beyond the Bad & the Ugly” is a first-ever summit on Asian American stereotypes.

shattered-coverIt’s also a kickoff for the “Shattered” tour, a book-signing tour featuring Yang and various collaborators including Parry Shen, Keith Chow, Jerry Ma and others. The team have published “Shattered: The Asian American Comics Anthology,” a second volume and sequel to “Secret Identities,” the first anthology of comics starring Asian American superheroes, and written and drawn by Asian Americans.

The theme of “Shattered”/”Secret Identities” fits with “Beyond the Bad & the Ugly” because the comics are all about dispelling the wimpy stereotype of Asians in American pop consciousness, and pointing out that Asians are missing from the superhero pantheon. (Note: Stan Lee seems to have gotten the hint; he’s created a new superhero who’s Chinese named The Annihilator.)

Riffing off the comics anthology and the stereotype theme, Yang has assembled an awesome lineup of panels and speakers (see below for the schedule), and the day-long confab promises to be an empowering affair for all who attend.

For those of us who don’t live in La-La Land, and can’t afford to ever-increasing airfares (I’m starting to hate you, Frontier — a flight that used to cost a hair over $300 now costs over $1000!), Yang is trying to set up online livestreaming of the panels and is trying to raise money for the cameras and personnel through IndieGoGo: “Put Beyond the Bad & The Ugly Online!
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NMA.TV responds to US college student’s racist video, “Why I’d hate to be Asian”

Taiwan’s Next Media Animation, which produces animated commentary on news events, has become a reliable source for grins after every big international news story for their… uh, slant on world affairs.

This time they’ve responded to a U.S. college student Samuel Hendrickson’s racist rant on YouTube, Why I’d hate to be Asian” (which has since been removed, but you can read his points on 8 Asians’ response). His video evoked memories of Alexandra Wallace, who produced an offensive video after the 2011 Japanese earthquake and tsunami that made disparaging remarks, among other things, about Asian students at UCLA who were calling their families in japan to see if they were OK.

NMA’s response had me laughing out loud, though to be honest, it traffics in Hendrickson-style racist stereotypes by showing white women in Indiana to all be big fat farmers. My favorite responses are to “Most Asians look alike” and Hendrickson’s comment about pot-smoking Asians (the point he makes is that smoking pot makes Asians’ “Chink-eye” so small they look closed). (Language NSFW…) Also, NMA’s counter to Hendrickson’s crack about sweat shops is a little too approving of the reality of sweatshops.

It’s been a bad week for anti-Asian racism:
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