MANAA criticizes the yellowface depiction of Asians in “Cloud Atlas”

Here’s an update to my post of a few weeks ago, about the use of yellowface to have white actors playing Asian characters in “Cloud Atlas.” MANAA, the Media Action Network for Asian Americans, adds its voice to the chorus criticizing the big-budget Hollywood sci-fi for its ridiculous and laughable depiction of Asians:

FOR IMMEDIATE RELEASE
CONTACT: Guy Aoki (818) 241-7817

MANAA ASSERTS OFFENSIVE USE OF YELLOWFACE MAKE-UP AND
EXCLUSION OF ASIAN ACTORS IN THE FILM “CLOUD ATLAS”

LOS ANGELES-The Media Action Network for Asian Americans (MANAA) is criticizing the new Warner Brothers motion picture “Cloud Atlas”—promoted as artistically groundbreaking because its actors swap racial and sexual identities—as business-as-usual in its exclusion and offensive yellow-faced renditions of Asian people.

A multi-ethnic epic spanning 500 years and around the globe, “it’s an artistically ambitious approach to filmmaking,” according to the organization’s Founding President Guy Aoki.

“Unfortunately, it reflects the same old racial pecking order that the entertainment industry has been practicing for decades.”
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A visit to Nan Desu Kan: Cosplay takes the spotlight at anime convention

As an outsider to the anime and manga community Erin and I are drawn to Nan Desu Kan, Denver’s anime convention that celebrates its 16th year this weekend at the Marriott in the Tech Center, in large part for its attendees’ passion for cosplay. We’re not that familiar with the plethora of contemporary anime titles (though I did grow up as a kid in Japan watching the likes of Astro Boy).

But you don’t need to be an anime expert to appreciate the crazy freakshow (in the good way) of cosplay.

Cosplay is a word coined by a Japanese animator, Nobuyuki Takahashi, after attending a Los Angeles anime convention in 1984. He was taken by how many American fans dress up to role-play their favorite anime characters. When he returned to Japan and reported on his trip in the media at home, he called the phenomenon cosplay, a typical Japanese language trick of creating a pun by collapsing two words together: Costume Play.

At the Marriott last night, cosplay was front and center: The annual Cosplay Costume, the main event for many attendees, was held in the hotel’s event center. The lobby, halls, restaurants and conference rooms were all thick with people dressed to kill … in a cartoon. The hotel reserves every room — the entire building — for the three-day event.

And last night the highlight of the convention, the annual Cosplay Contest, was held.
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Yellowface redux: Why is it OK for Hollywood to cast white people as Asians?

Yellowface is back in Hollywood, and it’s as big, ugly, blatant and offensive as ever.

Racebending wrote about this a couple of weeks ago in “The Cloud Atlas Conversation: Yellowface, Prejudice, and Artistic License,” but as more and more people see the trailer for the new sci-fi flick “Cloud Atlas” (the film just premiered at the Toronto Film Festival) the outrage over the casting of white actors as Asian characters is beginning to boil over. I get pretty upset myself, just looking at Hugo Weaving (of “Lord of the Rings” and “Matrix”) shown here with his lids Asianized.

Now, one of the movie’s stars, British actor Jim Sturgess, pokes fun at the controversy by comparing yellowface to a frozen yogurt topping. Really:

Yellowface? Blackface? Pinkface? Pinkberry? Blackberry? Crackberry? Blueberry? Strawberry? Bananas? Frozen Yogurt? All the toppings?.Lovely

It’s easy for Sturgess to make light of this issue — he’s white. But yellowface is deeply offensive to me as an Asian American, and to a whole lot of Asians.
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Transformers 3D ride is the ultimate evolution of a Japanese-American hybrid franchise

Optimus Prime in Transformers The Ride-3D

During a recent trip to Los Angeles, Erin and I took the time to visit Universal Studios and play the part of tourists. The highlight — hands down — was “Transformers The Ride-3D,” an immersive thrill ride that took our breath away with its realism and extreme excitement.

The ride takes the characters from the hit series of sci-fi action films and adds a big boost of steroids to get your adrenalin pumping. Riders climb aboard an enclosed transport car that tilts and rolls on command, and once the ride begins, you put on 3-D glasses to become enveloped in the action. Because most of the ride is virtually presented, it’s hard to tell how far you’re traveling in the car — it’s not like a roller coaster or other typical amusement park attraction, where you can see the tracks and know where you’ve been and where you’re going.

The car (which is essentially a state-of-the-art flight simulator), goes around a 60,000 square feet building along 2000 feet of track amidst 3D scenes presented on 14 different screens showing panoramic images from 34 projectors. Being immersed in the set, the 3D effects don’t stop in front of you like they would in a movie theater or on your TV at home. They wrap around you, adding to the immediacy of the experience.
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“Gangnam Style” artist PSY signed to US deal: Will he be the 1st Korean superstar here, or a one-hit wonder?

Scooter Braun, the management guru behind Justin Bieber and Carly Rae Jepsen, today announced he’s signed Korean rap artist Park Jae-Sang, better-known as PSY, the dude with the huge viral video hit, “Gangnam Style” (see above).

The goofy, annoying techno-dance thumper with the horsey-straddling giddyup choreography is unavoidable — with more than 107 million views as of this writing, it’s become a meme with a life of its own. There’s a pretty fun (slightly less annoying) mashup of the song with bits by LMFAO, Far East Movement (featuring Dev), Offspring and Bloodhound Gang titled “Like a Bad White Guy Party Gangnam Style” (see below).

The song’s video was choreographed by PSY, whose name is a reference to “psycho” for his outsized personality. The “Gangnam” in the song refers to the high-toned part of Seoul, where he probably hangs out — Park is a star in Korea.

No doubt the song will now become a megahit with the backing of a US pop music label. There’s a general buzz around Korean pop music, or Kpop, these days, so PSY benefits from that spotlight.
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