Tag Archives: movies

Susane Lee’s “Dream Big” video is a funny, biting, truthful look at how Hollywood sees Asians (NSFW)

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Asian American actress Susane Lee has had a number of roles mostly in theater and television, including series such as “Gilmore Girls” and “Young and Restless.” She’s also performed in a handful of indie films and had a supporting role in “The Soloist,” the 2009 feature film starring Jamie Foxx and Robert Downey Jr.

Now, she’s made a very funny and in-your-face rap video, “Dream Big,” that calls out the Hollywood stereotypes that hold back Asians from stardom.

Asian faces are much more common than even just a decade ago (thank you Sandra Oh, John Cho, Grace Park, Ming Na Wen, Kenneth Choi, Maggie Q, Daniel Dae Kim, Lucy Liu, Kal Penn, Mindy Kaling, Ken Jeong and many others), and those roles (mostly) don’t have to be played with thick accents and they’re not just martial artists or exotic sex kittens.

But we’re still in the minority in lead roles. We’re still too often the sidekicks and assistants.

And, it’s far too easy for the mainstream to marginalize us as the butt of ethnic jokes, like the racist stereotypes of the new Fox show “Dads.”

So hooray for Susane Lee for releasing this uncompromising and hilarious diatribe against Hollywood’s tunnel vision of Asians. Enjoy!

(Note: “uncompromising” and “in your face” means she drops the “F-bomb” a lot, so you probably don’t want to be playing this video loud at your office. If you wanna see it sans F-bombs, here’s a sanitized version of the video)

Yellowface redux: Why is it OK for Hollywood to cast white people as Asians?

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Yellowface is back in Hollywood, and it’s as big, ugly, blatant and offensive as ever.

Racebending wrote about this a couple of weeks ago in “The Cloud Atlas Conversation: Yellowface, Prejudice, and Artistic License,” but as more and more people see the trailer for the new sci-fi flick “Cloud Atlas” (the film just premiered at the Toronto Film Festival) the outrage over the casting of white actors as Asian characters is beginning to boil over. I get pretty upset myself, just looking at Hugo Weaving (of “Lord of the Rings” and “Matrix”) shown here with his lids Asianized.

Now, one of the movie’s stars, British actor Jim Sturgess, pokes fun at the controversy by comparing yellowface to a frozen yogurt topping. Really:

Yellowface? Blackface? Pinkface? Pinkberry? Blackberry? Crackberry? Blueberry? Strawberry? Bananas? Frozen Yogurt? All the toppings?.Lovely

It’s easy for Sturgess to make light of this issue — he’s white. But yellowface is deeply offensive to me as an Asian American, and to a whole lot of Asians.
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Transformers 3D ride is the ultimate evolution of a Japanese-American hybrid franchise

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Optimus Prime in Transformers The Ride-3D

During a recent trip to Los Angeles, Erin and I took the time to visit Universal Studios and play the part of tourists. The highlight — hands down — was “Transformers The Ride-3D,” an immersive thrill ride that took our breath away with its realism and extreme excitement.

The ride takes the characters from the hit series of sci-fi action films and adds a big boost of steroids to get your adrenalin pumping. Riders climb aboard an enclosed transport car that tilts and rolls on command, and once the ride begins, you put on 3-D glasses to become enveloped in the action. Because most of the ride is virtually presented, it’s hard to tell how far you’re traveling in the car — it’s not like a roller coaster or other typical amusement park attraction, where you can see the tracks and know where you’ve been and where you’re going.

The car (which is essentially a state-of-the-art flight simulator), goes around a 60,000 square feet building along 2000 feet of track amidst 3D scenes presented on 14 different screens showing panoramic images from 34 projectors. Being immersed in the set, the 3D effects don’t stop in front of you like they would in a movie theater or on your TV at home. They wrap around you, adding to the immediacy of the experience.
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“The Goods” DVD hit the shelves this week w/ racist scene intact

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"The Goods" is now available on DVD, with an offensive racial scene intact."Before the Paramount comedy “The Goods: Live hard, Sell Hard” was released in August, the Asian American blogosphere was abuzz over the extended online trailer for the movie, which showed a disturbing scene with Ken Jeong being beaten up by fellow car salesmen just for being Asian, when star Jeremy Piven gets them all worked up over the memory of Pearl Harbor. The bloggers, including Angry Asian Man and 8Asians as well as Nikkei View, covered the issue enough that it led to protests and meetings between AAPI groups with Paramount studio execs.

Those meetings led to a public apology from Adam Goodman, President and CEO of Paramount.

The timing was terrible, because the trailer was airing just before the anniversary of the murder of Vincent Chin, who had been beaten to death in 1982 by laid-off auto workers who blamed Japanese cars for losing their jobs. The racist scene was edited out of the trailer. However, the scene, which includes Jeong getting beaten up and then Piven joking about covering up the hate crime, remained in the theatrical release because it was too late to pull from the movie.

The leaders of AAPI organizations who met with Paramount also believed that the offensive scene would be edited like the studio was able to do with the trailer (the revised preview takes out the most obnoxious elements, including the use of the word “Jap,” even though it keeps Jeong’s beating intact).

But the DVD was released this week and is available in stores nationwide with the offensive scene still in the movie. The studio claims the production of the DVD was too far along to change the scene. Continue reading →

Austin Asian American Film Festival screens Nov. 12-15

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The Austin Asian American Film Festival.

Alas, there is no Asian film festival in Denver. There used to be — the Aurora Asian Film Festival was held in Denver’s eastern suburb (people in Aurora hate for their city to be called a suburb). It was sponsored by the Denver Film Society, the folks who bring the annual Deniver International Film Festival to town. But it folded after a few years because the local AAPI community didn’t support it (Japanese only went to Japanese films, Chinese went to Chinese films, Filipinos… well you get it. And, many of the communities tried to have too much of a say in what movie should or should not screen. If it was racy, or showed a negative side of the community, the Film Society would get push back to switch the film, or have to fight to show it. So ultimately, it was too much hassle for the trouble. As the Japanese would say, it was mendokusai (a pain in the ass).

So I read with envy as the months go by about the San Diego Asian Film Festival, the San Francisco Asian Film Festival, and others. Because I can’t go, I usually don’t write about them. I tend to write about things that affect readers here in Debver, whether it’s a national issue that affects all Asian Americans, or about a Denver Asian community event.

But I want to say a few words about the Austin Asian American Film Festival, because 1) it’s in one of my all-time favorite towns and 2) I beat up on Austin a little bit a couple of months ago when I wrote about an Asian festival down there that used the “wonton” font, which bugged me, and 3) because Eugenia Beh is doing the publicity for the festival and she’s cool and works tirelessly for AAPI causes including Asian Americans for Obama.

I traveled to Austin for many years during my music critic days, to spend a blissful week at the South By Southwest Music & Media Conference, and most of the time was spent enjoying Austin and the great food and the great people… and oh yeah, listening to a lot of music.

I wish I could go to the AAAFF — it sounds wonderful. Continue reading →