The music is straight ahead jazz — the classic, swingy stuff with lots of space between instruments and a smoky, sultry voice caressing the lyrics. It’s jazz, the classic American artform. But the words… aren’t… English. The words to the lovely “Dahil Sa Yo (Because of You)” are sung in Tagalog, the native language of the Philippines. It’s a jazz standard nonetheless, written for a Filipino movie in 1938 and better known for an English-Tagalog version recorded in 1964 that made the charts in the US.
The singer is Charmaine Clamor, the self-described “Queen of Jazzipino,” who sings with a lovely voice in both English and Tagalog, a range of songs from traditional jazz to a fine jazzy version of the U2 rock hit “With or Without You,” to traditional folksongs of the Philippines in her jazzipino style.
Clamor’s built a loyal following of Filipinos worldwide by bringing her jazz chops to songs in Tagalog, updating her cultural heritage with a modern sheen. She was born in the Philippines and started singing when she was just 3, entertaining bus riders. She later learned to play the piano and accompanied her mother, who sang Filipino torch songs called “kundiman.” Her family moved stateside when she was 16 and she retained her cultural ties to the Philippines.
She’s released four albums, including the wonderful, low-key “My Harana: A Filipino Serenade” that’s almost entirely in Tagalog, and mostly sparingly accompanied with just a guitar or percussion. For fans of Brazilian jazz and samba sung in Portuguese, sitting back with Clamor’s Tagalog songs has the same lilting, lulling effect.
Clamor kicks off her 2007 album “Flippin’ Out” with a wonderful take on “My Funny Valentine,” “My Funny Brown Pinay,” a powerful affirmation of her ethnic identity that starts out with a spoken poem backed by piano, bass and drums before she breaks into the melody: Continue reading →
Erin and I are taking September off from doing interviews for visualizAsian.com, our series of live conversations with leading Asian American Pacific Islanders. But we’re kicking off October with a star: Tamlyn Tomita, whose inspirational career as an actor spans movies, television and the stage, and whose leadership and activism spans the Japanese American and Asian American Pacific Islander communities.
Our conversation with Tamlyn Tomitawill be on Tuesday, October 6 at 6 pm Pacific Time (7 pm MT, 8 pm CT and 9 pm ET) is archived as an MP3 and is available for download for a limited time.
When we thought of starting visualizAsian.com, Tamlyn was the first person we thought of to interview, because of her prominence and passion, and because we’d met her on the set of “Only the Brave,” Lane Nishikawa’s powerful movie about the Japanese American soldiers of the 100th Battalion/442nd Regimental Combat Team.
She was funny, approachable, salty and very real. I have a very vivid memory of her during the filming, taking a break between scenes by sitting in her pickup truck (this was a low-budget production — no trailers for the stars). She was yelling and screaming and so animated we thought something was wrong. It turned out she’s a huge LA Lakers fan, and was listening to the playoff game in progress.
Last year, we saw her again at the Democratic National Convention, when I was one of the emcees at an APIA Vote Gala along with Tomita and Joie Chen, formerly of CNN. She’s a passionate, exciting and entertaining public speaker, and I’ve since seen her on video (just search YouTube) giving lots of speeches and serving as an emcee on many Japanese American and Asian American community events. Continue reading →